For 639 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17.1 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 A Girl Walks Home Alone at Night
Lowest review score: 25 The Sea of Trees
Score distribution:
  1. Negative: 10 out of 639
639 movie reviews
    • 76 Metascore
    • 67 Eric Kohn
    Witherspoon excels as a committed figure battling through each rough day. So long as the action remains on the trail, Vallée stages an engaging survivalist tale that plays up the resolve on Witherspoon's face, complemented with the rich visuals of an expansive landscape.
    • 76 Metascore
    • 83 Eric Kohn
    The real triumph of Obvious Child involves its ability to make familiar ingredients work just fine on their own terms. In doing so, it makes up for a lot of lost time in the pantheon of female-centric comedies, and studios would be wise to take note.
    • 76 Metascore
    • 83 Eric Kohn
    Teller's rough, uncomplicated filmmaking style does little to elaborate on Jenison's story, as the subject's unending curiosity singlehandedly carries each scene.
    • 76 Metascore
    • 91 Eric Kohn
    The reality-show aesthetic pervades the movie as well. Garrone's roaming camera style draws you into each moment with extreme close-ups and long takes that wander through each scene and get lost in it. Luciano's plight is crushing because Garrone renders it with such detail.
    • 76 Metascore
    • 91 Eric Kohn
    Suspense is rarely delivered with such distinctive patience.
    • 76 Metascore
    • 75 Eric Kohn
    Though the special effects win the day, Guardians of the Galaxy holds court with a sense of humor that transcends its more familiar ingredients.
    • 76 Metascore
    • 91 Eric Kohn
    In the movie's final shot, Jung's confidence crumbles and he looks supremely troubled, still uncertain of a world he once believed could be explained with textual prowess. Better than any analysis, his expression sums up the dangerous method at the heart of every Cronenberg movie.
    • 76 Metascore
    • 83 Eric Kohn
    Where "Bridesmaids" has plenty of solid gags, it's not much to look at; Submarine always has something impressive to watch even when its plot is on autopilot.
    • 76 Metascore
    • 83 Eric Kohn
    Nothing about Dead Man's Burden reeks of homage to oaters of yore -- instead, Moshé has made a legitimate entry in a genre he clearly adores.
    • 76 Metascore
    • 91 Eric Kohn
    Is the Man Who Is Tall Happy? bears the stamp of Gondry quirk but allows it to feel a lot more intimate than anything he's done since "Eternal Sunshine."
    • 75 Metascore
    • 75 Eric Kohn
    Though more in love with its silliness than the insights buried inside them, Frank works to amusingly irreverent effect when combining the two.
    • 75 Metascore
    • 83 Eric Kohn
    While overlong and occasionally too reliant on a formulaic set of motives to drive the action forward, Easy Money retains its suave composure right through the engrossing finale.
    • 75 Metascore
    • 100 Eric Kohn
    Despite the ongoing momentum, Sleepless Night never loses touch with its story.
    • 75 Metascore
    • 83 Eric Kohn
    Edited in a frenzied mashup of concert fragments and off-stage exchanges, The Punk Singer generally overcomes its rough production values by realizing the energy of Hanna's achievements in terms of her passion and physical prowess.
    • 75 Metascore
    • 83 Eric Kohn
    For Godard junkies Goodbye to Language is rich with Godard's temperament—and thus an enjoyable provocation, even if it doesn't all add up. But what Godard movie truly does?
    • 75 Metascore
    • 75 Eric Kohn
    Though suffering from dry patches and a fairly mannered approach, The Invisible Woman eventually makes its way to a powerful final third documenting an ultimately tragic romance in deeply felt terms.
    • 75 Metascore
    • 75 Eric Kohn
    While there's a casual dissonance to each twist in its winding plot that results in a disconnected and emotionally vapid experience, Detective Dee unquestionably achieves the escapism it intends.
    • 75 Metascore
    • 67 Eric Kohn
    With its luscious 35mm photography and playful depiction of passionate lovers reaching a breaking point, the swift 72-minute drama delivers a satisfying riff on moody, intimate material Garrel has mined to richer effect many times before.
    • 75 Metascore
    • 91 Eric Kohn
    In constructing its gripping overview, After Tiller maintains a generally straightforward roundup of talking heads, but its unassuming construction gradually generates an authoritative voice. Only once the arguments have been plainly established does the emotion truly take hold.
    • 75 Metascore
    • 83 Eric Kohn
    No stranger to crafting excessive anticipation, Reichardt has funneled that skill into thriller clothing. However, like all of her output, nothing is as simple as it looks.
    • 75 Metascore
    • 75 Eric Kohn
    There's no question about the efficacy of Scorsese's filmmaking prowess, only that he never knows -- or doesn't care -- to slow down and deepen the material.
    • 75 Metascore
    • 83 Eric Kohn
    There are moments when Tragos and Palermo run the risk of transforming their subjects into tools exploited for the sake of the movie's artistic vision, but the best part of Rich Hill is that its participants rise above the limitations of the material.
    • 75 Metascore
    • 83 Eric Kohn
    The scenes pile up with frenetic intensity; as with Soderbergh's other recent exercises in the suspense genre, no single cutaway goes wasted.
    • 75 Metascore
    • 83 Eric Kohn
    Before its spell unravels with overdone theatricality and on-the-nose flashbacks, Caterpillar succeeds as a kind of representational horror movie.
    • 75 Metascore
    • 67 Eric Kohn
    An impressive feat that relies on distraction rather than fancy effects, it's easy to get swept up and forget that it's a very sweaty retread that's been done many times before.
    • 75 Metascore
    • 91 Eric Kohn
    Omar maintains an unsettling rhythm of suspense and sociopolitical critique throughout.
    • 74 Metascore
    • 75 Eric Kohn
    Judging by Johnson's previous feature, "True Adolescence," he's better at crafting characters with credible problems than finding equally credible ways of exploring them. Fortunately, in the case of Skeleton Twins, the actors do the legwork.
    • 74 Metascore
    • 67 Eric Kohn
    The filmmaker's first-rate access feels like a kind of desecration.
    • 74 Metascore
    • 83 Eric Kohn
    The result is not a major work, but still a wildly funny portrait that succeeds at inducing the incredulity Morris always seeks out.
    • 74 Metascore
    • 83 Eric Kohn
    Burton's id explodes onto the screen with a plethora of demonic mutated critters.

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