For 330 reviews, this critic has graded:
  • 62% higher than the average critic
  • 7% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
Average review score: 59
Highest review score: 100 Heli
Lowest review score: 0 Don Peyote
Score distribution:
  1. Negative: 52 out of 330
330 movie reviews
    • 90 Metascore
    • 90 Gary Goldstein
    Director Judy Chaikin, who co-wrote the film with its deft editor, Edward Osei-Gyimah, infuses this fine portrait with grace, nostalgia and a well-calibrated dose of social commentary.
    • 85 Metascore
    • 90 Gary Goldstein
    Despite the pain, sadness and vast emotional upheaval depicted here, Bridegroom is also a movie filled with hope and passion, dignity and pride, and many stirring pockets of joy.
    • 81 Metascore
    • 90 Gary Goldstein
    With its startling mix of 16-millimeter-shot, handmade animation styles using stop-motion, sketches, collages and models, along with uncensored characters often resembling cadaverous marionettes, this twisted look at life in a faded Appalachian town is one decidedly idiosyncratic ride.
    • 79 Metascore
    • 90 Gary Goldstein
    A haunting, immersive portrait of a romance between two men, one that's marked - and marred - by both drug dependency and emotional codependency. Not unlike last year's gay-themed drama, "Weekend," it proves an important and mature piece of business.
    • 76 Metascore
    • 90 Gary Goldstein
    Proves a highly auspicious feature debut for Moors and Porto as well as a much-deserved return to the limelight for Washington. Don't miss it.
    • 75 Metascore
    • 90 Gary Goldstein
    Graceland is a tense, twisty cinematic artichoke brimming with moral complexity and intriguing shades of gray.
    • 75 Metascore
    • 90 Gary Goldstein
    Guitarist-composer Bill Frisell's wall-to-wall, bluesy-jazzy soundtrack beautifully reflects and unifies the visuals while also helping to personalize this distinct endeavor. It's a terrific achievement.
    • 73 Metascore
    • 90 Gary Goldstein
    It's exhausting, exhilarating, riveting stuff that fans of high-octane filmmaking should not miss.
    • 72 Metascore
    • 100 Gary Goldstein
    Tense, smartly crafted and highly resonant, Aliyah is one of the best films so far this year.
    • 69 Metascore
    • 90 Gary Goldstein
    It's unique, powerful stuff.
    • 68 Metascore
    • 90 Gary Goldstein
    The filmmakers vividly illustrate the power and depth of the long-spiraling problem of "food insecurity" by immersing us in the hardscrabble lives of a cross section of our nation's poor.
    • 68 Metascore
    • 90 Gary Goldstein
    If this all sounds fairly rote, it's far from it. That's because the filmmaker largely eschews done-to-death family dynamics, forced obstacles and predictable responses for authentic interaction, organic humor and a hopeful vitality.
    • 68 Metascore
    • 90 Gary Goldstein
    The wildlife documentary One Life is a visually gorgeous, at times astonishing screen experience.
    • 67 Metascore
    • 90 Gary Goldstein
    [A] captivating documentary.
    • 64 Metascore
    • 90 Gary Goldstein
    It's the flesh-and-blood lead performance by Iranian actress Golshifteh Farahani as a profoundly conflicted Muslim wife and mother that seals this cinematic deal. She's superb.
    • 60 Metascore
    • 90 Gary Goldstein
    Wish You Were Here is mystery moviemaking at its most intriguing.
    • 59 Metascore
    • 100 Gary Goldstein
    Heli is a stunning piece of filmmaking. It's a hypnotic, starkly beautiful, often disturbing drama that puts a working-class Mexican family in the cross hairs of its country's drug war.
    • 59 Metascore
    • 90 Gary Goldstein
    The Railway Man is an impressively crafted, skillfully acted, highly absorbing journey into a dark corner of world history.
    • 58 Metascore
    • 90 Gary Goldstein
    Add one more extraordinary survival tale to the canon of Holocaust documentaries: No Place on Earth.