Gary Goldstein

Select another critic »
For 641 reviews, this critic has graded:
  • 56% higher than the average critic
  • 11% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 3.1 points lower than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Pearl Button
Lowest review score: 0 Left Behind
Score distribution:
641 movie reviews
    • 66 Metascore
    • 80 Gary Goldstein
    Marquette, aided by Frank Langella's precise narration, has crafted an engrossing and disturbing tribute.
    • 66 Metascore
    • 80 Gary Goldstein
    The film brings us vividly inside the life - and head - of its determined hero, Bud Clayman, as he depicts the process of what he calls "getting normal."
    • 66 Metascore
    • 80 Gary Goldstein
    The lovely, heartbreaking Fly Away benefits from superb performances and a gripping story managed with simplicity and grace by writer-producer-director Janet Grillo.
    • 66 Metascore
    • 70 Gary Goldstein
    Unfortunately, the film often feels somewhat random and disorganized, with Newnham and Grainger-Monsen never zeroing in on a cohesive narrative structure. Still, the movie's engaging subjects (including several parents) and valuable themes largely carry the day.
    • 66 Metascore
    • 100 Gary Goldstein
    Mills peppers his fresh script with an assortment of throwaway lines, kooky character beats and off-kilter emotional truths. That he packs so much memorable silliness into one 80-minute film is quite the feat. Sequel, please.
    • 66 Metascore
    • 80 Gary Goldstein
    This handsomely made suspense yarn proves an engrossing, pulse-quickening journey.
    • 65 Metascore
    • 50 Gary Goldstein
    That Rabe (daughter of the late Jill Clayburgh and playwright David Rabe) proves so intriguing to watch is more a testament to her acting focus and stirring, lovely presence than to the dreary role she inhabits.
    • 65 Metascore
    • 60 Gary Goldstein
    Although affecting and well acted, the family drama Bad Hurt is too airless and depressing to fully engage.
    • 65 Metascore
    • 70 Gary Goldstein
    A unique, unsettling experience.
    • 65 Metascore
    • 60 Gary Goldstein
    The product is more pop vanity project — and one that's a bit late to the party — than onion-peeling dissection.
    • 65 Metascore
    • 80 Gary Goldstein
    Director Maurice Dekkers stops far short of shooting “food porn” here, instead deftly capturing the often spare beauty of Redzepi and company’s rarefied concoctions including, yes, ants on a shrimp.
    • 65 Metascore
    • 40 Gary Goldstein
    Unfortunately, there's a lack of structure, context and point of view to the largely gray, grim, hardscrabble world presented here.
    • 65 Metascore
    • 80 Gary Goldstein
    A stirring snapshot of America from 1963 to 1968 and the many rock 'n' roll thrills, cultural and political watersheds, and whirling emotions that erupted in between. It's also deviously smart and darkly funny.
    • 65 Metascore
    • 30 Gary Goldstein
    Alexander Sokurov's Faust is a grueling side show of a film, a morbid, mightily uninvolving piece.
    • 65 Metascore
    • 80 Gary Goldstein
    It's the candid moments of joy and accomplishment -- Welcker finding out she's an Intel contest finalist, Khan learning he's been accepted to Yale, high school valedictorian Cisneros thanking her devoted parents in her graduation speech -- that really make this one soar.
    • 65 Metascore
    • 70 Gary Goldstein
    Kazemy and Boosheri are excellent, and Soheil Parsa and Nasrin Pakkho are also fine as Atefeh's doting, liberal parents. And if Keshavarz is less successful managing the film's sometimes choppy narrative, she is clearly willing to take risks on all fronts. More power to her.
    • 65 Metascore
    • 70 Gary Goldstein
    Feature films these days rarely come as gentle and equitable as The Confirmation. It's a sweet, decidedly low-key little picture starring a deftly understated Clive Owen.
    • 65 Metascore
    • 40 Gary Goldstein
    The elder Makhmalbaf, who wrote and directed, puts many spins on this ethereal mood piece — it is by turns poetic, impressionistic, metaphorical and even a bit trippy — without satisfying such genre basics as structure, depth and resolution.
    • 65 Metascore
    • 40 Gary Goldstein
    Writer-director-star David Thorpe attempts to probe the whys and wherefores of what he calls the stereotypical "gay male voice," but he ends up crafting a naval-gazing self-portrait that's unflattering, inconclusive and, at times, a bit specious.
    • 65 Metascore
    • 70 Gary Goldstein
    This engaging, funny and frank new film also proves something of a cop-out, especially given the bullet train of a narrative concocted by writer-director Patrick Brice.
    • 64 Metascore
    • 90 Gary Goldstein
    It's the flesh-and-blood lead performance by Iranian actress Golshifteh Farahani as a profoundly conflicted Muslim wife and mother that seals this cinematic deal. She's superb.
    • 64 Metascore
    • 80 Gary Goldstein
    [A] highly watchable portrait.
    • 64 Metascore
    • 50 Gary Goldstein
    Honest and unadorned though the film may be, it's ultimately just not that involving.
    • 64 Metascore
    • 60 Gary Goldstein
    Chittenden and Tzu-yi are expressive actors, but, like the film itself, are hamstrung by the project's self-imposed confines.
    • 64 Metascore
    • 90 Gary Goldstein
    Punchy dialogue, sharply drawn characters and excellent performances fuel Glass Chin.
    • 64 Metascore
    • 50 Gary Goldstein
    Deeper socio-historical context and a more electric approach could have helped us better appreciate the far-flung impact of this visionary artist.
    • 64 Metascore
    • 70 Gary Goldstein
    Best appreciated for its sweet eccentricities (beginning with reggae lover Jack's would-be dreadlocks), optimistic outlook and authentic New York vibe, as much as for its commitment to being exactly what it is: an affectionate homage to working-class underdogs trying to carve out their own little corners of happiness.
    • 63 Metascore
    • 70 Gary Goldstein
    Healy and Embry commit to their enervating roles with a heady mix of desperation and gusto, while Koechner is cleverly modulated as the evening's madman emcee. But Paxton, as the complicit yet impassive Violet, remains mostly a shiny accessory.
    • 63 Metascore
    • 80 Gary Goldstein
    A revealing, disturbing look at how political and corporate forces have seemingly undermined the freedom and safety of our nation's equine population.
    • 63 Metascore
    • 60 Gary Goldstein
    [It's] too bad Cindy Kleine, the documentary's producer-director-narrator — and Gregory's wife — didn't better organize this rangy survey of the eclectic actor, theater director, artist and raconteur.

Top Trailers