Gary Goldstein

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For 519 reviews, this critic has graded:
  • 59% higher than the average critic
  • 8% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 2.5 points lower than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Heli
Lowest review score: 0 Left Behind
Score distribution:
  1. Negative: 94 out of 519
519 movie reviews
    • 90 Metascore
    • 90 Gary Goldstein
    Director Judy Chaikin, who co-wrote the film with its deft editor, Edward Osei-Gyimah, infuses this fine portrait with grace, nostalgia and a well-calibrated dose of social commentary.
    • 85 Metascore
    • 90 Gary Goldstein
    Despite the pain, sadness and vast emotional upheaval depicted here, Bridegroom is also a movie filled with hope and passion, dignity and pride, and many stirring pockets of joy.
    • 85 Metascore
    • 100 Gary Goldstein
    Night Will Fall proves a riveting, devastating, heartbreaking and deeply important film, one that you will likely never forget.
    • 85 Metascore
    • 80 Gary Goldstein
    The film is as much a provocative exposé of Franklin, who awaits trial on murder charges and has proclaimed his innocence, as it is a vivid portrait of a community long plagued by drugs, crime, poverty and desperation.
    • 84 Metascore
    • 80 Gary Goldstein
    It's a provocative, absorbing — and at times dicey — study.
    • 83 Metascore
    • 70 Gary Goldstein
    Blackfish, named after the Native American term for orcas, remains decidedly one-sided. But when that "side" is such a vital, convincing proponent for the greater protection and understanding of such evolved and majestic creatures, it can't help but win.
    • 83 Metascore
    • 90 Gary Goldstein
    Ultimately, though, it's Abbott's show to steal — and steal it he does — as he rivetingly conjures a character who's chaotically charismatic, hugely affecting and for better or worse thoroughly real.
    • 82 Metascore
    • 80 Gary Goldstein
    Vividly captures a year in the life of eastside Detroit's Engine Company 50.
    • 82 Metascore
    • 90 Gary Goldstein
    [A] fascinating film.
    • 81 Metascore
    • 80 Gary Goldstein
    Thanks to the residual love and attraction between the pair, this cocktail-fueled reunion never descends into a "Virginia Woolf"-like grudge match but, rather, remains an equitable, tender, sometimes surprising game of hard truth-telling.
    • 81 Metascore
    • 90 Gary Goldstein
    With its startling mix of 16-millimeter-shot, handmade animation styles using stop-motion, sketches, collages and models, along with uncensored characters often resembling cadaverous marionettes, this twisted look at life in a faded Appalachian town is one decidedly idiosyncratic ride.
    • 79 Metascore
    • 100 Gary Goldstein
    By turns lyrical, impressionistic and profound, the documentary The Pearl Button requires patience but offers stirring rewards.
    • 79 Metascore
    • 90 Gary Goldstein
    Fine performances (MacKay is a revelation), bristling tension, strong atmospherics and a wealth of superbly wrought, often heartbreaking scenes add up to make "Peril" a must-see for serious filmgoers.
    • 79 Metascore
    • 90 Gary Goldstein
    A haunting, immersive portrait of a romance between two men, one that's marked - and marred - by both drug dependency and emotional codependency. Not unlike last year's gay-themed drama, "Weekend," it proves an important and mature piece of business.
    • 78 Metascore
    • 80 Gary Goldstein
    Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.
    • 78 Metascore
    • 70 Gary Goldstein
    What you see is pretty much what you get. Fortunately, what we see is often vivid and lovely.
    • 77 Metascore
    • 90 Gary Goldstein
    Although the film builds an effective sense of dread and contains its share of unnerving visuals and well-timed scares, it proves far more psychological thrill ride than shockfest.
    • 77 Metascore
    • 80 Gary Goldstein
    Though much of the movie was shot in secret to protect the filmmakers, Bailey and Thompson managed to create a remarkably vivid portrait of a land and its people, while bringing us two unforgettable heroes in Campbell and Freeth.
    • 76 Metascore
    • 90 Gary Goldstein
    Proves a highly auspicious feature debut for Moors and Porto as well as a much-deserved return to the limelight for Washington. Don't miss it.
    • 76 Metascore
    • 70 Gary Goldstein
    "Ain't in It" offers a warm and largely satisfying look at a man and his music and, for some, the end of an era.
    • 76 Metascore
    • 70 Gary Goldstein
    The mishmash that results is by turns creepy, silly, inventive, darkly funny and, at one point, mind-blowingly bloody. Still, some smart streamlining would have sharpened the focus and amped up the power of this well-shot and edited spookfest.
    • 76 Metascore
    • 80 Gary Goldstein
    This expertly constructed film follows the curious and tragic life of the troubled chess icon as he went from child prodigy to global legend to paranoid recluse.
    • 75 Metascore
    • 80 Gary Goldstein
    Director Greg "Freddy" Camalier skillfully, unhurriedly unfurls a wealth of classic music-biz tales as told by a who's who of R&B, soul and rock 'n' roll royalty and various other players and purveyors.
    • 75 Metascore
    • 70 Gary Goldstein
    While the movie's second half feels more consequential - and more impressively action-packed - than its first part, it also loses some of its initial charm and quirk via a protracted, often dizzying descent into a kind of booty-centric game of hot potato.
    • 75 Metascore
    • 90 Gary Goldstein
    Graceland is a tense, twisty cinematic artichoke brimming with moral complexity and intriguing shades of gray.
    • 75 Metascore
    • 90 Gary Goldstein
    Guitarist-composer Bill Frisell's wall-to-wall, bluesy-jazzy soundtrack beautifully reflects and unifies the visuals while also helping to personalize this distinct endeavor. It's a terrific achievement.
    • 74 Metascore
    • 70 Gary Goldstein
    Although enjoyable, the movie is perhaps best suited to cinéastes already intimate with Bergman's venerated body of work as well as with Ullmann's many acclaimed screen roles.
    • 74 Metascore
    • 70 Gary Goldstein
    It's predictable, painless, occasionally amusing fluff perked up by a clever visual interplay with the book text and John Cleese's avuncular narration.
    • 74 Metascore
    • 70 Gary Goldstein
    The documentary The Russian Woodpecker is provocative, spooky and just a little nutty.
    • 74 Metascore
    • 80 Gary Goldstein
    Director Ozon... infuses the picture with a provocative array of themes, imagery and moods. But it's French film heartthrob Duris' fluid, finely measured, physically deft portrayal of the blossoming David that sets the movie apart.

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