Elizabeth Weitzman

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For 2,245 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 6.4 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 The Thin Red Line
Lowest review score: 0 I Hope They Serve Beer in Hell
Score distribution:
2245 movie reviews
    • 24 Metascore
    • 20 Elizabeth Weitzman
    Hudson has, if nothing else, traded up: last winter she was stuck in "Fool's Gold."
    • 24 Metascore
    • 38 Elizabeth Weitzman
    Don't let the title fool you. The one thing they have in common is how decidedly unerotic they are.
    • 24 Metascore
    • 38 Elizabeth Weitzman
    Enthusiastic performances help, but without a logical script or confident direction, the fizz very quickly goes flat.
    • 24 Metascore
    • 38 Elizabeth Weitzman
    There's a fascinating and terrifying story to be told about Elizabeth Bathory, the dramatically depraved 17th century sadist known as the Blood Countess.....This ain't it.
    • 24 Metascore
    • 20 Elizabeth Weitzman
    Franchise morphs into generic slasher series without Jigsaw.
    • 24 Metascore
    • 0 Elizabeth Weitzman
    Both visually and emotionally ugly from start to finish, this empty crime thriller doesn't have a moment that's genuinely worth watching.
    • 23 Metascore
    • 25 Elizabeth Weitzman
    Seemingly made while writer-director-star Cevin Soling was heavily under the influence, this generally witless ode to illegal substances is apparently meant to be viewed that way, as well.
    • 23 Metascore
    • 38 Elizabeth Weitzman
    You don't have to rise very high to get above the level of these gags.
    • 23 Metascore
    • 20 Elizabeth Weitzman
    Painfully dull thriller.
    • 23 Metascore
    • 12 Elizabeth Weitzman
    The film is smugly hypocritical at every turn, loudly preaching the evils of sick voyeurism while encouraging its audience to cheer every gruesome death. It's not only morally bankrupt but, between the ludicrous script and Z-level acting, scrapes the bottom of the entertainment barrel, too.
    • 23 Metascore
    • 38 Elizabeth Weitzman
    The plot is as riddled with holes as Matilda's victims, making her sudden appearances more distracting than distressing.
    • 23 Metascore
    • 20 Elizabeth Weitzman
    Does Hollywood have so little to offer women that well-regarded actresses feel obliged to accept demeaning indies like this flatly unfunny, morally vacant comedy?
    • 23 Metascore
    • 38 Elizabeth Weitzman
    The martial arts are well represented, the gentler arts -- like, for example, acting -- are not.
    • 23 Metascore
    • 38 Elizabeth Weitzman
    To be fair, Sandler deserves some credit for bringing us the first mainstream movie about Chanukah. Too bad it's completely idioticah.
    • 23 Metascore
    • 20 Elizabeth Weitzman
    There is no reason a film with an agenda can’t also be engaging or thought-provoking. But what we have here is not so much a movie as a blunt Sunday sermon.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    The story itself is fairly straightforward, but lands with a thud.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    This synthetic comedy is instantly grating.
    • 22 Metascore
    • 38 Elizabeth Weitzman
    Where the first film was a seminal forerunner of early stalker classics like "Halloween," this version feels as stale as old gingerbread.
    • 22 Metascore
    • 0 Elizabeth Weitzman
    "If you don't want something," Twelve informs us, "you've got nothing." Well, I wanted to watch a good movie. But Joel Schumacher's shallow teen drama gave me nothing, instead.
    • 22 Metascore
    • 0 Elizabeth Weitzman
    Where Boll's movies were once amusingly atrocious, Postal is so aggressively tasteless and knowingly idiotic, there's just no fun to be had.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    Glatzer's self-consciously quirky indie is misguided on every level.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    The one crime a B-movie should never commit is boring its audience. By even these low standards, Shark Night 3D is dead in the water.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    This ill-advised romance from director Andrew Fleming is the sort of indie lark that nearly drowns in its own whimsy. Wade in at your own risk.
    • 22 Metascore
    • 20 Elizabeth Weitzman
    She's (Heigl) disastrously miscast as a character beloved by fans of novelist Janet Evanovich.
    • 21 Metascore
    • 20 Elizabeth Weitzman
    The concept itself is bafflingly empty. We’re never given any reason to respect Teddy or his work — which is built on tired, self-help clichés — so we hardly believe in his rapturous fans.
    • 21 Metascore
    • 20 Elizabeth Weitzman
    Phil Alden Robinson’s overheated dramedy feels disconnected from reality in every emotional way.
    • 21 Metascore
    • 38 Elizabeth Weitzman
    Having written, co- directed and played the lead in this awkward, ego-driven memoir, Hayata has turned a genuinely compelling life story into an embarrassing vanity production.
    • 21 Metascore
    • 38 Elizabeth Weitzman
    Heavily influenced by Guy Ritchie, director Mo gets most of his comic mileage from a Hasidic Jew and an angry dwarf -- which should tell you everything you need to know.
    • 21 Metascore
    • 38 Elizabeth Weitzman
    Made in 1998, the picture sags beneath the leaden weight of its pre-millennial theme.

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