G. Allen Johnson, San Francisco Examiner
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For 75 reviews, this critic has graded:
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60% higher than the average critic
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1% same as the average critic
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39% lower than the average critic
On average, this critic grades 7.4 points higher than other critics.
(0-100 point scale)
G. Allen Johnson's Scores
- Movies
| Average review score: | 67 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 54 out of 75
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Mixed: 5 out of 75
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Negative: 16 out of 75
75
movie reviews
- By critic score
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G. Allen Johnson 100
Ruiz has made the most ambitious adaptation of a Proust work yet. -
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G. Allen Johnson 100
A sweaty-browed exercise in precision filmmaking, but one that doesn't cheat you with wisps of tension and the pretense of attitude. -
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G. Allen Johnson 100
A movie that has an odd plot, quirky characters and a real edge, but it's not in-your-face, a re-invention of a genre or a smirky independent. It's different because it's flat-out great. -
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G. Allen Johnson 100
Kurosawa pulled out all the stops with Ran, his obsession with loyalty and his love of expressionistic film techniques allowed to roam freely. -
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G. Allen Johnson 100
Kiarostami's genius is elusive. His films may be unknowable, but they are undeniably hypnotic, charismatic. -
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G. Allen Johnson 100
Minghella is an artist and he has painted himself a masterpiece. -
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G. Allen Johnson 100
The effect is riveting and frightening. You feel you are under siege with the combatants. -
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G. Allen Johnson 100
This movie has everything but Humphrey Bogart, and I'm sure he's sorry he was unavailable. -
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G. Allen Johnson 88
It's a more intelligent and dimensional epic than, say, "Anna and the King." Emperor is worth every single penny. -
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G. Allen Johnson 88
The only film sequels in history that just keep getting better. -
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G. Allen Johnson 88
May be the funniest movie about parental and spousal abuse ever made. -
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G. Allen Johnson 88
Austin is funny, extremely funny, because he is so ridiculous, and because Myers is a brilliant mimic who, like Martin Short, knows how to do ridiculous. -
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G. Allen Johnson 88
There isn't a whole lot of fancy subplotting, just a potpourri of funny and engaging characters. -
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G. Allen Johnson 88
Salles' solid narrative is only deceptively simple; there is a lot of dimension and depth to this gentle, sometimes painful portrait of two wanderers. -
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G. Allen Johnson 88
Leigh has a gift for demonstrating character from the outside in. -
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G. Allen Johnson 88
The Coens haven't been this sharp, focused and fluid since their first film. This is "Blood Simple's" promise fulfilled. -
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G. Allen Johnson 88
I'm not sure all of this works out as convincingly as Anderson intends in the movie's somewhat unsatisfying ending, but getting there is a wickedly enjoyable journey. -
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G. Allen Johnson 88
A crowd pleaser that caters to our horror of totalitarianism, our love of personal freedom, our belief - justified or deluded - that knowledge is a powerful tool and that access to information is a God-given right. -
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G. Allen Johnson 88
A weird, wonderful and funny work that stands as a true original. As if that weren't enough, director and co-writer Anderson has given Bill Murray his best role in years. -
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G. Allen Johnson 88
A warm-hearted valentine to old traditions in China that are being obliterated by modern - and admittedly more efficient - technology. -
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G. Allen Johnson 88
Happy Together is Wong's most fully realized work. It is a pleasure to watch an interesting mind feel his way, and the result is something more than just a passing fancy. -
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G. Allen Johnson 75
Shows how Tinseltown sensibilities can be well thought out even on a low budget. -
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G. Allen Johnson 75
Misses some creative opportunities to really drive this story home, but it's a naturally haunting story nonetheless. -
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G. Allen Johnson 75
The drawbacks to Little Voice might sink a lesser movie, but not this one. -
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G. Allen Johnson 75
An engaging, well-written film that is surprisingly gentle in tone and easily paced. -
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G. Allen Johnson 75
A movie that features rich Mexican American characters and an uncompromising story line is always timely. -