For 315 reviews, this critic has graded:
  • 51% higher than the average critic
  • 1% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 8.8 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

  • TV
Average review score: 53
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
315 tv reviews
    • Metascore: 77
    • Glenn Garvin 100
    My Name Is Earl rampages like a bull in a politically correct china shop.
    • Metascore: 72
    • Glenn Garvin 100
    Invasion is an excellent show, the new season's best drama.
    • Metascore: 88
    • Glenn Garvin 100
    Sweet but never treacly, nostalgic but never dishonest, startlingly frank about race and always painfully funny, Everybody Hates Chris is the sitcom for which the networks have been yearning for the better part of a decade.
    • Metascore: 86
    • Glenn Garvin 100
    Pushing Daisies is by far the best new series of the fall season.
    • Metascore: 82
    • Glenn Garvin 100
    This dark gem of a show about a zombie apocalypse gleams with hellfire incandescence.
    • Metascore: 43
    • Glenn Garvin 90
    A gaspingly funny show that you ought to watch early and often.
    • Metascore: 75
    • Glenn Garvin 90
    Fearlessly funny and scathingly introspective.
    • Metascore: 61
    • Glenn Garvin 90
    My Own Worst Enemy is by far the best drama of the fall season, a bold and brainy spy thriller that practices a sort of armed existentialism.
    • Metascore: 87
    • Glenn Garvin 90
    The Pacific is as brutally simple and direct--and as oblivious to modern PC sensibilities--as the Marine's letter. Produced by Steven Spielberg and Tom Hanks, this 10-part HBO miniseries is a loving but anguished tribute to the men who fought on the bloody island hellholes that comprised World War II's Pacific theater.
    • Metascore: 88
    • Glenn Garvin 90
    Boardwalk Empire plays much like Sopranos: The Roots, a malignantly alluring exploration of the emergence of organized crime in the United States. A checkerboard of hazy intrigue and garish violence, of ruthless ambition and easy sexuality, it's an epic tale told darkly and well.
    • Metascore: 79
    • Glenn Garvin 90
    The gloriously bloody and depraved spirit of the novels is intact and even enhanced.
    • Metascore: 91
    • Glenn Garvin 90
    Homeland is an absolutely riveting immersion in the paranoia and burnout of America after a decade of the war on terrorism.
    • Metascore: 78
    • Glenn Garvin 90
    Starz' new eight-episode drama is at once the most cynical and most captivating portrayal of American politics ever presented on television.
    • Metascore: 62
    • Glenn Garvin 90
    Repellent and fascinating, a stygian nightmare awash in sick lusts, it seems certain to attract large audiences and huge controversy.
    • Metascore: 59
    • Glenn Garvin 80
    Padalecki and Ackles are hunky, funny and a joy to watch.
    • Metascore: 50
    • Glenn Garvin 80
    Sharply written and acted.
    • Metascore: 55
    • Glenn Garvin 80
    The show's witty, inventive writing would be fun even in the hands of a less capable cast.
    • Metascore: 47
    • Glenn Garvin 80
    It's funny and warm and I dare you to watch it without getting your pants charmed off.
    • Metascore: 44
    • Glenn Garvin 80
    Crumbs' approach to the foibles of the family, though not for the tender-hearted, is raucously funny.
    • Metascore: 60
    • Glenn Garvin 80
    Intense and fascinating.
    • Metascore: 57
    • Glenn Garvin 80
    Half the fun in this outlandishly funny sitcom is that Penny is so spacey that she doesn't appear to recognize what hard-core nerds Leonard and Sheldon really are--even the presence in their bathroom of Luke Skywalker No-More-Tears Shampoo doesn't tip her off.
    • Metascore: 60
    • Glenn Garvin 80
    Shark works some of the same ground as Fox's new legal drama Justice, but with far more wit and style.
    • Metascore: 67
    • Glenn Garvin 80
    30 Rock... is pretty darn funny, a bitterly merry comic jihad against corporate stupidity and mendaciousness.
    • Metascore: 75
    • Glenn Garvin 80
    It's the lack of moral clarity that makes Damages so spellbinding. Every character wears multiple masks; every action is cloaked in ambiguity and, often, outright duplicity.
    • Metascore: 77
    • Glenn Garvin 80
    A perverse pleasure to watch.
    • Metascore: 51
    • Glenn Garvin 80
    It's funny and smart, with affably quirky characters who aren't cut from cardboard.
    • Metascore: 33
    • Glenn Garvin 80
    Big Shots matches affecting characters with genuinely funny stories and dialogue.
    • Metascore: 62
    • Glenn Garvin 80
    It's hard to say which is more unlikely: That a corporate legal fang could be God's prophet; or that the Almighty would spread His word through visions of George Michael; or these matters could be blended into a daffily funny and affecting television show.
    • Metascore: 59
    • Glenn Garvin 80
    Samantha Who? is not only a sitcom but a pungently funny one about self-discovery, reinvention and the possibility that beauty may be only skin-deep, but bitch goes right down to the bone.
    • Metascore: 66
    • Glenn Garvin 80
    The excellent cast keeps drawing you back--especially Donald Sutherland as family patriarch Tripp Darling, whose evil glint makes even as benign a phrase as ''good morning'' sound like ''I'm going to put an ice pick through your eye.'' Even better is Krause's portrayal of Nick, layers of exasperation upon fascination upon temptation.