For 543 reviews, this critic has graded:
  • 79% higher than the average critic
  • 2% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 17.6 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
Average review score: 77
Highest review score: 100 The Soft Skin (1969)
Lowest review score: 25 Lovelace
Score distribution:
  1. Negative: 9 out of 543
543 movie reviews
    • 74 Metascore
    • 83 Eric Kohn
    The story retains an inscrutable tone that sometimes makes its emotional qualities feel remote, but it still delivers a powerful message about the challenge of self-diagnosis by rooting it in universal experience
    • 73 Metascore
    • 83 Eric Kohn
    While its main characters are tough-minded, Rust and Bone is itself pure heart.
    • 73 Metascore
    • 83 Eric Kohn
    With its subject still behind bars and the Russian government on the brink of reelecting Kremlin's United Russia party, the biggest triumph of Khodorkovsky is the case it makes for a sequel.
    • 73 Metascore
    • 91 Eric Kohn
    American action movies are almost entirely defined by cutaways, blaring music cues and grunts. The Raid: Redemption, a hyper-energetic Indonesian martial arts movie, delivers an effective rebuke to that meek norm. Bones break, blood flows and swift, excessively complicated fight choreography puts virtually everything released in North America since "The Bourne Ultimatum" to instant shame.
    • 73 Metascore
    • 83 Eric Kohn
    Joe
    If Joe marks a new beginning for some of its characters, the same description applies to its director and star.
    • 73 Metascore
    • 83 Eric Kohn
    The first half of I'm Glad My Mother's Alive effectively inhabits a child's mind in a manner that recalls Maurice Pialat's marvelous 1968 debut "The Naked Childhood."
    • 73 Metascore
    • 83 Eric Kohn
    The Forgiveness of Blood examines the barriers of ritual and the passage from youth to adulthood in Albanian society with the perceptive detail of a grand literary feat. At the same time, it retains the simplicity of a parable.
    • 73 Metascore
    • 83 Eric Kohn
    Gibney's narrative drags to some extent when the focus widens to explore the Vatican's overall policy for covering up sex scandals, but he successfully demonstrates the systematic failure of a system designed work flawlessly on the basis of spirituality that never existed in the first place.
    • 73 Metascore
    • 91 Eric Kohn
    With its persistent inventiveness and a lack of unearned sentimentality, the movie provides an antidote to a lot of lazily produced dramas about death, American or otherwise.
    • 72 Metascore
    • 83 Eric Kohn
    Intermittently action-packed and lethargic, the movie dances around formula. By delivering an expressionistic character study with bursts of intensity unlike anything else in his oeuvre and yet stylistically representative of its entirety, Wong practically has it both ways.
    • 72 Metascore
    • 83 Eric Kohn
    Magic Mike casts a seriously entertaining spell.
    • 72 Metascore
    • 83 Eric Kohn
    At its core, A Screaming Man emphasizes the strength of family bonds. It's a sad, moving portrait that has nothing to do with its chaotic setting.
    • 72 Metascore
    • 83 Eric Kohn
    If you've never heard of LCD Soundsystem or cared much for the group's work, Shut Up and Play the Hits still manages to explore the prospects of fame and contemporary rock music's lasting relevance.
    • 72 Metascore
    • 91 Eric Kohn
    Never indulging in outright scare tactics or loose improvisation, the movie primarily works like an awkward narrative that plays with perspective.
    • 72 Metascore
    • 91 Eric Kohn
    Kim's movies are generally grim, disturbing affairs, but "Pieta" leaves much to the imagination in favor of its unsettling implications.
    • 72 Metascore
    • 83 Eric Kohn
    Despite its meandering plot, Bellflower presents its doom-laden vision as an astonishingly distinctive state of mind, arguing that the end of one self-made world always marks the start of a new one.
    • 72 Metascore
    • 83 Eric Kohn
    Creepy implications keep Super 8 engaging, but the cast makes it click.
    • 72 Metascore
    • 83 Eric Kohn
    Beneath the pixelated gags, the stakes are relatively familiar. However, much of the humor in Wreck-It Ralph riffs on the nostalgia associated with real games.
    • 72 Metascore
    • 83 Eric Kohn
    Post Mortem portrays the specter of dictatorship through the lens of one man's private hell.
    • 72 Metascore
    • 91 Eric Kohn
    Duplass' feisty energy is matched by DeWitt's constant smarminess, while Blunt's shy, fragile behavior balances off the forceful personalities surrounding her.
    • 72 Metascore
    • 91 Eric Kohn
    Jacobs, working from a script by Patrick de Witt, takes a conventional coming-of-age story and does it proud, enlivening the plot with an almost experimental portrait of alienation and despair.
    • 72 Metascore
    • 83 Eric Kohn
    Progressing with a coldly observational pace, Rapt often strains its drawn-out structure, creating a lethargic experience despite essentially taking the form of a Bressonian suspense-thriller.
    • 72 Metascore
    • 83 Eric Kohn
    At its core, The Double Hour is a classic noir story of deception.
    • 71 Metascore
    • 83 Eric Kohn
    Despite its predictably cheery vibe, Being Elmo implies a certain darkness lingering beneath the surface of Clash's life.
    • 71 Metascore
    • 83 Eric Kohn
    For Godard junkies Goodbye to Language is rich with Godard's temperament—and thus an enjoyable provocation, even if it doesn't all add up. But what Godard movie truly does?
    • 71 Metascore
    • 83 Eric Kohn
    Unlike recent activist documentaries about animal cruelty like "The Cove," Leeman's narrative doesn't feature any real villains. Balding's bond with Flora leaves him in a perpetual state of uncertainty about which possible new home for his elephant would provide the safest habitat.
    • 71 Metascore
    • 83 Eric Kohn
    For everything that Mozart's Sister imagines, it leaves much more up to imagination.
    • 71 Metascore
    • 83 Eric Kohn
    Black Death embraces its horror roots with ample bloodshed, at which point the silly costumes and anachronistic dialogue no longer seem so absurd.
    • 71 Metascore
    • 91 Eric Kohn
    While not designed to entertain on the level of style and spectacle that one expects from a Bond film, this tense period drama from the director of "Man on Wire" presents a far more credible take on the daring exploits of British agents.
    • 71 Metascore
    • 83 Eric Kohn
    Sleepwalk With Me calls to mind Judd Apatow's "Funny People" for its focus on the eccentric, obsessive nature of the wannabe comic's mind.