Elizabeth Weitzman
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For 2,245 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.6 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Her
Lowest review score: 0 Spinning Into Butter
Score distribution:
2,245 movie reviews
    • 41 Metascore
    • 20 Elizabeth Weitzman
    Other than those related to cast and crew, it's difficult to imagine who else would sit through Ry Russo-Young's self-obsessed indie.
    • 41 Metascore
    • 38 Elizabeth Weitzman
    Unless you're struck by the urge to watch strangers work out their petty issues in couples therapy, it's hard to find a compelling reason to sit through Gregg Lachow's irritatingly self-absorbed indie drama.
    • 41 Metascore
    • 20 Elizabeth Weitzman
    Unless your own horoscope recommended wasting two perfectly useful hours of your day, take a pass.
    • 41 Metascore
    • 38 Elizabeth Weitzman
    We're bombarded by witless racial clichés, stale sexism and homophobia and enthusiastic celebrations of extreme flatulence.
    • 40 Metascore
    • 38 Elizabeth Weitzman
    Director and screenwriter Adam Brooks, adapting Jennifer Egan's novel, doesn't seem to understand what makes a movie relevant.
    • 40 Metascore
    • 20 Elizabeth Weitzman
    Statham brings so little energy that the fight scenes are hardly more vivid than the gambling ones. His one-liners have no heart; his cynicism is no longer sharp.
    • 40 Metascore
    • 30 Elizabeth Weitzman
    Hoping for a little emotional manipulation with your popcorn? Look no further.
    • 40 Metascore
    • 20 Elizabeth Weitzman
    Thirteen-year-old boys big enough to sneak into R-rated movies are presumably the prime audience for this witless comedy from the Broken Lizard troupe.
    • 40 Metascore
    • 38 Elizabeth Weitzman
    The movie veers so wildly between being zany and grim, we're left feeling more empty than entertained.
    • 39 Metascore
    • 38 Elizabeth Weitzman
    If karma exists, Alvin and the Chipmunks must be Lee's punishment for appearing in the likes of "Jersey Girl."
    • 39 Metascore
    • 25 Elizabeth Weitzman
    Dev Anand's unintentionally hilarious Bollywood romance would be considered terrible by any artistic standard, but it serves as proof that sometimes the worst films make for the most fun.
    • 39 Metascore
    • 25 Elizabeth Weitzman
    Mystifyingly bad given the talent involved, Southlander is an in-jokey, hipster escapade that appears to have been made on a drunken weekend because there was nothing better to do.
    • 39 Metascore
    • 38 Elizabeth Weitzman
    Though topnotch actors often can elevate mediocre material, they need a topnotch director to help them do it. Steve Carr ("Dr. Dolittle 2") is not that director.
    • 39 Metascore
    • 20 Elizabeth Weitzman
    So instead of the rom-com, we now have the “non-com.” The cardboard characters and predictable rhythms remain. But this time, we get all the comic cliches with none of the romance.
    • 39 Metascore
    • 38 Elizabeth Weitzman
    Would that the film were as interesting as the setting.
    • 39 Metascore
    • 38 Elizabeth Weitzman
    This lackluster outing is mostly just a retread of past glories.
    • 39 Metascore
    • 20 Elizabeth Weitzman
    It’s admirable that writer/director Michael Walker wanted to make a socially conscious thriller. But surely he didn’t have to replace all the thrills with broadly moralizing messages.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    The result feels as if she (Trish Doolan) gathered all her friends, turned on her camera and let them loose. Which is perfectly fine, if you don't expect anyone to pay to watch the finished product.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    Writer-director Claudia Myers' clunky debut feature makes the case that first-timers should probably focus on either writing or directing.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    Turns out to be as heavy and earthbound as an injured dragon.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    The marvelous Dussolier makes a poignantly aging lothario, but Fillieres is so off-puttingly strange, we don't really care what she thinks about.
    • 38 Metascore
    • 12 Elizabeth Weitzman
    Racist, misogynistic and breath­takingly cynical, Ernest Dickerson's clichéd crime drama Never Die Alone shamelessly exploits the degrada­tion of its irredeemable characters.
    • 38 Metascore
    • 20 Elizabeth Weitzman
    Dano is a talented actor who needs to aim higher, and it should go without saying that Deschanel can do - and should know - better.
    • 38 Metascore
    • 30 Elizabeth Weitzman
    Even in the lazy days of late August, this movie is hardly worth the price of popcorn.
    • 38 Metascore
    • 20 Elizabeth Weitzman
    One of those factors must have settled upon the unlucky shoulders of Stephen Frears, who certainly has the pedigree to go all the way. And yet, he stumbles so badly with Lay the Favorite, his comic adaptation of Beth Raymer's memoir, that one is left wondering what could possibly have gone wrong.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    It would be nice to say this predictable fantasy has such a big heart, we can forgive its excesses. But director Kirsten Sheridan overplays nearly every already-corny scene, and there is no chemistry between Russell and Rhys Meyers, who appear to be passing through on their way to better projects.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    This preposterous adaptation of the Book of Esther is recommended viewing only for those impressed that it comes endorsed by the American Bible Society.
    • 38 Metascore
    • 20 Elizabeth Weitzman
    Shabby on the surface and indulgent at its core.
    • 38 Metascore
    • 20 Elizabeth Weitzman
    The biggest trouble with "Bliss" is the way it wastes a cast that deserves so much more.
    • 38 Metascore
    • 38 Elizabeth Weitzman
    Since Adam Sussman's script is as lazy as Asif Kapadia's direction is disjointed, nothing ever makes sense, even after the anticlimatic explanation is revealed.

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