For 500 reviews, this critic has graded:
  • 78% higher than the average critic
  • 3% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 17.6 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
Average review score: 77
Highest review score: 100 The Soft Skin (1969)
Lowest review score: 25 Bel Ami
Score distribution:
  1. Negative: 9 out of 500
500 movie reviews
    • 86 Metascore
    • 91 Eric Kohn
    Ignore the precise religious context and it stands perfectly well as a restrained look at personal convictions in the face of certain death.
    • 86 Metascore
    • 91 Eric Kohn
    More traditional in terms of atmosphere and plot, Drug War nevertheless features a tense, unstoppable momentum, a morally ambiguous protagonist and hugely involving action scenes.
    • 86 Metascore
    • 83 Eric Kohn
    Equally a slick political thriller, intelligent period piece and sly Hollywood satire, Ben Affleck's Argo maintains a careful balance between commentary and entertainment value.
    • 86 Metascore
    • 91 Eric Kohn
    Steve James's The Interrupters runs long, but earns its heft.
    • 86 Metascore
    • 83 Eric Kohn
    If nothing else, this memorable effort eloquently displays Hushpuppy's fragile understanding of her world, where the only certainty is that nothing lasts forever. That makes "Beasts" into a gigantic triumph even when it falls apart.
    • 85 Metascore
    • 91 Eric Kohn
    I had to see the new version twice to realize that there's so much to appreciate about this multilayered production.
    • 85 Metascore
    • 100 Eric Kohn
    As with "Shotgun Stories," Nichols assembles a tense portrait of blue-collar life, while deepening his thematic interests and working on a bigger scale. Burrowing into the subconscious of a damaged man, he delivers a modern American epic with extraordinary restraint.
    • 85 Metascore
    • 83 Eric Kohn
    Fruitvale is largely sustained by Jordan's career-making performance and the way Coogler uses it to analyze his subject...It's a fascinating investigation into the contrast between media perception and intimate truths.
    • 85 Metascore
    • 91 Eric Kohn
    Farhadi's new movie confirms his unique ability to explore how constant chatter and anguished outbursts obscure the capacity for honest communication.
    • 85 Metascore
    • 91 Eric Kohn
    More meditation than movie, Terrence Malick's The Tree of Life is bound to mystify, awe and exasperate in equal measures.
    • 85 Metascore
    • 100 Eric Kohn
    Reichardt crafts a highly textured narrative that both invokes the mythology of the American frontier and cleverly transcends it.
    • 84 Metascore
    • 91 Eric Kohn
    There's no doubting that Holy Motors is an ungodly mess of images and moments, some more alluring than others, but it sure leaves a mark.
    • 84 Metascore
    • 83 Eric Kohn
    Even when that story drags, Moonrise Kingdom could be appreciated on mute.
    • 84 Metascore
    • 91 Eric Kohn
    The Descendants constantly hovers on the brink of a dark comedy. But it never takes the big plug. By treading carefully, Payne has created his warmest, most earnest work, if not his best.
    • 83 Metascore
    • 91 Eric Kohn
    With a keen eye for the capacity of fine art to address a complex range of attitudes and experiences, Museum Hours effectively applies Cohen's existing strengths to a familiar scenario and rejuvenates it by delivering a powerfully contemplative look at the transformative ability of all art.
    • 83 Metascore
    • 91 Eric Kohn
    The movie makes a strong case against the captivity of killer whales under sub-circus conditions, but the stance is made even more horrifying because so little has changed in the history of the organization. Blackfish is less balanced investigation than full-on takedown of a broken system.
    • 83 Metascore
    • 83 Eric Kohn
    The movie works best when probing the nature of human interactions with Nim: He appears to form a close friendship with the stoner psych major Bob Ingersoll, not only foraging for food with him but also sharing joints.
    • 83 Metascore
    • 91 Eric Kohn
    Xavier Dolan's I Killed My Mother marks the emergence of an exciting new filmmaking talent. The Montreal actor, a mere 20 years old, displays a startlingly mature perspective on human behavior in his triple threat position as writer-director-star.
    • 83 Metascore
    • 83 Eric Kohn
    The grim subtext of The Wind Rises goes largely unacknowledged, leading to a gaping hole in this otherwise beautifully realized narrative that celebrates the power of curiosity as a motivating force.
    • 83 Metascore
    • 83 Eric Kohn
    Pina is a beautiful, heartfelt ode and a delicious feast for the eyes, but not an essential work of art on its own terms.
    • 83 Metascore
    • 83 Eric Kohn
    Maintains a funny and sad focus on its single petulant subject.
    • 83 Metascore
    • 83 Eric Kohn
    There are moments when Tragos and Palermo run the risk of transforming their subjects into tools exploited for the sake of the movie's artistic vision, but the best part of Rich Hill is that its participants rise above the limitations of the material.
    • 82 Metascore
    • 100 Eric Kohn
    Heinzerling's beautifully shot, painfully intimate look at the aging couple's struggle to survive amid personal and financial strain is both heartbreaking and intricately profound. This is a story about creative desire so strong it hurts.
    • 82 Metascore
    • 83 Eric Kohn
    Produced by Keanu Reeves, this talking heads survey of the transition from shooting on film to digital video is against all odds an imminently watchable overview, and not only because Reeves has decent interview skills.
    • 82 Metascore
    • 83 Eric Kohn
    The climax is a little too clever and far-fetched-an unnecessarily neat finale for a movie that works fine when dealing in broad strokes, some of which are nothing short of masterful.
    • 82 Metascore
    • 100 Eric Kohn
    Ornette isn't just a love letter to the liberty of jazz rhythms; it excels at expressing them.
    • 82 Metascore
    • 100 Eric Kohn
    Taking its time to let the world take shape, Short Term 12 builds to an involving series of mini-climaxes without tidying up every loose end.
    • 82 Metascore
    • 91 Eric Kohn
    At times, Frances Ha strains from emphasizing the characters' snarkiness and disregarding plot. By routinely going nowhere, however, the movie eventually finds a distinctive voice that carries it through.
    • 82 Metascore
    • 83 Eric Kohn
    The central appeal of The Trip is that it's only a comedy in bits and pieces. Overall, however, Winterbottom constructs a thoughtful and generally sad portrait of Coogan's persona as a man unsure of his next move.
    • 82 Metascore
    • 83 Eric Kohn
    Anchored by a funny and especially credible performance by newcomer Miles Teller, Ponsoldt's follow up to his alcoholism portrait "Smashed" has all the hallmarks of a bittersweet teen drama with flashes of realistic comedy on par with "Say Anything" and "The Breakfast Club."