For 579 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17.3 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 Leviathan
Lowest review score: 25 Lovelace
Score distribution:
  1. Negative: 9 out of 579
579 movie reviews
    • 83 Metascore
    • 91 Eric Kohn
    While it doesn't always earn its heft, Winter Sleep is both subdued and rich in details, its plot growing slowly over a series of extensive conversations. It's a robust, challenging experience he's been building toward with his previous features, as well as an adventurous step above them.
    • 83 Metascore
    • 91 Eric Kohn
    The movie makes a strong case against the captivity of killer whales under sub-circus conditions, but the stance is made even more horrifying because so little has changed in the history of the organization. Blackfish is less balanced investigation than full-on takedown of a broken system.
    • 83 Metascore
    • 83 Eric Kohn
    The movie works best when probing the nature of human interactions with Nim: He appears to form a close friendship with the stoner psych major Bob Ingersoll, not only foraging for food with him but also sharing joints.
    • 83 Metascore
    • 91 Eric Kohn
    Xavier Dolan's I Killed My Mother marks the emergence of an exciting new filmmaking talent. The Montreal actor, a mere 20 years old, displays a startlingly mature perspective on human behavior in his triple threat position as writer-director-star.
    • 83 Metascore
    • 83 Eric Kohn
    The grim subtext of The Wind Rises goes largely unacknowledged, leading to a gaping hole in this otherwise beautifully realized narrative that celebrates the power of curiosity as a motivating force.
    • 83 Metascore
    • 83 Eric Kohn
    Pina is a beautiful, heartfelt ode and a delicious feast for the eyes, but not an essential work of art on its own terms.
    • 83 Metascore
    • 83 Eric Kohn
    Maintains a funny and sad focus on its single petulant subject.
    • 83 Metascore
    • 91 Eric Kohn
    Love Is Strange is a sophisticated take on contemporary urbanity infused with romantic ideals and the tragedy of their dissolution.
    • 83 Metascore
    • 83 Eric Kohn
    Love & Mercy is an engrossing portrait of Wilson's specific artistic inclinations, which draw from no real precedent.
    • 82 Metascore
    • 100 Eric Kohn
    Heinzerling's beautifully shot, painfully intimate look at the aging couple's struggle to survive amid personal and financial strain is both heartbreaking and intricately profound. This is a story about creative desire so strong it hurts.
    • 82 Metascore
    • 83 Eric Kohn
    Produced by Keanu Reeves, this talking heads survey of the transition from shooting on film to digital video is against all odds an imminently watchable overview, and not only because Reeves has decent interview skills.
    • 82 Metascore
    • 83 Eric Kohn
    The climax is a little too clever and far-fetched-an unnecessarily neat finale for a movie that works fine when dealing in broad strokes, some of which are nothing short of masterful.
    • 82 Metascore
    • 100 Eric Kohn
    Ornette isn't just a love letter to the liberty of jazz rhythms; it excels at expressing them.
    • 82 Metascore
    • 100 Eric Kohn
    Taking its time to let the world take shape, Short Term 12 builds to an involving series of mini-climaxes without tidying up every loose end.
    • 82 Metascore
    • 91 Eric Kohn
    At times, Frances Ha strains from emphasizing the characters' snarkiness and disregarding plot. By routinely going nowhere, however, the movie eventually finds a distinctive voice that carries it through.
    • 82 Metascore
    • 91 Eric Kohn
    Though anchored by a affecting and sullen turn by Channing Tatum, the movie derives its primary discomfiting power from Steve Carell in a revelatory performance as a monster of American wealth.
    • 82 Metascore
    • 83 Eric Kohn
    The central appeal of The Trip is that it's only a comedy in bits and pieces. Overall, however, Winterbottom constructs a thoughtful and generally sad portrait of Coogan's persona as a man unsure of his next move.
    • 82 Metascore
    • 83 Eric Kohn
    Anchored by a funny and especially credible performance by newcomer Miles Teller, Ponsoldt's follow up to his alcoholism portrait "Smashed" has all the hallmarks of a bittersweet teen drama with flashes of realistic comedy on par with "Say Anything" and "The Breakfast Club."
    • 82 Metascore
    • 83 Eric Kohn
    Big Words at times seems like it's heading towards a microbudget version of "Hustle and Flow," but Drumming aims for a much smarter and subdued look at the various regrets and hang-ups haunting men of a certain age. Their blackness is only one piece of the puzzle.
    • 82 Metascore
    • 91 Eric Kohn
    A comedy of remarriage buried in intellectual abstraction and cinephilic obsessions, Certified Copy wanders a bit but never loses focus, with the only certainty being that its gimmick is genuine.
    • 82 Metascore
    • 91 Eric Kohn
    With its bouncy soundtrack, deadpan humor and good-natured disposition, Finnish director Aki Kaurismaki's Le Havre is an endearing affair.
    • 82 Metascore
    • 83 Eric Kohn
    If nothing else, Blancanieves offers an excellent case for revisiting the early days of cinema -- and for recognizing how much has been lost in its absence. While "The Artist" recalled the silent film industry, Blancanieves solely pays tribute to the art.
    • 82 Metascore
    • 91 Eric Kohn
    Nuri Bilge Ceylan's mesmerizing Once Upon a Time in Anatolia plays like "Zodiac" meets "Police, Adjective."
    • 81 Metascore
    • 91 Eric Kohn
    Mills fashions the set-up for an overwrought, thoroughly depressing character study into an oddly charming comedy. It's a midlife crisis gently portrayed with sympathy rather than grief.
    • 81 Metascore
    • 91 Eric Kohn
    Weekend builds into a powerful encapsulation of an identity crisis over the course of three passionate days.
    • 81 Metascore
    • 91 Eric Kohn
    Greene's patient, understated portrait renders a universal rite of passage in strangely alluring, poetic terms.
    • 81 Metascore
    • 91 Eric Kohn
    Sister may not arrive at a happy ending, but the lack of resolution -- capped off by the powerful last image --completes its journey to a place of rousing emotional clarity.
    • 81 Metascore
    • 91 Eric Kohn
    In the struggle to tell a story, Panahi reveals the redemptive power of art. No longer issuing desperate pleas, he has turned to cinema for the sake of survival.
    • 81 Metascore
    • 83 Eric Kohn
    A stitched-together combo of outlaw energy and bittersweet romance that gives the impression of Little Rascals in the big city. Like the graffiti art it documents, it's a lovingly handmade affair.
    • 81 Metascore
    • 91 Eric Kohn
    Whereas "45365" took the form of a scattered collage, with disconnected events and a vast ensemble of characters stitched together to represent a year of activity, Tchoupitalas brings greater clarity to a similarly diffuse canvas by situating it around a trio of innocent observers.

Top Trailers