Farran Smith Nehme
Select another critic »
For 256 reviews, this critic has graded:
  • 42% higher than the average critic
  • 5% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

Farran Smith Nehme's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Blancanieves
Lowest review score: 0 No One Lives
Score distribution:
  1. Negative: 43 out of 256
256 movie reviews
    • 67 Metascore
    • 63 Farran Smith Nehme
    Brief and timely, this documentary directed by Shosh Shlam and Hilla Medalia is also frustrating.
    • 66 Metascore
    • 63 Farran Smith Nehme
    Jealousy has a quiet melancholy that’s very pleasing.
    • 70 Metascore
    • 63 Farran Smith Nehme
    Filmed on abstract sets, it’s full of playful touches, such as lines delivered in front of a screen that looks like a comic-strip panel, and glimpses of a mole puppet popping out from a fake lawn.
    • 38 Metascore
    • 63 Farran Smith Nehme
    It’s endearing how this glorified haunted-house movie tries to reclaim all the old tools, and do so with a straight face and a PG-13 level of violence.
    • 74 Metascore
    • 63 Farran Smith Nehme
    Played with enormous charm by Samuel Lange Zambrano, Junior is a handsome kid.
    • 68 Metascore
    • 63 Farran Smith Nehme
    It’s sprightly, funny and at times piercingly sad.
    • 74 Metascore
    • 63 Farran Smith Nehme
    Dolan embraces passion and melodrama to a refreshing degree, and Dorval and Clément are terrific. But Mommy can be exhausting; the structure and plot rhythms are all over everywhere. A montage to “Wonderwall” (every last note of it) seems to sum up the movie; too much, but exhilarating all the same.
    • 74 Metascore
    • 63 Farran Smith Nehme
    While Campillo does graceful work — the way he draws focus in a scene is a pleasure — the script drags and the pseudo-romance is hard to believe, especially when one plot point concerns Daniel asking for a bulk-purchase sex rate. Eastern Boys never quite fulfills the promise of those first few minutes.
    • 76 Metascore
    • 63 Farran Smith Nehme
    With ravishing landscapes, violent political allegory and a glacial narrative that takes an abrupt left turn in the third act: Lisandro Alonso’s Jauja resolutely checks every 2015 art-film box.
    • 54 Metascore
    • 63 Farran Smith Nehme
    Intrigue doesn’t begin until the last third of the movie, which is by far the best part. The Victorian melodrama in Effie Gray works better than the Victorian suffering.
    • 79 Metascore
    • 63 Farran Smith Nehme
    The wry situational humor leaves less of an impression than the near-perfect sense of the heat-drenched wistfulness of summer.
    • 60 Metascore
    • 63 Farran Smith Nehme
    As lovely as Jimmy’s Hall is, Paul Laverty’s script is not so much talky as speech-y. Some conversations play like bullet points about Irish politics and the iron grip of the Catholic Church.
    • 44 Metascore
    • 50 Farran Smith Nehme
    These characters, especially the uninteresting primary couple, can't sustain almost two hours of movie. Overall, BearCity 2 deals in mild amusement, not wit.
    • 32 Metascore
    • 50 Farran Smith Nehme
    The results are too predictable.
    • 76 Metascore
    • 50 Farran Smith Nehme
    Gorgeous surroundings don't make up for sulky, feuding travel companions.
    • 40 Metascore
    • 50 Farran Smith Nehme
    Coming Up Roses swerves into a third-act twist that's both an indie cliché and dramatically unnecessary.
    • 50 Metascore
    • 50 Farran Smith Nehme
    The performances are so uniformly good that it's a shame the characters are stuck with such a listless plot.
    • 38 Metascore
    • 50 Farran Smith Nehme
    The stalker-enabling menace of Facebook is largely abandoned by midpoint, and Brief Reunion won't even prompt most people to change their privacy settings.
    • 66 Metascore
    • 50 Farran Smith Nehme
    The film keeps its focus small, but the trouble is, the characters' emotions stay that way, too.
    • 45 Metascore
    • 50 Farran Smith Nehme
    At its best, Shanghai Calling is mildly diverting.
    • 37 Metascore
    • 50 Farran Smith Nehme
    The next time Siddig plays a man of intrigue, let’s hope he’s chasing something more interesting than a clueless kid.
    • 59 Metascore
    • 50 Farran Smith Nehme
    By the movie’s end, the party guests may be ready to dance the hora — or they may find themselves sitting this one out. “Hava” will have its revenge, however: It’s still stuck in my head.
    • 52 Metascore
    • 50 Farran Smith Nehme
    Most of the humor, though, is wan, exemplified by letters like “Dear General Lee: Sounds great! Please proceed with your plan.”
    • 72 Metascore
    • 50 Farran Smith Nehme
    Director Baran bo Odar puts all this in the service of ghastly clichés. The rape of children has long since grown nauseatingly familiar, in books, in films, in each season of “Law & Order: Special Victims Unit.”
    • 58 Metascore
    • 50 Farran Smith Nehme
    Toward the end, despite the wintry script and chilly acting, some emotion begins to break through. But it’s never a good sign when the art direction offers more fascination than the sex.
    • 35 Metascore
    • 50 Farran Smith Nehme
    Gould’s lugubrious presence is always welcome, and Rue plays her lovelorn part with verve.
    • 53 Metascore
    • 50 Farran Smith Nehme
    Detour does a fine job of giving drivers yet another reason to stress out, but that anxiety doesn’t extend to its hero’s fate.
    • 36 Metascore
    • 50 Farran Smith Nehme
    There’s a good cinephile heart beating under this fluffy story. But Lellouche, in making her homage to Allen, left out one of his essential qualities: bite. Paris-Manhattan drifts by and never leaves a single toothmark.
    • 55 Metascore
    • 50 Farran Smith Nehme
    The debut film of Brandon Cronenberg deals out shivers and flinches in little hypodermic jabs.
    • 55 Metascore
    • 50 Farran Smith Nehme
    If anyone in the store’s history ever had a bad experience there, you won’t find it in this movie.

Top Trailers