Elizabeth Weitzman
Select another critic »
For 2,206 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 0 Dumbbells
Score distribution:
2,206 movie reviews
    • 76 Metascore
    • 60 Elizabeth Weitzman
    A Dangerous Method concerns itself primarily with sex, but what's most shocking is how conservative it turns out to be.
    • 76 Metascore
    • 60 Elizabeth Weitzman
    It’s a pleasure to see Russo back on screen (she’s married to Gilroy). But Nina’s eager complicity is far too easy and every social critique flashes as bright as the neon guiding Lou around back-alley L.A.
    • 76 Metascore
    • 88 Elizabeth Weitzman
    Rarely do adaptations of stage plays work on screen, and almost never do they work as well as this one does. Most remarkably, the dryly comic "Moon" is virtually a one-man show.
    • 76 Metascore
    • 60 Elizabeth Weitzman
    Grohl has a longstanding reputation as one of the nicest guys in rock. So it should come as no surprise that this may be the most positive music documentary you'll ever see.
    • 76 Metascore
    • 60 Elizabeth Weitzman
    Director Niels Arden Oplev keeps the action relatively tight. But he revels in the story’s sadism to an uncomfortable degree, especially in a needlessly vile rape scene. Two more sequels are coming. Here’s hoping there’s just a little less hate in each.
    • 75 Metascore
    • 100 Elizabeth Weitzman
    A generation-spanning journey that feels both comfortingly familiar and excitingly original.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    It’s worth seeing Robert May’s vital judicial expose — not only to learn about the titular scandal, but also to appreciate both the highs and lows of human resilience.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    A fascinating, damning picture of bourgeois boredom that manages to be both epic and intimate at the same time.
    • 75 Metascore
    • 63 Elizabeth Weitzman
    Surely no other has done it quite like this group.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    One of the most delightful movies to come along this year.
    • 75 Metascore
    • 80 Elizabeth Weitzman
    The latest collaboration between Verbinski ("Pirates of the Caribbean") and Johnny Depp is sharp-edged, surreal, and often astonishing in its giddy creativity. What it is not, however, is a family film.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    Argott treats Barnes' story as an intellectual crime thriller, uncovering each new surprise -- and a seemingly endless parade of villains -- with a deadpan flourish.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    To Devlin's great credit, he keeps us rapt throughout.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    At heart, Middle of Nowhere offers material we've seen many times before. But between her perceptive direction and Corinealdi's layered performance, this modest, micro-budgeted story has been beautifully packaged.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    Coogan and Brydon make terrific companions for us partially because, at least as they appear onscreen, they’re so amusingly incompatible themselves.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Bergman and his gifted cast do an excellent job portraying the wounded, but still vital, connections that help these people heal even as they fervently believe it's time to give up.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Thomas does an excellent job exploring the incendiary environment that shaped the band in the late 1960s. His primary interest, however, is simply to express and explain the thrill the MC5 still inspires.
    • 75 Metascore
    • 80 Elizabeth Weitzman
    The cast is splendid, the script quick-witted and the action satisfying.
    • 75 Metascore
    • 63 Elizabeth Weitzman
    Selim's script doesn't hit new territory, but beautiful cinematography takes it just far enough.
    • 75 Metascore
    • 63 Elizabeth Weitzman
    While Kim is unable to keep us riveted on her near-silent performance, the script and direction have a gentle sensitivity.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    When these two powerhouse performers come together, a rather predictable tale ignites with surprising force.
    • 75 Metascore
    • 70 Elizabeth Weitzman
    If you're in the mood for fairy tales, you've come to the right place.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    If this sounds like a typical date movie, worry not. It's very much an Apatow production-though the crasser additions, like his already-notorious food poisoning scene, feel painfully forced.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Though the Chinese government won't be too happy about it, everyone else ought to be deeply moved by the tragedies Peosay records.
    • 75 Metascore
    • 60 Elizabeth Weitzman
    Directed tastefully by Ralph Fiennes, The Invisible Woman is very lovely to look at. But it lives up to its own title too well.
    • 75 Metascore
    • 80 Elizabeth Weitzman
    Segel and Nicholas Stoller, who made "Forgetting Sarah Marshall" together, wrote the screenplay for The Muppets with obvious intent: to return these icons to their former glory.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Perfectly modulated in its tone and performances, Lawless Heart is content to be a small, quiet film. We could use a few more like it.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    From folk festivals to political rallies, Masud never overlooks the cultural and emotional elements of a country at a crossroads.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    A suddenly vital biography, Make It Funky, pays apt homage to the unique gifts New ­Orleans has given its country over the last century. Watching it ought to inspire anyone to return the favor.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    While Enchanted wittily updates traditional tales, it is, in the end, as carefully calculated in its appeal as any movie ever was.

Top Trailers