For 2,108 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 4.1 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
Average review score: 55
Highest review score: 100 The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
Lowest review score: 0 Dumbbells
Score distribution:
2,108 movie reviews
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Director Gay deals so honestly with the boys' emotions, it's almost a revelation when compared to Hollywood fabrications.
    • 28 Metascore
    • 75 Elizabeth Weitzman
    A vanity project so preposterous it deserves to become an instant camp hit.
    • 79 Metascore
    • 75 Elizabeth Weitzman
    If her (Noujaim's) movie teaches us anything, it's that no reality remains unspun.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    A charming little valentine to the mysteries of attraction.
    • 86 Metascore
    • 75 Elizabeth Weitzman
    With this moving, contemplative portrait of an artist who has suddenly become an old man, de Oliveira refuses to patronize either his hero or his audience.
    • 52 Metascore
    • 75 Elizabeth Weitzman
    Clever, slightly edgy fun.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Genuinely entertaining and, thanks to a well of self-deluded quotes from the men, shockingly funny.
    • 53 Metascore
    • 75 Elizabeth Weitzman
    As an alternative to the slick, instantly forgettable fare usually made for kids and preteens, Ella Enchanted brings a little bit of magic to the multiplex.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Both public tribute and private therapy session, Baadasssss! should have been a self-conscious disaster. By confronting his past with wit and style, Van Peebles has instead created a meta-cool history lesson and homage.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    Likable Lohan doesn't exude the vulnerability that would give the movie true heart, and Fey, head writer for "Saturday Night Live," crafts better punch lines than plots.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    A crushingly dark vision of male rage and female vulnerability, Hélène Angel's accomplished first feature hits you like an anvil -- after it's all over.
    • 82 Metascore
    • 75 Elizabeth Weitzman
    There are a few fight scenes, but they're as unshowy as the rest of this restrained film. If your warrior ideal is Uma Thurman in "Kill Bill," you may not have the patience this gentle story demands of its viewers.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Both enchantingly old-fashioned and daringly modern.
    • 76 Metascore
    • 75 Elizabeth Weitzman
    Yektapanah's stripped-down methods --remote setting, a cast of locals, the sparest of scripts -- are used so effectively, it quickly becomes clear that he's most concerned with the similarities rather than the differences between people.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The tone is attentive and responsible.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    Never shies away from either the beauty or the cruelty of the hunt.
    • 80 Metascore
    • 75 Elizabeth Weitzman
    It is an excruciating experience. But then, it would have to be. We're watching the distilled essence of war.
    • 52 Metascore
    • 75 Elizabeth Weitzman
    Ought to suit fans just fine.
    • 77 Metascore
    • 75 Elizabeth Weitzman
    An urgent, stirring story made all the more inspiring by the very ordinary nature of its subjects.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    Directors Adi Barash and Ruth Shatz do a brilliant job of letting the South African, Israeli, Cuban and Namibian men aboard speak for themselves.
    • 80 Metascore
    • 75 Elizabeth Weitzman
    If you're looking for either insight or even just an introduction into the mind of a great artist, "One Day" is worth the effort.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Enlightening and rather unsettling documentary.
    • 53 Metascore
    • 75 Elizabeth Weitzman
    The sort of independent-film project that could have been disastrous in less-skilled hands. But Freeman's direction is so deft and the performances so natural that her remarkable experiment ends up feeling more realistic than most documentaries.
    • 56 Metascore
    • 75 Elizabeth Weitzman
    Though Army officials vigorously defend the school, after watching so many grim interviews with victims of the school's alumni, agreeing with Smihula's skepticism is finally unavoidable.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    A powerful drama that turns a common event -- the rending of a family -- into an intimate, personal affair.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    One
    Once in a while, a little reality can be a welcome antidote to our increasingly outsized film fantasies.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    It's hard to believe Andy Warhol's Factory created enough characters to keep us interested 40 years later, but as it turns out, drag diva Jackie Curtis still has a few more minutes of fame left.
    • 58 Metascore
    • 75 Elizabeth Weitzman
    Deftly intercutting between several tenuously-connected lives, Barbara Albert's astringent drama is transformed by bright flashes of compassion.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.