Farran Smith Nehme
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For 231 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

Farran Smith Nehme's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Caesar Must Die
Lowest review score: 0 No One Lives
Score distribution:
  1. Negative: 41 out of 231
231 movie reviews
    • 67 Metascore
    • 63 Farran Smith Nehme
    It’s a baggy movie, with some things (such as whether Idris taking Ritalin in high school improved his performance) unexplained, and it may appeal most to those raising kids themselves.
    • 75 Metascore
    • 63 Farran Smith Nehme
    By refusing to consider that Dickens and Ternan ever brought each other any happiness, the movie is more Victorian in its attitudes than even some Victorians were.
    • 70 Metascore
    • 63 Farran Smith Nehme
    The firefights and chase scenes, no matter how much they adhere to genre, seem more real than the people trapped in the corruption.
    • 60 Metascore
    • 63 Farran Smith Nehme
    This is a handsome movie, rich in period detail, but the stately pace slows to a crawl in the second half.
    • 78 Metascore
    • 63 Farran Smith Nehme
    This is, by some distance, the best movie of the three, and it showcases the impeccable symmetry of his compositions, while retaining his compulsion to wag a finger in your face.
    • 34 Metascore
    • 63 Farran Smith Nehme
    Technically, the film isn’t terribly exciting: talking heads interspersed with shots of young people making their symbolic “leap of faith” from the walls. But the directors have chosen eloquent interviewees, and the passionate attachment they feel for their city gives the film heart.
    • 76 Metascore
    • 63 Farran Smith Nehme
    The story is something of a trap: Both irresistibly poignant and an invitation to wallow.
    • 72 Metascore
    • 63 Farran Smith Nehme
    In terms of its outlook for young girls in Georgia, the movie title might as well be “Buried Alive.”
    • 64 Metascore
    • 63 Farran Smith Nehme
    Though the filmmaking is not terribly exciting, Fela’s life and music are.
    • 70 Metascore
    • 63 Farran Smith Nehme
    Mumblecore founding father Joe Swanberg is back with this amiable off-season tale of Chicago millennials and their dissatisfactions. It offers his characteristic you-are-there visuals, rackety sound and meandering dialogue, often with appealing results.
    • 51 Metascore
    • 63 Farran Smith Nehme
    Saint Laurent was known for an almost monk-like focus on his work. And so this film springs to life — the actors, the camera, the editing — when we see his creations the way they were meant to be seen: in motion, and worn by beautiful women.
    • 43 Metascore
    • 63 Farran Smith Nehme
    There’s a simplicity and directness in Chaplin of the Mountains that keeps it aloft; its wholehearted sincerity feels much fresher than any number of slicker, more cynical films.
    • 65 Metascore
    • 63 Farran Smith Nehme
    The conclusion feels too good-natured after nearly two hours of a minister who would need typed instructions to butter a baguette.
    • 56 Metascore
    • 63 Farran Smith Nehme
    It’s a swift, vivid movie, but 10 years past the scandal, not much is new.
    • 70 Metascore
    • 63 Farran Smith Nehme
    Its sentiment is appealing, though, and its sincerity doesn’t cloy.
    • 74 Metascore
    • 63 Farran Smith Nehme
    Dolan embraces passion and melodrama to a refreshing degree, and Dorval and Clément are terrific. But Mommy can be exhausting; the structure and plot rhythms are all over everywhere. A montage to “Wonderwall” (every last note of it) seems to sum up the movie; too much, but exhilarating all the same.
    • 67 Metascore
    • 63 Farran Smith Nehme
    The film is passionate, but not exactly revelatory.
    • 52 Metascore
    • 63 Farran Smith Nehme
    An explosion of images, mixing seedy, hand-held reality with groovy grindhouse imitations. Most of the shots are vivid, some are even thrilling.
    • 66 Metascore
    • 63 Farran Smith Nehme
    Jealousy has a quiet melancholy that’s very pleasing.
    • 67 Metascore
    • 63 Farran Smith Nehme
    Brief and timely, this documentary directed by Shosh Shlam and Hilla Medalia is also frustrating.
    • 70 Metascore
    • 63 Farran Smith Nehme
    Filmed on abstract sets, it’s full of playful touches, such as lines delivered in front of a screen that looks like a comic-strip panel, and glimpses of a mole puppet popping out from a fake lawn.
    • 74 Metascore
    • 63 Farran Smith Nehme
    Played with enormous charm by Samuel Lange Zambrano, Junior is a handsome kid.
    • 68 Metascore
    • 63 Farran Smith Nehme
    It’s sprightly, funny and at times piercingly sad.
    • 76 Metascore
    • 50 Farran Smith Nehme
    Gorgeous surroundings don't make up for sulky, feuding travel companions.
    • 44 Metascore
    • 50 Farran Smith Nehme
    These characters, especially the uninteresting primary couple, can't sustain almost two hours of movie. Overall, BearCity 2 deals in mild amusement, not wit.
    • 32 Metascore
    • 50 Farran Smith Nehme
    The results are too predictable.
    • 40 Metascore
    • 50 Farran Smith Nehme
    Coming Up Roses swerves into a third-act twist that's both an indie cliché and dramatically unnecessary.
    • 50 Metascore
    • 50 Farran Smith Nehme
    The performances are so uniformly good that it's a shame the characters are stuck with such a listless plot.
    • 38 Metascore
    • 50 Farran Smith Nehme
    The stalker-enabling menace of Facebook is largely abandoned by midpoint, and Brief Reunion won't even prompt most people to change their privacy settings.
    • 66 Metascore
    • 50 Farran Smith Nehme
    The film keeps its focus small, but the trouble is, the characters' emotions stay that way, too.

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