Elizabeth Weitzman

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For 2,261 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 We Steal Secrets: The Story of WikiLeaks
Lowest review score: 0 Left Behind
Score distribution:
2261 movie reviews
    • 33 Metascore
    • 38 Elizabeth Weitzman
    How do films this stale and generic continue to get made, let alone with topflight talent? Cedric has been stealing scenes from bigger names for nearly a decade; he deserves better than a few amusingly-improvised minutes at the end of his own movie. And so do we.
    • tbd Metascore
    • 38 Elizabeth Weitzman
    After languishing unseen for years, Laurent Firode's long-delayed comedy is finally getting its day in the sun. Too bad there's such a heavy shadow hanging over it.
    • 33 Metascore
    • 12 Elizabeth Weitzman
    Less a movie than a very expensive display of Afro wigs and macrame wall hangings.
    • 33 Metascore
    • 20 Elizabeth Weitzman
    On the plus side, the Irish landscape is gorgeous, and Scott and John Lithgow are amusing in small roles. But Goode barely makes an effort, so Adams' frantic exertions feel especially disheartening
    • 32 Metascore
    • 38 Elizabeth Weitzman
    Oddly enough, though, only the finale is predictable in a movie that appears to have been edited in an early-model blender. Not a single scene connects smoothly with the next.
    • 32 Metascore
    • 25 Elizabeth Weitzman
    On the whole, this is an awfully long slog through very arid terrain, in which generic soldiers track, fight and try to escape from generic villains (you'd be surprised at how uninteresting mutant flesh-eaters can be). I can't speak for the hills, but I spent most of the movie just trying to keep my eyes open.
    • 32 Metascore
    • 38 Elizabeth Weitzman
    Oddly enough, given his limited role, the movie seems to have been made around Nelly; when he's not onscreen, everything falls apart.
    • 32 Metascore
    • 38 Elizabeth Weitzman
    Scenario is ripe for subversive humor, but Ralston never even questions the superiority of the genetically privileged.
    • 32 Metascore
    • 20 Elizabeth Weitzman
    If only the movie could live up to its own potential. Instead, we're stuck with blandly unappealing costumed characters meandering through a boring quest to find some lost balloons.
    • 32 Metascore
    • 38 Elizabeth Weitzman
    The characters speak in Dialogue rather than English, the actors are so busy emoting they forget to act and the story feels like a first-draft college project.
    • 32 Metascore
    • 38 Elizabeth Weitzman
    If you're really hoping for a perfect holiday, steer clear of this stale fruitcake of a comedy.
    • 32 Metascore
    • 25 Elizabeth Weitzman
    Adam Rifkin's dank, relentless drama puts you savagely through the wringer without bothering to enlighten or entertain.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    Though Jaglom intends for us to be charmed by show folk, the amateurish performances and perennially misjudged direction wind up portraying them instead as boundlessly needy narcissists.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    The story has more holes than a shot-up metal door, the acting feels bored at best, and the intermittent action, while passable, hardly makes up for the downtime.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    Dramatically miscalculated satire.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    Striking naturalism and blatant dishonesty blend awkwardly in this bleak drama.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    The performances are dreadful, the direction shoddy and the final twist so idiotic, your mind can’t help but drift toward all the better scripts just waiting, sadly and silently, for the chance wasted here.
    • 31 Metascore
    • 25 Elizabeth Weitzman
    Even diehard fans will get more out of watching a four-minute music video than they'll find in this mixed-up mess.
    • 31 Metascore
    • 25 Elizabeth Weitzman
    The worst kind of horror movie: trash that takes itself seriously.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    "War" is depressingly mean-spirited.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    There are moments of amusing melodrama, but for the most part, the action is too preposterous to take seriously, and too serious to be very much fun.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    Rarely has there been a movie as misguided as Hounddog, which self-righteously indulges in exploitation while loudly decrying it.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    Cryer makes a likable sad-sack and Will Sasso provides balance as his narcissistic best friend. But both guys deserve better. As do we.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    In this group, only Hemsworth stands out.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    The real culprit is first-time director Marcel Langenegger, who seems to have studied for his debut by watching nothing but Cinemax. The score hints at ominous activities that never happen, a rain machine provides the only atmosphere and the actors have to suffer through the silliest sex scenes in recent memory.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    Before you spend good money to see the purported comedy, Blended, watch the trailer. The entire movie is packed into those 152 seconds.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    It's too bad the film never makes good on its early promise, but clearly, the rolling fireballs and flying bullets are the priority.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    Both LeBlanc and Larter glide through the synthetic setup like pros, but they have no connection because their characters barely resemble human beings.
    • 31 Metascore
    • 20 Elizabeth Weitzman
    The whole movie hinges on the allegedly miraculous romance between Beverly and Peter, but Goldsman’s leads are distractingly mismatched and lack even a spark of chemistry.
    • tbd Metascore
    • 38 Elizabeth Weitzman
    Paul Auster's suffocating romance makes you feel as if you're helplessly stuck inside the head of the most pretentious person you know.

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