Elizabeth Weitzman

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For 2,261 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 All Is Lost
Lowest review score: 0 Spinning Into Butter
Score distribution:
2261 movie reviews
    • 53 Metascore
    • 38 Elizabeth Weitzman
    Lighter on horror than it is on inadvertent humor.
    • 53 Metascore
    • 38 Elizabeth Weitzman
    Madhur Jaffrey and Faran Tahir fare considerably better as Nina's conservative mother and brother, leaving us confused ourselves: Why didn't Patel focus on them, instead?
    • 53 Metascore
    • 20 Elizabeth Weitzman
    While plenty of gross-out comedies have come and gone in the last two decades, Leslye Headland's Bachelorette may be the most vulgar of them all.
    • 53 Metascore
    • 38 Elizabeth Weitzman
    The sort of slick-looking indie that plays well at film festivals, this heavy-handed boxing drama is really just a flyweight bulked up on cliches and false sentimentality.
    • 52 Metascore
    • 38 Elizabeth Weitzman
    It's not unusual for a Henry Jaglom film to fall into a black hole of narcissism, but he has outdone himself with his latest, a satire on Hollywood's unshakable self-absorption.
    • 52 Metascore
    • 25 Elizabeth Weitzman
    At heart, "BSM" is no different from the midnight movies of the '60s and '70s that reveled in a head-spinning blend of blatant exploitation, provocative racial commentary and overwrought performances.
    • 52 Metascore
    • 38 Elizabeth Weitzman
    Alternates between being amusingly pretentious and studiously dull.
    • New York Daily News
    • 52 Metascore
    • 20 Elizabeth Weitzman
    This Spanish sequel to a 2007 cult hit uses the way-overdone conceit of videotaped terror.
    • 52 Metascore
    • 20 Elizabeth Weitzman
    Who could have predicted that one day we would long for the relative subtlety of “Twilight”? Richard LaGravenese’s Beautiful Creatures is so outrageously florid, Bella and Edward’s baroque courtship looks understated by comparison.
    • 51 Metascore
    • 38 Elizabeth Weitzman
    The best part of this proudly absurd experience is the music.
    • 50 Metascore
    • 38 Elizabeth Weitzman
    At its best moments, the film offers a tender portrait of the park's youngest regulars, charmingly earnest performers from a nearby music school. But then, inevitably, their stories fade into a backdrop, as his camera turns to catch yet more women sunning in the square.
    • 50 Metascore
    • 20 Elizabeth Weitzman
    On the bright side, Ivan Reitman's disappointing new comedy isn't just cheap and formulaic, but so forgettable few people will even remember she (Portman) was in it.
    • 49 Metascore
    • 38 Elizabeth Weitzman
    Subtlety has never been Perry's strength, but his previous films balanced the sermonizing with good humor and sincerity. Perhaps next time, he'll ease up on the lectures, and bring back the love.
    • 49 Metascore
    • 38 Elizabeth Weitzman
    The movie eventually chokes on its own pretensions.
    • 49 Metascore
    • 38 Elizabeth Weitzman
    Ever been on a blind date that you knew would be dismal from the start? Well, this is the movie version of that date, stretched out over the slowest two hours imaginable.
    • 49 Metascore
    • 20 Elizabeth Weitzman
    Writer-director Carter Smith got his start as a successful fashion photographer. But you wouldn’t know it from the murky look of this generic thriller.
    • 49 Metascore
    • 38 Elizabeth Weitzman
    A great idea that never gets off the ground.
    • 49 Metascore
    • 38 Elizabeth Weitzman
    You may want to wait and watch "Never Land" the way it was meant to be seen -- as a straight-to-video baby-sitter.
    • New York Daily News
    • 48 Metascore
    • 38 Elizabeth Weitzman
    Does little more than re-create the oppressive feeling of suffocating employment. And why put yourself through that experience without the promise of a paycheck at the other end?
    • 48 Metascore
    • 38 Elizabeth Weitzman
    Just like its increasingly wan antihero, this blood-soaked series is on its last legs.
    • 48 Metascore
    • 20 Elizabeth Weitzman
    Though the central blowout is as epic as advertised, so is the movie's self-congratulatory obnoxiousness.
    • 48 Metascore
    • 38 Elizabeth Weitzman
    Goldberger's stubbornly insular script - adapted from a novel by Harry Crews - might have fared better on stage, where the story would feel more contained than suffocating. But by the time you crawl across this finish line, you'll know just how those sluggish the birdsfeel.
    • 48 Metascore
    • 20 Elizabeth Weitzman
    A tacky 'Fatal Attraction' for the lesbian set.
    • 48 Metascore
    • 20 Elizabeth Weitzman
    None of it makes any sense, but it is just nutty enough to provide a few (entirely unintended) laughs.
    • 48 Metascore
    • 38 Elizabeth Weitzman
    Despite catchy animation and a few intense scenes, there's simply nothing here we haven't seen before.
    • 47 Metascore
    • 20 Elizabeth Weitzman
    The Box is its own kind of awful, a disconnected mess that never finds its reason for being.
    • 47 Metascore
    • 38 Elizabeth Weitzman
    The full title of this animé import is WXIII (Patlabor the Movie 3), and if you think the name's confusing, you may want to spare yourself the work of figuring out the film itself.
    • 47 Metascore
    • 38 Elizabeth Weitzman
    The truth about Lies is that it's a case of art-house porn being more porn than art.
    • 47 Metascore
    • 25 Elizabeth Weitzman
    A mediocre movie that will be wiped from its stars' résumés with head-spinning speed.
    • New York Daily News
    • 47 Metascore
    • 38 Elizabeth Weitzman
    With so little action or even insight, Marathon is far too long at only 74 minutes. Perhaps for the sequel, we can come along as Gretchen watches paint dry.

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