For 585 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17.4 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 Somebody Up There Likes Me
Lowest review score: 25 The Devil's Double
Score distribution:
  1. Negative: 9 out of 585
585 movie reviews
    • 87 Metascore
    • 91 Eric Kohn
    The visual collage retains a consistent melancholy, resulting in an experience that's both deeply affecting and-since José never actually appears on-camera-utterly detached.
    • 87 Metascore
    • 91 Eric Kohn
    Despite the unruly music at its center, the filmmaker has crafted a uniformly gentle ode to growing up.
    • 87 Metascore
    • 91 Eric Kohn
    The movie is an impressively realized work of minimalist storytelling that foregrounds Redford's physicality more than any other role in his celebrated career. His performance defines the movie to an almost shockingly experimental degree.
    • 87 Metascore
    • 100 Eric Kohn
    The magic of Uncle Boonmee is that it makes all viewers feel like the strange ones.
    • 87 Metascore
    • 83 Eric Kohn
    Director Bennett Miller has produced a warm and generally agreeable character study about the pratfalls of athletic institutions and the willingness to think outside the box.
    • 86 Metascore
    • 91 Eric Kohn
    It portrays the struggle from the inside, from about as far from the filter of mainstream media as one can get, capturing tense shootouts and the extremes of revolutionary spirit in unnerving detail.
    • 86 Metascore
    • 100 Eric Kohn
    On the whole, Manakamana succeeds by creating the ongoing anticipation of something, anything to happen next, a wholly unique sensation specific to its inventive design.
    • 86 Metascore
    • 100 Eric Kohn
    Rather than relish in the stark proceedings, Manuscripts Don't Burn preys on its viewers' imagination, leaving several deaths and other dreary outcomes off-screen. In the unbearable tension of its final moments, the movie arrives at an expected destination, but the outcome stings more than anything preceding it.
    • 86 Metascore
    • 91 Eric Kohn
    What Now? Remind Me sketches out the tragedy of living a full life and being aware of it slipping away.
    • 86 Metascore
    • 91 Eric Kohn
    Herzog naturally plays up the enigma at hand with epic grandeur, occasionally overdoing it but usually hitting the mark.
    • 86 Metascore
    • 91 Eric Kohn
    Striking a complex tone of tragedy and uplift at the same time, Kumiko, the Treasure Hunter both celebrates the escapist power of personal fantasies and bears witness to their dangerous extremes. It's the rare case of a story that's inspirational and devastating at once.
    • 86 Metascore
    • 100 Eric Kohn
    The movie's stakes are alternately personal and political, but Petzold's skill truly comes into focus in the tense climax, when those two aims come together with a powerful act of defiance.
    • 86 Metascore
    • 91 Eric Kohn
    Ignore the precise religious context and it stands perfectly well as a restrained look at personal convictions in the face of certain death.
    • 86 Metascore
    • 91 Eric Kohn
    More traditional in terms of atmosphere and plot, Drug War nevertheless features a tense, unstoppable momentum, a morally ambiguous protagonist and hugely involving action scenes.
    • 86 Metascore
    • 83 Eric Kohn
    Equally a slick political thriller, intelligent period piece and sly Hollywood satire, Ben Affleck's Argo maintains a careful balance between commentary and entertainment value.
    • 86 Metascore
    • 83 Eric Kohn
    The filmmaker is ultimately better at constructing nuanced environments and troubled figures than making every piece of the equation gel as a whole. But that's a minor issue in the overall tapestry of Chandor's carefully designed world.
    • 86 Metascore
    • 91 Eric Kohn
    Steve James's The Interrupters runs long, but earns its heft.
    • 86 Metascore
    • 91 Eric Kohn
    Tales from the Grim Sleeper concludes by offering up the haunting possibility that even if the killer has been caught, the systemic failures that let him get away with it for so long remain firmly in place.
    • 86 Metascore
    • 83 Eric Kohn
    If nothing else, this memorable effort eloquently displays Hushpuppy's fragile understanding of her world, where the only certainty is that nothing lasts forever. That makes "Beasts" into a gigantic triumph even when it falls apart.
    • 85 Metascore
    • 91 Eric Kohn
    I had to see the new version twice to realize that there's so much to appreciate about this multilayered production.
    • 85 Metascore
    • 91 Eric Kohn
    While it doesn't always earn its heft, Winter Sleep is both subdued and rich in details, its plot growing slowly over a series of extensive conversations. It's a robust, challenging experience he's been building toward with his previous features, as well as an adventurous step above them.
    • 85 Metascore
    • 100 Eric Kohn
    As with "Shotgun Stories," Nichols assembles a tense portrait of blue-collar life, while deepening his thematic interests and working on a bigger scale. Burrowing into the subconscious of a damaged man, he delivers a modern American epic with extraordinary restraint.
    • 85 Metascore
    • 91 Eric Kohn
    Farhadi's new movie confirms his unique ability to explore how constant chatter and anguished outbursts obscure the capacity for honest communication.
    • 85 Metascore
    • 91 Eric Kohn
    More meditation than movie, Terrence Malick's The Tree of Life is bound to mystify, awe and exasperate in equal measures.
    • 85 Metascore
    • 100 Eric Kohn
    Reichardt crafts a highly textured narrative that both invokes the mythology of the American frontier and cleverly transcends it.
    • 85 Metascore
    • 83 Eric Kohn
    Fruitvale is largely sustained by Jordan's career-making performance and the way Coogler uses it to analyze his subject...It's a fascinating investigation into the contrast between media perception and intimate truths.
    • 84 Metascore
    • 91 Eric Kohn
    There's no doubting that Holy Motors is an ungodly mess of images and moments, some more alluring than others, but it sure leaves a mark.
    • 84 Metascore
    • 83 Eric Kohn
    Even when that story drags, Moonrise Kingdom could be appreciated on mute.
    • 84 Metascore
    • 91 Eric Kohn
    With a keen eye for the capacity of fine art to address a complex range of attitudes and experiences, Museum Hours effectively applies Cohen's existing strengths to a familiar scenario and rejuvenates it by delivering a powerfully contemplative look at the transformative ability of all art.
    • 84 Metascore
    • 91 Eric Kohn
    The Descendants constantly hovers on the brink of a dark comedy. But it never takes the big plug. By treading carefully, Payne has created his warmest, most earnest work, if not his best.

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