Elizabeth Weitzman
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For 2,189 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Saving Private Ryan
Lowest review score: 0 Breaking Point
Score distribution:
2,189 movie reviews
    • 69 Metascore
    • 75 Elizabeth Weitzman
    Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    A suddenly vital biography, Make It Funky, pays apt homage to the unique gifts New ­Orleans has given its country over the last century. Watching it ought to inspire anyone to return the favor.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    Given that fundamentalist faith and sober logic are irreconcilable enemies, though, Baer's analysis inevitably leads to a grim roadblock, at which he can do little more than tally the toll.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Naive or wicked, idealist or egomaniac: Nothing in Ralph Nader's character is agreed upon by everyone in this fascinating biography - with one exception. And the title says it all.
    • 81 Metascore
    • 75 Elizabeth Weitzman
    Heated speeches about the International Monetary Fund, debt relief and global responsibility may not sound like your idea of Friday-night entertainment, but Sissako makes a strong case.
    • 74 Metascore
    • 75 Elizabeth Weitzman
    Csupo needed two very gifted leads to do this beloved story justice, and found them in AnnaSophia Robb and Josh Hutcherson.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Rarely has Paris seemed more enchanting than in Danièle Thompson's optimistic ode to Gallic romance.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Filmmakers Vardit Bilu and Dalia Hagar don't seem as interested in taking sides as they do in exploring universal themes.
    • 82 Metascore
    • 75 Elizabeth Weitzman
    The Namesake is suffused with radiant grace, and manages to be old-fashioned yet immediate, epic and intimate.
    • 51 Metascore
    • 75 Elizabeth Weitzman
    Jensen tarnishes the lining of every cloud in one wickedly funny scene after another.
    • 67 Metascore
    • 75 Elizabeth Weitzman
    The film leaves us wondering about all the war stories we haven't heard.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    The characters may suffer once the bride walks down the aisle, but Bier, Jensen and their first-rate cast work together like a match made in heaven.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The movie's intense focus skillfully exposes the raw pain just under the skin of a seemingly ordinary citizen.
    • 62 Metascore
    • 75 Elizabeth Weitzman
    What Disturbia lacks in complexity, it makes up for in witty jokes, sneaky jolts and a timeless lesson: If you've got windows, someone's always watching.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    While some may be put off by Peggy's wild-eyed mania, and the film's broadly comic tone, Shannon makes this lost spirit strikingly sympathetic.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    The kind of thriller we've seen a thousand times before. Fortunately, nobody told leads, Ryan Gosling and Anthony Hopkins, both of whom devoutly believe they're in another, better movie.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    An old-fashioned joy.
    • 83 Metascore
    • 75 Elizabeth Weitzman
    Plenty of films owe a debt to "The Godfather," but it's rare to see inspiration used as successfully as it is here.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    If Chalk had been made by Christopher Guest - an obvious influence - it would get the attention it deserves. Packed with sly jokes, hilarious performances and sad truths, the movie will probably become a cult classic among educators.
    • 46 Metascore
    • 75 Elizabeth Weitzman
    While the sequel isn't as unrelentingly gory as the original, there are still rivers of blood.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    It's definitely the most fun you'll have with the undead this week.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Dives into the brutal heart of a place most people would avoid at all cost.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    A classic Michael Bay mega-movie. Interested in plot and character development? Move along. You're blocking the view.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    As intriguing and unusual as its title, this anime debut from CGI mastermind Michael Arias bursts with enough ideas for three movies.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    The actors elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molière's plays before.
    • 80 Metascore
    • 75 Elizabeth Weitzman
    A very funny, solidly entertaining movie that, despite its unshakable obsesion with undergarments, is as sweet as a Kwik-E-Mart Squishee.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    Weary and overworked to her very bones, Dora nevertheless has a heart of gold and a spine of steel. The movie does, too.
    • 84 Metascore
    • 75 Elizabeth Weitzman
    And oh, what stories these heroes have to tell - and what incredible sights they brought back with them.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    Fox stumbles a little at the end, which is unnecessarily exaggerated. He should have trusted his own talent - it's the attention to minor details that makes his work so memorable.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    Cahill deserves major credit for keeping the story from becoming mawkish or twee. He was also wise enough to realize it's Douglas' show, and as soon as he steps into the frame, you'll know it, too.