For 20 reviews, this critic has graded:
  • 85% higher than the average critic
  • 0% same as the average critic
  • 15% lower than the average critic
On average, this critic grades 15.4 points higher than other critics. (0-100 point scale)

F. X. Feeney's Scores

  • Movies
Average review score: 75
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 20
Score distribution:
  1. Positive: 17 out of 20
  2. Negative: 2 out of 20
20 movie reviews
    • Metascore: 80
    • F. X. Feeney 100
    It is one of the most beautifully staged American movies in a very long time.
    • Metascore: 76
    • F. X. Feeney 100
    Not only one of the best films of the year, it's one of the best films of the decade.
    • Metascore: 90
    • F. X. Feeney 95
    The Japanese title means chaos, and that is what is let loose when a powerful king foolishly tries to release the reins of power, in the hopes of enjoying a peaceful old age.
    • Metascore: 80
    • F. X. Feeney 93
    It's an exhilarating display of filmic artistry.
    • Metascore: 50
    • F. X. Feeney 92
    I've not stopped thinking about it -- weighing might-have-beens and alternative courses of action, as though remembering an actual event rather than a nimble, superbly-realized fantasy. That's a first-rate achievement.
    • Metascore: 87
    • F. X. Feeney 90
    It's a film which aims to persuade us of its truth without props or signposts--and it does so with unforgettable beauty.
    • Metascore: 87
    • F. X. Feeney 90
    Astonishingly deep and moving.
    • Metascore: 83
    • F. X. Feeney 87
    It's a disturbing film in the best sense.
    • Metascore: 77
    • F. X. Feeney 85
    Byrne is a stand-up poet the way some actors are stand-up comics. His innate depth prompts The Usual Suspects to transcend its own cleverness--and this is the movie's smartest, least predictable surprise.
    • Metascore: 71
    • F. X. Feeney 81
    Has such perfect pitch in small matters that, as it builds, it proves no less capable in tackling bigger issues--and what begin as chuckles become deep belly laughs.
    • Metascore: 52
    • F. X. Feeney 80
    Impeccably produced.
    • Metascore: 36
    • F. X. Feeney 75
    First-time writer-director Mark Hanlon creates a solidly trippy atmosphere.
    • Metascore: 25
    • F. X. Feeney 69
    The two leads have a wonderful chemistry together.
    • Metascore: 24
    • F. X. Feeney 68
    This lightweight thriller has an enjoyable premise.
    • Metascore: 33
    • F. X. Feeney 68
    They make a believable trio of siblings, but not even their combined wit can lift this script above the maudlin.
    • Metascore: 59
    • F. X. Feeney 67
    The good news is that they've resurrected a franchise with wonderful potential and may eventually grow bored enough of recapping past triumphs to take it in more daring directions.
    • Metascore: 46
    • F. X. Feeney 65
    A reliably solid treat.
    • Metascore: 82
    • F. X. Feeney 60
    A smirky black comedy that, like its John Lurie score, is jazzy, dry, and light on its feet.
    • Metascore: 67
    • F. X. Feeney 20
    As an audience member, you end up feeling like a sucker for even having tolerated that sickly sweet notion about a father, a son, and their silly radio.
    • Metascore: 16
    • F. X. Feeney 20
    Alas, for now we're at the mercy of a screenplay whose beats are too often as poorly calculated as the movie's title.