For 646 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 A Pigeon Sat on a Branch Reflecting on Existence
Lowest review score: 25 The Devil's Double
Score distribution:
  1. Negative: 10 out of 646
646 movie reviews
    • 82 Metascore
    • 91 Eric Kohn
    At times, Frances Ha strains from emphasizing the characters' snarkiness and disregarding plot. By routinely going nowhere, however, the movie eventually finds a distinctive voice that carries it through.
    • 82 Metascore
    • 83 Eric Kohn
    The central appeal of The Trip is that it's only a comedy in bits and pieces. Overall, however, Winterbottom constructs a thoughtful and generally sad portrait of Coogan's persona as a man unsure of his next move.
    • 82 Metascore
    • 83 Eric Kohn
    Anchored by a funny and especially credible performance by newcomer Miles Teller, Ponsoldt's follow up to his alcoholism portrait "Smashed" has all the hallmarks of a bittersweet teen drama with flashes of realistic comedy on par with "Say Anything" and "The Breakfast Club."
    • 82 Metascore
    • 83 Eric Kohn
    Big Words at times seems like it's heading towards a microbudget version of "Hustle and Flow," but Drumming aims for a much smarter and subdued look at the various regrets and hang-ups haunting men of a certain age. Their blackness is only one piece of the puzzle.
    • 82 Metascore
    • 91 Eric Kohn
    A comedy of remarriage buried in intellectual abstraction and cinephilic obsessions, Certified Copy wanders a bit but never loses focus, with the only certainty being that its gimmick is genuine.
    • 82 Metascore
    • 91 Eric Kohn
    With its bouncy soundtrack, deadpan humor and good-natured disposition, Finnish director Aki Kaurismaki's Le Havre is an endearing affair.
    • 82 Metascore
    • 83 Eric Kohn
    Produced by Keanu Reeves, this talking heads survey of the transition from shooting on film to digital video is against all odds an imminently watchable overview, and not only because Reeves has decent interview skills.
    • 82 Metascore
    • 100 Eric Kohn
    As with every beautiful, unearthly segment of "Pigeon," the only certainty is life's endlessly puzzling nature.
    • 82 Metascore
    • 75 Eric Kohn
    A four-and-a-half hour period piece littered with interconnected events spread across many years, it moves forward with fits of intrigue, interspersed with casual developments that deaden its momentum and call into question its monumental running time.
    • 82 Metascore
    • 91 Eric Kohn
    Love Is Strange is a sophisticated take on contemporary urbanity infused with romantic ideals and the tragedy of their dissolution.
    • 82 Metascore
    • 83 Eric Kohn
    If nothing else, Blancanieves offers an excellent case for revisiting the early days of cinema -- and for recognizing how much has been lost in its absence. While "The Artist" recalled the silent film industry, Blancanieves solely pays tribute to the art.
    • 82 Metascore
    • 91 Eric Kohn
    Nuri Bilge Ceylan's mesmerizing Once Upon a Time in Anatolia plays like "Zodiac" meets "Police, Adjective."
    • 82 Metascore
    • 91 Eric Kohn
    Portraying a generation so energized by possibilities that it was bound to be let down, Eden offers a wise assessment of the interplay between fantasy and reality on the path to adulthood. The seductive rhythms are a perfect match for a movie that analyzes the unstoppable flow of life.
    • 81 Metascore
    • 83 Eric Kohn
    Going Clear delivers an efficient overview of Scientology's dark history with a cohesive focus on the precision of its corrupt motives.
    • 81 Metascore
    • 83 Eric Kohn
    Rock's savage wit comes through in the wry screenplay, which is loaded with topicality as it pokes fun at subjects ranging from Tyler Perry movies to Angry Birds.
    • 81 Metascore
    • 91 Eric Kohn
    Though anchored by a affecting and sullen turn by Channing Tatum, the movie derives its primary discomfiting power from Steve Carell in a revelatory performance as a monster of American wealth.
    • 81 Metascore
    • 91 Eric Kohn
    Mills fashions the set-up for an overwrought, thoroughly depressing character study into an oddly charming comedy. It's a midlife crisis gently portrayed with sympathy rather than grief.
    • 81 Metascore
    • 91 Eric Kohn
    Weekend builds into a powerful encapsulation of an identity crisis over the course of three passionate days.
    • 81 Metascore
    • 91 Eric Kohn
    Greene's patient, understated portrait renders a universal rite of passage in strangely alluring, poetic terms.
    • 81 Metascore
    • 75 Eric Kohn
    At times more in line with "Blazing Saddles" than the grimly bawdy qualities that define many bonafide oaters, Django Unchained erupts with a conceptual brilliance from the outset that never fully meshes with its clumsy storyline. Nevertheless, it's a giddy ride.
    • 81 Metascore
    • 91 Eric Kohn
    Sister may not arrive at a happy ending, but the lack of resolution -- capped off by the powerful last image --completes its journey to a place of rousing emotional clarity.
    • 81 Metascore
    • 100 Eric Kohn
    Shot in gorgeously expressionistic black-and-white and fusing multiple genres into a thoroughly original whole, Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus.
    • 81 Metascore
    • 91 Eric Kohn
    In the struggle to tell a story, Panahi reveals the redemptive power of art. No longer issuing desperate pleas, he has turned to cinema for the sake of survival.
    • 81 Metascore
    • 83 Eric Kohn
    A stitched-together combo of outlaw energy and bittersweet romance that gives the impression of Little Rascals in the big city. Like the graffiti art it documents, it's a lovingly handmade affair.
    • 81 Metascore
    • 91 Eric Kohn
    Whereas "45365" took the form of a scattered collage, with disconnected events and a vast ensemble of characters stitched together to represent a year of activity, Tchoupitalas brings greater clarity to a similarly diffuse canvas by situating it around a trio of innocent observers.
    • 81 Metascore
    • 91 Eric Kohn
    Upstream Color is routinely confusing but not oppressively so; its final exquisite moments explain little yet still manage to invite you in.
    • 81 Metascore
    • 91 Eric Kohn
    Possibly the best war movie of the year.
    • 81 Metascore
    • 83 Eric Kohn
    Inherent Vice constantly teases at a complex meta commentary on the other movies it brings to mind, but never totally gets there.
    • 81 Metascore
    • 91 Eric Kohn
    Mackenzie (whose previous credits include "Perfect Sense" and "Young Adam") applies a sharp kitchen sink realism to this haunting setting and directs it toward an ultimately moving family drama that just happens to involve vicious convicts.
    • 81 Metascore
    • 75 Eric Kohn
    Despite its shortcomings, The World's End glistens with a comedic energy not present in equivalent mainstream blockbusters.

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