Elizabeth Weitzman
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For 2,189 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 The Kids Are All Right
Lowest review score: 0 Oz the Great and Powerful
Score distribution:
2,189 movie reviews
    • 88 Metascore
    • 88 Elizabeth Weitzman
    Even those who've long noted Polley's intelligence on screen will be amazed by the perception she displays as a filmmaker.
    • 85 Metascore
    • 88 Elizabeth Weitzman
    Bursting with so much amped-up energy, you may need to rest once it's finally done.
    • 78 Metascore
    • 88 Elizabeth Weitzman
    Bujalski celebrates the awkwardness of twentysomething life, allowing Dollenmayer to create a beautifully authentic portrait.
    • 80 Metascore
    • 88 Elizabeth Weitzman
    Happily, Morrison's actors grasp his intentions perfectly, shading their roles so well that we never quite get a handle on anyone. Each player is outstanding, but the highest praise must go to Weston.
    • 66 Metascore
    • 88 Elizabeth Weitzman
    Straightforward and immensely powerful, the movie offers a blunt assessment of the war from soldiers currently fighting it, and their perspective is not pretty.
    • 81 Metascore
    • 88 Elizabeth Weitzman
    Goldfine discover so many fascinating themes within their seemingly narrow subject that anyone with the slightest interest in history or human nature will find it absorbing.
    • 76 Metascore
    • 88 Elizabeth Weitzman
    Rarely do adaptations of stage plays work on screen, and almost never do they work as well as this one does. Most remarkably, the dryly comic "Moon" is virtually a one-man show.
    • 85 Metascore
    • 88 Elizabeth Weitzman
    Director Jafar Panahi has long been an eloquent and passionate representative for Iranian women. But judging by this deeply poignant comedy, they may not need a mouthpiece much longer.
    • 74 Metascore
    • 88 Elizabeth Weitzman
    Riveting update of George Bizet's "Carmen."
    • 81 Metascore
    • 88 Elizabeth Weitzman
    Pegg and Wright are armed with an endlessly impressive arsenal of attention grabbers, from witty editing tricks to a wry soundtrack and a joke-packed script that demands multiple viewings.
    • 81 Metascore
    • 88 Elizabeth Weitzman
    Whatever it is you're looking for - comedy, horror, parades of singing frogs and dancing kitchen appliances - you'll find it in Satoshi Kon's anime adventure, a jaw-dropping feat of imagination.
    • 83 Metascore
    • 88 Elizabeth Weitzman
    Heartbreaking and hilarious.
    • 86 Metascore
    • 88 Elizabeth Weitzman
    Hou intends to celebrate the classic 1956 children's film "The Red Balloon," and he has done a beautiful job. In fact, he may well have created a future classic of his own.
    • 71 Metascore
    • 88 Elizabeth Weitzman
    Everything you might want in a road movie: an off-the-cuff sense of adventure, a winningly scruffy charm and a whip-smart sense of humor.
    • 78 Metascore
    • 88 Elizabeth Weitzman
    Wrenching performances and painstaking visual and thematic compositions.
    • 77 Metascore
    • 88 Elizabeth Weitzman
    Working from his own original screenplay, Crowe builds a story line full of unexpected twists and digressions.
    • 85 Metascore
    • 88 Elizabeth Weitzman
    First-time filmmaker Edet Belzberg may be the first person to assign any value to the lives of the homeless Romanian youngsters featured in her harrowing documentary.
    • New York Daily News
    • 75 Metascore
    • 88 Elizabeth Weitzman
    The story is compelling, but Metropolis is such a visual masterpiece, it's easy to get lost within its seemingly endless layers of graphic complexity.
    • 83 Metascore
    • 88 Elizabeth Weitzman
    It is to Padilha's enormous credit that he steadfastly kicks aside our own culturally imposed frames of reference, insisting that we see the truth, and the humanity, within this very real story.
    • 81 Metascore
    • 88 Elizabeth Weitzman
    Everyone involved can claim credit, but it's Dinklage, in an understated, outstanding performance, who turns this unlikely tale into art that will strike a chord with any open-minded audience.
    • 84 Metascore
    • 88 Elizabeth Weitzman
    Some of the artists appear ecstatically transported as they play. Others are just having one hell of a good time. Believe me, it's contagious.
    • 70 Metascore
    • 88 Elizabeth Weitzman
    Gripping documentary.
    • 76 Metascore
    • 88 Elizabeth Weitzman
    It's not so much good material as divinely inspired delivery.
    • 87 Metascore
    • 88 Elizabeth Weitzman
    Exhibiting the same sort of patience as his sensible hero, Philibert has created an extraordinarily humane portrait of a partnership between one adult and his very fortunate charges.
    • 85 Metascore
    • 88 Elizabeth Weitzman
    A raucous, riveting account of the greatest party you were never invited to.
    • 74 Metascore
    • 88 Elizabeth Weitzman
    It has the most beautiful ending of any American film in years, a coda of reconciliation and remembrance set in a gentle L.A. rain.
    • 79 Metascore
    • 88 Elizabeth Weitzman
    Director Lee Chang-Dong has boldly crafted a challenge rarely found on film. But if you choose to meet it, you'll be rewarded with one of the most original, indelible romances in recent memory.
    • 83 Metascore
    • 88 Elizabeth Weitzman
    Bar-Lev has created a film remarkable in its ability to capture both the worst and best of human nature.
    • New York Daily News
    • 77 Metascore
    • 88 Elizabeth Weitzman
    Overwhelmingly powerful.
    • 76 Metascore
    • 88 Elizabeth Weitzman
    A masterful collection of cinematic essays.