Elizabeth Weitzman
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For 2,245 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.6 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Neil Young Trunk Show
Lowest review score: 0 Oz the Great and Powerful
Score distribution:
2,245 movie reviews
    • 71 Metascore
    • 75 Elizabeth Weitzman
    It's a "First Wives Club" for single guys, giving voice to a whole range of authentic, if not always responsible, attitudes and emotions.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    An ingratiatingly sincere attempt to deal with the complications and contradictions of modern romance.
    • 50 Metascore
    • 75 Elizabeth Weitzman
    Despite a somewhat unpolished look and a few slips into cliche, the film makes up in sincerity what it lacks in sophistication.
    • 79 Metascore
    • 75 Elizabeth Weitzman
    There's no question that the film's primary intent is to showcase its stars, but thanks to their perfectly attuned performances, it feels more real than self-conscious.
    • New York Daily News
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Director Gay deals so honestly with the boys' emotions, it's almost a revelation when compared to Hollywood fabrications.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    Brodsky's last film before his death is a moving tribute to his career.
    • 58 Metascore
    • 75 Elizabeth Weitzman
    Troche is most interested in exploring the secret lives hidden inside freshly painted Colonials, and what she finds is that everyone's secret is exactly the same: a crushing inability to connect with the people closest to them.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    There were a lot of people who came to regret investing their time and money in Park's brash dream. You won't be one of them.
    • 52 Metascore
    • 75 Elizabeth Weitzman
    Unlike most inner-city stories that come out of Hollywood, this feels like the real thing.
    • 86 Metascore
    • 75 Elizabeth Weitzman
    With this moving, contemplative portrait of an artist who has suddenly become an old man, de Oliveira refuses to patronize either his hero or his audience.
    • 75 Metascore
    • 75 Elizabeth Weitzman
    Perfectly modulated in its tone and performances, Lawless Heart is content to be a small, quiet film. We could use a few more like it.
    • 86 Metascore
    • 75 Elizabeth Weitzman
    A technical and visual tour-de-force.
    • 60 Metascore
    • 75 Elizabeth Weitzman
    In a feat of truly impressive cinematic finesse, Hendricks manages to capture every possible angle, from below a soaring motorcycle to atop a speeding luger's helmet.
    • New York Daily News
    • 66 Metascore
    • 75 Elizabeth Weitzman
    Carefully walks the fine line between paying homage to a classic and entertaining a modern audience.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
    • 65 Metascore
    • 75 Elizabeth Weitzman
    What it offers are dozens of intimate moments that feel so true, they achieve a rare kind of grace. This sensitive indie drama was written and directed by brothers - and first-time feature filmmakers.
    • 63 Metascore
    • 75 Elizabeth Weitzman
    Directors Adi Barash and Ruth Shatz do a brilliant job of letting the South African, Israeli, Cuban and Namibian men aboard speak for themselves.
    • 66 Metascore
    • 75 Elizabeth Weitzman
    The real highlight is watching the dancers as they progress from their first, tentative improvisations to the final, complex performance.
    • 80 Metascore
    • 75 Elizabeth Weitzman
    Kudlácek's primary focus, however, is on Deren's work, which means we don't learn enough about her complex, fascinating personality. On the other hand, she's offering a too-rare opportunity to see substantial portions of Deren's seminal films.
    • 53 Metascore
    • 75 Elizabeth Weitzman
    The sort of independent-film project that could have been disastrous in less-skilled hands. But Freeman's direction is so deft and the performances so natural that her remarkable experiment ends up feeling more realistic than most documentaries.
    • 59 Metascore
    • 75 Elizabeth Weitzman
    Genuinely entertaining and, thanks to a well of self-deluded quotes from the men, shockingly funny.
    • 55 Metascore
    • 75 Elizabeth Weitzman
    Lee pushes this joyride into stimulation overdrive, playing with colors and film speeds and surfaces and shadows until it makes perfect sense that a movie should be all about energy, rather than -- well, about anything else at all.
    • 68 Metascore
    • 75 Elizabeth Weitzman
    This is a vital history lesson that many of us have missed but few are likely to forget.
    • 45 Metascore
    • 75 Elizabeth Weitzman
    Strikes a nice balance between smart and sweet.
    • 36 Metascore
    • 75 Elizabeth Weitzman
    If you want old-school cool, you go to Laurence Fishburne.
    • 71 Metascore
    • 75 Elizabeth Weitzman
    With so many cynical Hollywood romances cluttering theaters, Zhang Yimou's unabashed simplicity is most welcome.
    • 77 Metascore
    • 75 Elizabeth Weitzman
    Watching Tuba's proud girls disappear into anonymous clouds of chadors says more than any political diatribe could, and Bani-Etemad is wise enough to know it.
    • 49 Metascore
    • 75 Elizabeth Weitzman
    Takashi is a master of the jagged quick cut and the shocker finish, and his head-spinning story is pumped up with almost more bravado than a single screen can handle.

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