Elizabeth Weitzman
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For 2,176 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 4.4 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Mutual Appreciation
Lowest review score: 0 Postal
Score distribution:
2,176 movie reviews
    • 78 Metascore
    • 75 Elizabeth Weitzman
    The characters may suffer once the bride walks down the aisle, but Bier, Jensen and their first-rate cast work together like a match made in heaven.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The movie's intense focus skillfully exposes the raw pain just under the skin of a seemingly ordinary citizen.
    • 62 Metascore
    • 75 Elizabeth Weitzman
    What Disturbia lacks in complexity, it makes up for in witty jokes, sneaky jolts and a timeless lesson: If you've got windows, someone's always watching.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    While some may be put off by Peggy's wild-eyed mania, and the film's broadly comic tone, Shannon makes this lost spirit strikingly sympathetic.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    The kind of thriller we've seen a thousand times before. Fortunately, nobody told leads, Ryan Gosling and Anthony Hopkins, both of whom devoutly believe they're in another, better movie.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    An old-fashioned joy.
    • 83 Metascore
    • 75 Elizabeth Weitzman
    Plenty of films owe a debt to "The Godfather," but it's rare to see inspiration used as successfully as it is here.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    If Chalk had been made by Christopher Guest - an obvious influence - it would get the attention it deserves. Packed with sly jokes, hilarious performances and sad truths, the movie will probably become a cult classic among educators.
    • 88 Metascore
    • 75 Elizabeth Weitzman
    Once isn't especially complex, but the chemistry between its appealing leads (who contribute to the lovely score) feels deeply true. You'd have to look awfully hard to find such sincerity in a Hollywood romance.
    • 46 Metascore
    • 75 Elizabeth Weitzman
    While the sequel isn't as unrelentingly gory as the original, there are still rivers of blood.
    • 57 Metascore
    • 75 Elizabeth Weitzman
    Kaurismaki's characteristically minimalist humor and wry empathy make brief appearances, but be warned: His Helsinki is a cold, dark place unfit for all but the hardiest visitors.
    • 70 Metascore
    • 75 Elizabeth Weitzman
    It's definitely the most fun you'll have with the undead this week.
    • 64 Metascore
    • 75 Elizabeth Weitzman
    Dives into the brutal heart of a place most people would avoid at all cost.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    A classic Michael Bay mega-movie. Interested in plot and character development? Move along. You're blocking the view.
    • 69 Metascore
    • 75 Elizabeth Weitzman
    Terrifically sneaky psychological thriller, which takes great pleasure in watching carefully constructed family values come tumbling down.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    As intriguing and unusual as its title, this anime debut from CGI mastermind Michael Arias bursts with enough ideas for three movies.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    The actors elevate what might have been fluff into a genuinely moving tale, and the action is so much fun that it doesn't even matter if you've seen Molière's plays before.
    • 80 Metascore
    • 75 Elizabeth Weitzman
    A very funny, solidly entertaining movie that, despite its unshakable obsesion with undergarments, is as sweet as a Kwik-E-Mart Squishee.
    • 78 Metascore
    • 75 Elizabeth Weitzman
    Weary and overworked to her very bones, Dora nevertheless has a heart of gold and a spine of steel. The movie does, too.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    Aside from some resonant hints that all is not as it seems, the movie leaves it to you to decide where the truths begin and ends. You'll be untangling Dresnok's knotty reality long after you leave the theater.
    • 84 Metascore
    • 75 Elizabeth Weitzman
    And oh, what stories these heroes have to tell - and what incredible sights they brought back with them.
    • 61 Metascore
    • 75 Elizabeth Weitzman
    Fox stumbles a little at the end, which is unnecessarily exaggerated. He should have trusted his own talent - it's the attention to minor details that makes his work so memorable.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    Cahill deserves major credit for keeping the story from becoming mawkish or twee. He was also wise enough to realize it's Douglas' show, and as soon as he steps into the frame, you'll know it, too.
    • 73 Metascore
    • 75 Elizabeth Weitzman
    The film is unabashedly supportive of Father Hartley, presenting him as a stubborn saint, and depicts the wealthy owners as soulless villains. Presumably they have a different story to tell, but we wouldn't know: When the camera's on, none can be found.
    • New York Daily News
    • 81 Metascore
    • 75 Elizabeth Weitzman
    It's a tribute to both the subject and his biographer that this story of one man's experience is also a vital chronicle of the times in which he's lived.
    • 74 Metascore
    • 75 Elizabeth Weitzman
    Everyone involved, from Marla's defensive parents to the cynical journalists who promoted and then turned on her, seems to have some sort of agenda.
    • 72 Metascore
    • 75 Elizabeth Weitzman
    If you think of Reilly as little more than a camp icon, you've got a lot to learn.
    • 69 Metascore
    • 75 Elizabeth Weitzman
    If Michele Ohayon's absorbing documentary didn't provide the proof, you'd never believe the story she tells about Holocaust survivors Jack Polak and Ina Soep.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    Overly polished, but deeply affecting, documentary.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    It's not a pretty picture, but it sure is a compelling one.