This Ain't California is a masterful lie that illuminates a little-known reality.

A crash course in history, politics, and social science, Valentino's Ghost is both sobering and illuminating, and its execution is thrilling.

It's a must-see for anyone interested in art.

But real-life hard-knock plot twists, as well as some tweaking of form (there's no narrator or voiceover of any kind; the film's subjects outline their grim realities largely through their rhythmically upbeat songs) make the film absolutely riveting, as does the fiercely rousing music.

At the film's center is Emily Watson's pitch-perfect performance as Margaret Humphreys, the real-life social worker who in 1986 stumbled over the hidden practice.

Cast with both professional and novice actors (which results in uneven performances), the beautifully shot film is filled with exquisite moments.

One marvel of the film is how it conveys so much information so quickly, and with such accessibility.

What saves the film—and grandly—is Nance’s wildly ambitious visual imagination. Teetering somewhere between film school precocity and impressively assured audaciousness...It’s almost hypnotic in its style and genre promiscuity.

Old Dog has the look and feel of a documentary, which adds senses of urgency and immediacy to a tale that moves at a languid, but never boring, pace.

Though Neshoba is standard-issue in terms of craftsmanship, the tools used to tell the tale (newsreels, family photos, crime scene and autopsy photos) are masterfully employed.

Though the film, based on Dallaire's memoir, can veer toward deification of the general, it's hugely effective.

Undertow, is sublime. Set in a small, picturesque Peruvian fishing village, it's less a coming-out tale than a magic realism–infused coming-of-consciousness love story.

Circo is filled with beautiful images and haunting moments, especially in the third act, when the family unravels as the film culminates in a final triumphant, haunting image.

The movie floats to another realm entirely when the cameras go into the home of Nova Venerable, a smart, eloquent, gorgeous girl whose love for her special-needs younger brother and their hardworking single mom is expressed in terms that sidestep the formulaic verbal and physical bombast of so many of her peers.

Lean, fast-moving, and filled with game-changing fight sequences that have a brutally beautiful (or beautifully brutal) quality, Gareth Evans's Indonesian martial-arts film The Raid: Redemption lives up to its viral hype.

Marston nails the claustrophobia of small-town life and the turbulent emotionalism of teenagers, but what pushes the film toward sublimity is the way he delicately captures all of the characters' inner lives as their world slowly crumbles.

It's the mind-blowing performance footage (and there's lots of it) that makes this a must-see film.

Even those who closely follow African (or global) politics will likely be bowled over by the real-life plot twists unfolding before Merz's camera. What makes the film especially resonate now is the frustration with the status quo that is consistently voiced by the people on the street.

Fascinating and often devastating.

Filmed over a period of six weeks and supplemented with animated music sequences and chilling news footage of the terrifying deluge, Pray is both an elegy and a love letter.

A loving, exhaustive, warts-and-all look at the man who spent years battling his own alcoholism before a spiritual experience in the hospital set him on the course to help others.

The film's emotional and psychological textures suffer for those losses, but Family is still riveting viewing.

From its low-key, guitar-based score by composer Chris Bacon to the filmmaker's refusal to sugar-coat the tough times some of the soldiers faced after completing the climb, High Ground takes its cues from the worldview of its subjects.

It takes a minute for the film to move beyond a kind of gilded stasis, but once it does, it - and Plummer - are riveting.

Karpovsky is unsettlingly good as Paul, and Newman's Danielle is sexy and layered.

The film is something of a paradox, simultaneously passionate and dispassionate, its ending tethered to both bruised triumph and a sense of things falling apart.

Though the psychological layering and thematic ambition of the screenplay do not quite result in the depth intended, Hideaway's unsentimental performances will hook you.

While the film is slight, predictable, and familiar, it's great popcorn fare.