Elizabeth Weitzman
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For 2,245 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.7 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Her
Lowest review score: 0 Breaking Point
Score distribution:
2,245 movie reviews
    • 66 Metascore
    • 75 Elizabeth Weitzman
    Turns the dangerous monotony of poverty and unemployment into something nearly hypnotic.
    • 32 Metascore
    • 75 Elizabeth Weitzman
    Sloppy, self-satisfied and surprisingly heartfelt.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Enlightening and rather unsettling documentary.
    • 87 Metascore
    • 75 Elizabeth Weitzman
    A smashing success on its own terms, though as a transcendent love story it lacks the firm foundation in human reality that characterizes Lars Von Trier's superior "Breaking the Waves."
    • 74 Metascore
    • 75 Elizabeth Weitzman
    Must be the smartest -- and most disturbing -- movie about parenthood in ages.
    • New York Daily News
    • 63 Metascore
    • 75 Elizabeth Weitzman
    Broomfield conducts riveting interviews with a former LAPD officer, Biggie's fiercely protective mother and assorted hangers-on, but the actual thrust of his evidence seems almost irrelevant.
    • 50 Metascore
    • 75 Elizabeth Weitzman
    Smart, spiky comedy upends every traditional notion of love, sex and family.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Characteristically lacking in narrative -- but what it misses in traditional plot devices, it more than makes up for in passion.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The tone is attentive and responsible.
    • 58 Metascore
    • 75 Elizabeth Weitzman
    Masterly coming-of-age drama.
    • 67 Metascore
    • 75 Elizabeth Weitzman
    Both compelling and disturbing, this tragicomic documentary follows five dreamers as they pursue romance.
    • 86 Metascore
    • 75 Elizabeth Weitzman
    It's part grim Beckett-like drama, part joyous picaresque, and all quite mesmerizing.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    At moments, the story skirts uncomfortably close to the grotesque. But this atmospheric oddity delivers a surprisingly sensitive take on the overwhelming ache of loneliness.
    • 81 Metascore
    • 75 Elizabeth Weitzman
    Despite a brief, unnecessary foray into melodrama -- stands alone as compelling entertainment.
    • 50 Metascore
    • 75 Elizabeth Weitzman
    This is not a film for the impatient. But director Aparna Sen finds the poetry in romantic restraint, which is a mighty rare resource these days.
    • 76 Metascore
    • 75 Elizabeth Weitzman
    Frustratingly, though, and not a little ironically, Justman chooses to focus on the new stars when they sing, rather than on the Funk Brothers playing in the background. Just as curiously, he paints a remarkably rosy picture of the old days, overlooking the racism and exploitation the Brothers surely experienced.
    • 67 Metascore
    • 75 Elizabeth Weitzman
    Though younger fans of Cameron's 1997 blockbuster may be a little disappointed at the lack of, well, Leo, Cameron persuades us to share his obsession with the ship's history.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The whole movie is a blast, thanks to a whip-smart script clearly written for kids and grownups alike.
    • New York Daily News
    • 71 Metascore
    • 75 Elizabeth Weitzman
    Toward the finish, the movie takes a regrettable curve into melodrama, but the excellent performances never waver.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    Proving there's always a new way to tell an old story, Stephen Chow pulls out all the stops for one of the silliest, sweetest and most fun family films in recent memory.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    Although we never feel any true connection to the enigmatic actress, there's no denying the inventiveness of Kon's homage to the possibilities of cinema.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Winterbottom informs us that, though fictional, his story represents thousands of real lives, and there is a hardly a false note, which makes this both a difficult and exceedingly memorable film to watch.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Though the Chinese government won't be too happy about it, everyone else ought to be deeply moved by the tragedies Peosay records.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    A memorable portrait of a true New York character, Rob Fruchtman and Rebecca Cammisa's documentary ably captures the blazing force at its center.
    • 56 Metascore
    • 75 Elizabeth Weitzman
    Though Army officials vigorously defend the school, after watching so many grim interviews with victims of the school's alumni, agreeing with Smihula's skepticism is finally unavoidable.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    A lovely little coming-of-age story, this Taiwanese romance was directed by Chih-Yen Yee with a skillful subtlety enhanced by his young cast.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    To Devlin's great credit, he keeps us rapt throughout.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    A powerful drama that turns a common event -- the rending of a family -- into an intimate, personal affair.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Both enchantingly old-fashioned and daringly modern.

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