Gary Goldstein
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For 361 reviews, this critic has graded:
  • 61% higher than the average critic
  • 7% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Heli
Lowest review score: 0 Don Peyote
Score distribution:
  1. Negative: 58 out of 361
361 movie reviews
    • 58 Metascore
    • 60 Gary Goldstein
    Kid-Thing proves as disturbing for what it is as for what it's not.
    • 58 Metascore
    • 70 Gary Goldstein
    This compelling psychological horror-thriller contains a tremendous amount of heart. That would be largely thanks to a moving and deeply sensitive lead performance by Jim Sturgess
    • 58 Metascore
    • 90 Gary Goldstein
    Add one more extraordinary survival tale to the canon of Holocaust documentaries: No Place on Earth.
    • 57 Metascore
    • 80 Gary Goldstein
    A stirring commentary on our better angels.
    • 57 Metascore
    • 70 Gary Goldstein
    The well-observed script touches on a number of everyday issues about the aging process — whether you're pushing 40 or passing 60 — that add a tender and enlightening layer to this engaging, leisurely paced film.
    • 57 Metascore
    • 60 Gary Goldstein
    Skims a host of provocative surfaces without truly dissecting the self-absorbed playboy.
    • 57 Metascore
    • 60 Gary Goldstein
    Sweet, slight and frequently familiar, Geography Club, based on Brent Hartinger's novel about sexual identity among suburban teens, often feels as if it's circling its expiration date.
    • 57 Metascore
    • 80 Gary Goldstein
    By turns sweet and tart, airy and rich and, above all, a thoroughly irresistible confection.
    • 56 Metascore
    • 70 Gary Goldstein
    The film's more heartfelt moments are what ultimately work best.
    • 56 Metascore
    • 60 Gary Goldstein
    Until being young and gay is a nonissue for everyone everywhere, these kinds of stories will always have their place.
    • 56 Metascore
    • 60 Gary Goldstein
    To his credit, writer-director Nathan Morlando has crafted a stylishly shot and evocatively designed period piece. But it's the dashing, quietly charismatic Speedman who proves the main draw, holding our attention even when the movie doesn't.
    • 56 Metascore
    • 60 Gary Goldstein
    Despite his cogent finger-pointing, nifty graphs and succinct highlighting of recent climate change history, longtime followers of the hyper-partisan topic may not find much terribly new or revealing here.
    • 56 Metascore
    • 80 Gary Goldstein
    An exceptionally intimate, human-scaled picture. It's also quite a special piece of work.
    • 56 Metascore
    • 70 Gary Goldstein
    It all adds up to create a dicey morality tale that's as improbable as it is strangely believable.
    • 56 Metascore
    • 40 Gary Goldstein
    This underdeveloped, lackluster glance at brotherhood practically demands a response of "Is that all there is?" at its 70-minute fadeout.
    • 56 Metascore
    • 60 Gary Goldstein
    The inventively shot and constructed documentary For No Good Reason is an absorbing look at the unique, surreal work of British cartoonist Ralph Steadman.
    • 56 Metascore
    • 60 Gary Goldstein
    Despite the Mexican American comic's engaging presence, amusing observations and deft imitations, "Fluffy" is a standard-issue comedy concert film far better suited to a 90-minute cable TV slot than the big screen.
    • 55 Metascore
    • 70 Gary Goldstein
    The result is an unhurried, visually compelling look at a man and his music - as well as of a bygone America filled with shuttered downtowns and the ghosts of such late musicians as Elvis Presley and blues pioneer Robert Johnson.
    • 55 Metascore
    • 70 Gary Goldstein
    Unfortunately, Berman skips past the darker implications of Hefner's sexual universe and omits discussion of how the periodical business -- and access to erotic imagery -- has changed in the Internet age. Still, the movie remains an involving look at an American icon as well as an adept snapshot of our national zeitgeist from the McCarthy era through the Reagan years.
    • 55 Metascore
    • 70 Gary Goldstein
    With its gorgeous big-sky vistas, stirring shots of the majestic mustangs and intimate bits between trainers and trainees, Wild Horse proves a warm and memorable ride.
    • 55 Metascore
    • 70 Gary Goldstein
    Antiviral is often fascinating to watch. If Cronenberg's not yet a dead ringer for his iconic dad, he's taken an intriguing first step.
    • 55 Metascore
    • 70 Gary Goldstein
    You don't have to be a "Star Wars" nut to enjoy this fast-paced film, though it's sure to resonate most with those whose childhoods - and beyond - were shaped by the 1977 phenomenon.
    • 55 Metascore
    • 60 Gary Goldstein
    Kundo: Age of the Rampant is an often entertaining if overlong look at the last days of Korea's Joseon Dynasty.
    • 54 Metascore
    • 70 Gary Goldstein
    How Norman and his gang learn the ropes, work the game and earn their fleeting, if nerve-wracking moment in the sun proves an enjoyable, well-crafted ride in the hands of writer-director John Stockwell.
    • 54 Metascore
    • 70 Gary Goldstein
    The film, named for "Calvin" creator Bill Watterson, offers not only an in-depth look at the comic strip's unique influence but also a concise snapshot of the dwindling state of newspapers and their "funny pages."
    • 54 Metascore
    • 60 Gary Goldstein
    A lovely performance by Ethiopian supermodel-actress Liya Kebede as supermodel-activist Waris Dirie works wonders to elevate this uneven, occasionally awkward but often absorbing film.
    • 54 Metascore
    • 70 Gary Goldstein
    An involving primer on the realities of homegrown versus global industrialization.
    • 54 Metascore
    • 70 Gary Goldstein
    This engaging, nicely observed look at a 30ish L.A. couple who allow each other a one-night stand to help reheat their 7-year-old marital bed moves quickly and simply.
    • 53 Metascore
    • 70 Gary Goldstein
    I Am Not a Hipster is the kind of lovingly crafted, deeply affecting drama that gives small indie films a good name. It's also a terrific showcase for first-time feature writer-director Destin Daniel Cretton and his superb leading man, Dominic Bogart.
    • 53 Metascore
    • 70 Gary Goldstein
    It's an enjoyable snapshot that effectively explores the colliding - often complicit - worlds of fame, entertainment publicity, the public's infatuation with gossip and the dogged paparazzi at the epicenter of it all.