Edward Guthmann

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For 414 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 4.2 points higher than other critics. (0-100 point scale)

Edward Guthmann's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Naked Gun 33 1/3: The Final Insult
Lowest review score: 0 Vulgar
Score distribution:
  1. Negative: 48 out of 414
414 movie reviews
    • 58 Metascore
    • 50 Edward Guthmann
    The story doesn't quite pay off, characters are underwritten and the surprise ending is contrived and unconvincing.
    • 69 Metascore
    • 50 Edward Guthmann
    Although some of its parts are brilliantly executed and played by a terrific cast, the result is scattered, overamplified and unsatisfying.
    • 47 Metascore
    • 50 Edward Guthmann
    Lacks the kind of rhythm and snap to make it work -- and allows this fitfully entertaining romp to dribble on way too long.
    • 46 Metascore
    • 50 Edward Guthmann
    A not-insubstantial comedy.
    • 46 Metascore
    • 50 Edward Guthmann
    An arid, uninvolving film that suffers from Burrows' miscasting as the vain Julie.
    • 33 Metascore
    • 50 Edward Guthmann
    Pryce is very good, but Very Annie Mary is a bit too eager to please.
    • 60 Metascore
    • 50 Edward Guthmann
    We're left with a metallic aftertaste.
    • 55 Metascore
    • 50 Edward Guthmann
    Unabashedly sentimental, it's meant to touch our hearts in profound and important ways, but misses the mark by drawing too deeply from a pool of schmaltz.
    • 72 Metascore
    • 50 Edward Guthmann
    Sinks into melodrama.
    • 71 Metascore
    • 50 Edward Guthmann
    A dark, unsettling drama from Italian filmmaker Matteo Garrone.
    • 36 Metascore
    • 50 Edward Guthmann
    So quick that the flat moments are rapidly, inevitably chased by a new gag.
    • 73 Metascore
    • 50 Edward Guthmann
    A provocative, upsetting film.
    • 22 Metascore
    • 50 Edward Guthmann
    Pokemon is over.
    • 42 Metascore
    • 50 Edward Guthmann
    Harmless enough, and its team of actors so frisky and enthusiastic that it manages to deliver a modicum of laughs despite itself.
    • 70 Metascore
    • 50 Edward Guthmann
    The story of an elaborate con game and the wholesale betrayal of an innocent man, it's also an unusually cold film that ends with a feeling of hollow soullessness.
    • 60 Metascore
    • 50 Edward Guthmann
    In Hollywood, where integrity is rapidly consumed and careers defined by market value, there's trash and there's trash with a pedigree.
    • 71 Metascore
    • 50 Edward Guthmann
    When Ross gets serious and grasps for allegorical import, Pleasantville bogs down in mixed ambitions.
    • 49 Metascore
    • 50 Edward Guthmann
    Melodramatic take on love and war.
    • 45 Metascore
    • 50 Edward Guthmann
    The film's aim -- to dazzle and inspire -- is sapped by Cruise's vein-popping, running-the-marathon performance.
    • 51 Metascore
    • 50 Edward Guthmann
    By playing the boob so brilliantly, Atkinson allows us the catharsis of recognizing our own incompetencies and lack of poise.
    • 28 Metascore
    • 50 Edward Guthmann
    Neutralizes these characters, makes them cute and one-dimensional like fluffy dolls.
    • 38 Metascore
    • 50 Edward Guthmann
    Handsome and sincere but slightly awkward in its combination of entertainment and evangelical boosterism.
    • 53 Metascore
    • 50 Edward Guthmann
    A time-waster that might be diversionary on a dull cross-Atlantic flight -- but only in the absence of alternatives.
    • 66 Metascore
    • 50 Edward Guthmann
    A silly Hong Kong action flick from actor-turned-director Corey Yuen, fits nicely in the "bimbo fu" genre.
    • 37 Metascore
    • 50 Edward Guthmann
    As haunted-house thrillers go, Cold Creek Manor is more ludicrous than the average but at the same time more handsomely produced.
    • 52 Metascore
    • 50 Edward Guthmann
    Coming-of-age schmaltz fest.
    • 41 Metascore
    • 50 Edward Guthmann
    If your tolerance for Branagh's shtick and Woody's narrowness of focus is as low as mine, you can take solace in the director's joke on himself.
    • 41 Metascore
    • 50 Edward Guthmann
    Disappointing, pointless and repetitive.
    • 63 Metascore
    • 50 Edward Guthmann
    Spielberg uses a more conventional format than he did in the stripped-down black-and-white "Schindler's List,'' and delivers a film that veers between stoic political correctness and mushy pop-Hollywood platitudes.
    • 42 Metascore
    • 50 Edward Guthmann
    It's beautifully shot by first-time feature director Antoine Fuqua, whose eye for sensual surfaces, deft camera moves and elegant framing was refined with commercials and music videos

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