Elizabeth Weitzman
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For 2,205 reviews, this critic has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Elizabeth Weitzman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Reprise
Lowest review score: 0 Twelve
Score distribution:
2,205 movie reviews
    • 23 Metascore
    • 38 Elizabeth Weitzman
    The plot is as riddled with holes as Matilda's victims, making her sudden appearances more distracting than distressing.
    • 30 Metascore
    • 38 Elizabeth Weitzman
    The unhappy dead populate Geoffrey Sax's third-rate thriller White Noise like a pre-Christmas crowd at a suburban mall. This is a shame, since they are neither scary nor sad, and less likely to haunt an audience than simply bore them to death.
    • 32 Metascore
    • 38 Elizabeth Weitzman
    Oddly enough, though, only the finale is predictable in a movie that appears to have been edited in an early-model blender. Not a single scene connects smoothly with the next.
    • 46 Metascore
    • 38 Elizabeth Weitzman
    It's interesting in the same way the early, rejection episodes of "American Idol" are oddly compelling. But, of course, you can watch those for free.
    • 55 Metascore
    • 38 Elizabeth Weitzman
    Cusack is excellent as Joan, the only woman in the film who values a girl's brains over her body, so it's a shame Fywell treats her with amused scorn.
    • 37 Metascore
    • 38 Elizabeth Weitzman
    With little plot and a stifling set, the ­movie needs stronger performances than its leads can offer.
    • 45 Metascore
    • 38 Elizabeth Weitzman
    Hartley's satire of consumer-driven sexuality is undermined by the straight-faced decision to cast affectless model Tatiana Abracos as the heroine.
    • 53 Metascore
    • 38 Elizabeth Weitzman
    The sort of slick-looking indie that plays well at film festivals, this heavy-handed boxing drama is really just a flyweight bulked up on cliches and false sentimentality.
    • 35 Metascore
    • 38 Elizabeth Weitzman
    This tale of disaffected sexual depravity is practically a parody of the worst of French filmmaking.
    • 23 Metascore
    • 38 Elizabeth Weitzman
    You don't have to rise very high to get above the level of these gags.
    • 45 Metascore
    • 38 Elizabeth Weitzman
    Sets out to be a social critique but settles for smug disdain.
    • 26 Metascore
    • 38 Elizabeth Weitzman
    Unfortunately, while director Steve Boyum is a successful stunt man and off-road biker, his skills do not extend to the relatively passive arena of filmmaking. Somehow, he even makes much of the action static.
    • 24 Metascore
    • 38 Elizabeth Weitzman
    Burns doesn't even bother to disguise his New York accent, any more than he does his boredom.
    • 42 Metascore
    • 38 Elizabeth Weitzman
    G
    It's an ugly affair overall, but at least you can say you've never seen such beautiful shirts.
    • 59 Metascore
    • 38 Elizabeth Weitzman
    The film does deserve credit for juggling difficult racial and class issues - but with a wacky score, cute puppies and silly side stories also jockeying for space, Bamford's best intentions tumble to a heap long before the movie ends.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    There are moments of amusing melodrama, but for the most part, the action is too preposterous to take seriously, and too serious to be very much fun.
    • 47 Metascore
    • 38 Elizabeth Weitzman
    And though Samantha is written as a sly spoof of Ashlee Simpson, Faris frantically overplays her. She might have taken a tip from Smart, a lovely, understated actress who wastes too much time in lousy films.
    • 37 Metascore
    • 38 Elizabeth Weitzman
    Arnold's heart is in the right place, but somebody needs to save him from himself - and soon.
    • 60 Metascore
    • 38 Elizabeth Weitzman
    A few relevant themes do bubble up from this visually intriguing swamp of self-indulgence, but Arquette's pseudo-philosopher seems to speak for Almereyda when he says, "If there was a point, there wouldn't be a story."
    • 38 Metascore
    • 38 Elizabeth Weitzman
    The result feels as if she (Trish Doolan) gathered all her friends, turned on her camera and let them loose. Which is perfectly fine, if you don't expect anyone to pay to watch the finished product.
    • 34 Metascore
    • 38 Elizabeth Weitzman
    A mediocre little thriller that might have promised cheap fun on Blockbuster's direct-to-DVD shelf is instead destined to die a quick death on the big screen.
    • 24 Metascore
    • 38 Elizabeth Weitzman
    There's a fascinating and terrifying story to be told about Elizabeth Bathory, the dramatically depraved 17th century sadist known as the Blood Countess.....This ain't it.
    • 33 Metascore
    • 38 Elizabeth Weitzman
    A muddle of good intentions and bad direction, this amateurish road movie follows a young Brit across Europe as he reconnects with his Jewish roots.
    • 46 Metascore
    • 38 Elizabeth Weitzman
    An exhausting combination of generic thriller, political tract and sentimental weepie.
    • 37 Metascore
    • 38 Elizabeth Weitzman
    In a town as status-conscious as Hollywood, the embarrassment of two "Garfield" movies on your résumé must sting like the Dickens.
    • 31 Metascore
    • 38 Elizabeth Weitzman
    Dramatically miscalculated satire.
    • 33 Metascore
    • 38 Elizabeth Weitzman
    If he earns no other accolades for his directorial debut - a distinct likelihood - Lee Daniels deserves some kind of award just for assembling the most bizarrely random cast of this young century.
    • 42 Metascore
    • 38 Elizabeth Weitzman
    A bizarrely off-key animated comedy.
    • 36 Metascore
    • 38 Elizabeth Weitzman
    As irritating as an ideological college student, this earnest debut from Zak Tucker is determined to teach us a lesson about right and wrong.
    • 17 Metascore
    • 38 Elizabeth Weitzman
    A superficial tween comedy that mocks celebutantes like the Olsen twins while simultaneously pushing stars Hilary and Haylie Duff as their replacements.

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