For 520 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Ed Bark's Scores

Average review score: 66
Highest review score: 100 The Honorable Woman: Season 1
Lowest review score: 0 Total Blackout: Season 1
Score distribution:
  1. Negative: 38 out of 520
520 tv reviews
    • 72 Metascore
    • 91 Ed Bark
    By the end of Episode 4, subtitled “It’s Not For Everyone,” the series is earning its mettle as a truly macabre, chilling and rousing war of attrition in which the winner will either take all or stop hell on earth in its bloody tracks.
    • 72 Metascore
    • 75 Ed Bark
    Veep has some funny lines and sight gags during the course of doing its dirty Washington business.
    • 71 Metascore
    • 67 Ed Bark
    Amply seasoned with treachery, lechery, debauchery, depravity, nudity and infidelity, HBO's Rome also tends to fall victim to filmmaking's cardinal sin - tedium. [28 Aug 2005, p.3]
    • Dallas Morning News
    • 69 Metascore
    • 83 Ed Bark
    Flexing the foolproof formula and first-rate production values of its predecessor, this spinoff quickly proves to be a turn-on. [23 Sep 2002]
    • Dallas Morning News
    • 71 Metascore
    • 83 Ed Bark
    Overall impression: look for them [the episodes] to get better, stronger and funnier.
    • 71 Metascore
    • 91 Ed Bark
    Maron, 49, seems to be effortlessly gliding through his angst, laughing only rarely while giving viewers far more reason to do so.
    • 53 Metascore
    • 75 Ed Bark
    Ritter is still quite adept at broad, keep-it-simple comedy, and this one plays to his strengths. [17 Sep 2002]
    • Dallas Morning News
    • 71 Metascore
    • 83 Ed Bark
    Some of its mumbo jumbo may hurt your head, but the last words of Episode 2 are precisely on point. They whet the appetite for more, more.
    • 71 Metascore
    • 75 Ed Bark
    The special effects are better than decent and the ensemble cast wears pretty well as Falling Skies begins to hit its stride.
    • 71 Metascore
    • 75 Ed Bark
    Principally armed with Ritter and Van Der Beek, [series' creator/executive producer/writer, Nahnatchka Khan] makes Don't Trust the B a find if not a treasure just yet.
    • 70 Metascore
    • 75 Ed Bark
    Brooklyn Nine-Nine, with its solid supporting cast aiding and abetting Samberg, has a so far/so good first outing that rises above the majority of this season’s new fall comedies.
    • 70 Metascore
    • 91 Ed Bark
    Vikings enthrallingly captures the world of Norsemen and oarsmen, circa 793 in the Eastern Baltic but soon heading West to England.
    • 70 Metascore
    • 58 Ed Bark
    Fox made the first two episodes available for review. They’re watchable but also sadly a little comical, with Jack again all clenched up while speaking in a gasping-for-air rasp or silently clenching his jaw.
    • 70 Metascore
    • 75 Ed Bark
    On the surface at least, it's hard to imagine responding to CW's three-pronged tagline attack of "Small fish. Big pond. Huge dreams." Wonder of wonders, though, this series sells its premise while only occasionally trying way too hard.
    • 70 Metascore
    • 67 Ed Bark
    For now, Levy is an OK mix of insolence and vulnerability, Hines is her usual hoot and Sisto shows signs of being nimble on his feet in an arena where he's still learning the ropes.
    • 70 Metascore
    • 67 Ed Bark
    At least it's different, even though your basic "reality" competition trappings remain firmly in place.
    • 70 Metascore
    • 58 Ed Bark
    The fight scenes are easily digested but those down times can really make your head hurt.
    • 53 Metascore
    • 70 Ed Bark
    Both subversively funny and sophomorically silly. [11 Apr 1999]
    • Dallas Morning News
    • 69 Metascore
    • 91 Ed Bark
    A summertime winner here on the strength of strong acting, engaging writing and an immediately gripping premise.
    • 69 Metascore
    • 67 Ed Bark
    Perhaps The Fugitive will slow its frenetic pace in future episodes. The original show had its share of narrow escapes but didn't rely on heavy-duty action every week. They instead focused on Kimble's close encounters with strangers, some kind, others sinister. [6 Oct 2000, p.1C]
    • Dallas Morning News
    • 69 Metascore
    • 75 Ed Bark
    So far it’s promising without being riveting, with the potential to be Facebook--or Myspace.
    • 69 Metascore
    • 90 Ed Bark
    A comedy worth telling your friends about. [20 Mar 1995]
    • Dallas Morning News
    • 69 Metascore
    • 67 Ed Bark
    Clear History is amusing enough to pull a viewer through it, although those who haven’t yet acquired a taste for Curb might find it the equivalent of a pricey two-drink minimum without enough payback.
    • 69 Metascore
    • 100 Ed Bark
    These first two episodes are gut-busting, non-stop fun.
    • 69 Metascore
    • 50 Ed Bark
    The NBC series deteriorates from a graphic but promising first episode to a third hour that basically falls apart from any rational credibility standpoint.
    • 69 Metascore
    • 100 Ed Bark
    HBO has done it again, investing in a project of substance and a lead actress who powers it home.
    • 69 Metascore
    • 58 Ed Bark
    That initial heat from Season 1 has been lowered to room temperature. Kinnaman continues to give The Killing a pulse. But he can’t do it alone, and at this point merits a new, more vital vehicle in which he can really gun his engines.
    • 69 Metascore
    • 58 Ed Bark
    The Mindy Project is a minor disappointment in light of all the accomplished guest stars populating its opening half-hour.
    • 69 Metascore
    • 75 Ed Bark
    [The episodes] sequentially get better and deeper, with the tragic back stories of Athos and Aramis fueling hours three and four.
    • 69 Metascore
    • 70 Ed Bark
    A textured drama ... Intelligence takes precedence over "sassiness." [25 Jun 2000]
    • Dallas Morning News