Elizabeth Weitzman
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For 2,245 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.9 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Her
Lowest review score: 0 Breaking Point
Score distribution:
2,245 movie reviews
    • 59 Metascore
    • 75 Elizabeth Weitzman
    The actors elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molière's plays before.
    • 85 Metascore
    • 75 Elizabeth Weitzman
    This sensitive drama will appeal to anyone who has strained against the confines of family - or basked happily in its comforts.
    • 79 Metascore
    • 75 Elizabeth Weitzman
    Hits so hard because it feels so real.
    • New York Daily News
    • 71 Metascore
    • 75 Elizabeth Weitzman
    Hickenlooper does a nice job blending Bingenheimer's flashy past with his somewhat pathetic present, creating a genuinely compelling study in diminishing returns.
    • 74 Metascore
    • 75 Elizabeth Weitzman
    Must be the smartest -- and most disturbing -- movie about parenthood in ages.
    • New York Daily News
    • 76 Metascore
    • 75 Elizabeth Weitzman
    Tapping into the basest fears of war while subverting all expectations, director Susanne Bier deftly reads between the headlines.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    A charming little valentine to the mysteries of attraction.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    It's a must for those who like thrills laced with a sense of humor.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Naive or wicked, idealist or egomaniac: Nothing in Ralph Nader's character is agreed upon by everyone in this fascinating biography - with one exception. And the title says it all.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    It's no easy trick to invite viewers into an utterly bleak setting populated by the dissatisfied and small-minded. But a droll script and generally deft direction make the Icelandic chill surprisingly inviting.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    A visually lush and eerily enigmatic parable of female sexuality, Lucile Hadzihalilovic's ominous fairy tale raises questions you'll be wondering about for days.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    The result is both tragic and darkly comic - in this complex environment, blame and sorrow are locked in a partnership of absurdity.
    • 69 Metascore
    • 75 Elizabeth Weitzman
    If Michele Ohayon's absorbing documentary didn't provide the proof, you'd never believe the story she tells about Holocaust survivors Jack Polak and Ina Soep.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    A funny and insightful exploration into identity issues we all can recognize.
    • 62 Metascore
    • 75 Elizabeth Weitzman
    As good as Nolte is, the relatively unknown Morgan matches him scene for scene. And he's not the only impressive newcomer. Remarkably, this confident indie is the first feature from writer-director Ponsoldt, who shuns any slickness to embrace the rough edges of his low-budget, bare-bones story.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    This is a vital history lesson that many of us have missed but few are likely to forget.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    The real highlight is watching the dancers as they progress from their first, tentative improvisations to the final, complex performance.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    If ever a movie could convince the masses to don communal shoes, this is the one.
    • 33 Metascore
    • 75 Elizabeth Weitzman
    It's a pleasure to watch a thinking-man's actor like Sinise adapt so easily to this challenge; he even keeps his dignity when forced to participate in the inevitable martial arts-inflected showdown.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    It's the next best thing to being front and center.
    • 49 Metascore
    • 75 Elizabeth Weitzman
    Takashi is a master of the jagged quick cut and the shocker finish, and his head-spinning story is pumped up with almost more bravado than a single screen can handle.
    • 82 Metascore
    • 75 Elizabeth Weitzman
    Travels so deeply into the confusions of female adolescence that you'd never know this deceptively languid British film was directed by a Polish-born man.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    One of the most delightful movies to come along this year.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    The town's entrenched racism is impossible to ignore, but the efforts toward change make a compelling history.
    • 60 Metascore
    • 75 Elizabeth Weitzman
    The actors seem exhilarated.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    Overly polished, but deeply affecting, documentary.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Unapologetically graphic and slightly marred by an artistic awkwardness, this is a rare and worthwhile glimpse into another nation's historical legend.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Deftly composed of many small moments, this gentle Israeli film skirts politics to portray a family that is blessedly normal in its internal chaos.
    • 60 Metascore
    • 75 Elizabeth Weitzman
    In a feat of truly impressive cinematic finesse, Hendricks manages to capture every possible angle, from below a soaring motorcycle to atop a speeding luger's helmet.
    • New York Daily News

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