Geoff Berkshire
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For 78 reviews, this critic has graded:
  • 29% higher than the average critic
  • 6% same as the average critic
  • 65% lower than the average critic
On average, this critic grades 12.3 points lower than other critics. (0-100 point scale)

Geoff Berkshire's Scores

  • Movies
  • TV
Average review score: 47
Highest review score: 90 Narco Cultura
Lowest review score: 10 The Ultimate Life
Score distribution:
  1. Positive: 23 out of 78
  2. Negative: 26 out of 78
78 movie reviews
    • 51 Metascore
    • 30 Geoff Berkshire
    While there are a few good jokes and sight gags along the way, the main impression left by She's All That is how numbingly consistent its lack of originality is.
    • 28 Metascore
    • 30 Geoff Berkshire
    Neither warm and fuzzy in the best holiday movie traditions, nor edgy and irreverent a la “Bad Santa” (coincidentally also co-starring Graham, to better effect), it’s something of a mystery what audience A Merry Friggin’ Christmas intends to serve.
    • 40 Metascore
    • 30 Geoff Berkshire
    The lukewarm family dynamics sit awkwardly alongside equally underwhelming action sequences.
    • 38 Metascore
    • 30 Geoff Berkshire
    Slack narrative and abysmal dialogue render the vague generational satire meaningless to anyone unfamiliar with Tolstoy’s work (and depressing to those in the know).
    • 40 Metascore
    • 30 Geoff Berkshire
    There isn’t a pharmaceutical cocktail powerful enough to improve the dreadful comedy of Better Living Through Chemistry.
    • tbd Metascore
    • 30 Geoff Berkshire
    Unacceptable Levels marries folksy astonishment and alarmist speculation in a documentary far too easy to dismiss.
    • 31 Metascore
    • 30 Geoff Berkshire
    “Lazarus” shamelessly steals from superior genre efforts and lacks any distinguishing traits beyond a wildly overqualified cast.
    • tbd Metascore
    • 20 Geoff Berkshire
    Essentially a homemovie cobbled together with bland talking-head interviews, director Yuliya Tikhonova’s film offers little to interest jazz aficionados or those simply curious about the band’s lineup of veteran sidemen from the era of classic jazz.
    • tbd Metascore
    • 20 Geoff Berkshire
    The second feature from writer-director Tenney Fairchild (“The Good Humor Man”) actually attempts to be an emotionally resonant relationship tale, but lives down to its title by delivering nothing but inane comedy and insufferable drama.
    • 20 Metascore
    • 20 Geoff Berkshire
    Results are simple-minded at best, contemptible at worst; most audiences would rather watch anything else.
    • tbd Metascore
    • 20 Geoff Berkshire
    Eric Chaney’s debut feature, Indigo Children, doesn’t so much copy Terrence Malick as swallow the filmmaker’s stylistic tics whole and vomit them out onscreen in an ungainly if mercifully brief mess.
    • 21 Metascore
    • 20 Geoff Berkshire
    An aggressively obnoxious tone undermines a decent concept and appealing cast.
    • 22 Metascore
    • 20 Geoff Berkshire
    Sanchez’s thoroughly conventional approach here does little to elevate a dismally generic script from frequent collaborator Jamie Nash.
    • 32 Metascore
    • 20 Geoff Berkshire
    While every moment is captured with the reverence of a fawning fan, Holwerda’s star-struck approach neglects to shed new light on his subjects or even showcase their greatest hits.
    • 19 Metascore
    • 20 Geoff Berkshire
    An utterly unevolved romantic comedy, “Cavemen” tries to split the difference between raunchy and sweet and fails miserably on all counts.
    • 19 Metascore
    • 10 Geoff Berkshire
    At least the narrative sloppiness and ineptly delivered themes in the script by Brian Bird and Lisa G. Shillingburg (freely adapted from the novel by Jim Stovall) feel of a piece with the entire production.
    • 19 Metascore
    • 10 Geoff Berkshire
    This confused and confusing pic delivers no thrills, chills or anything remotely surprising.
    • 8 Metascore
    • 10 Geoff Berkshire
    Jack’s predicament is both revolting and claustrophobic, but he never emerges as any kind of hero or villain, just a passive victim, which makes the pic’s most off-putting quality its endless tedium.

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