For 429 reviews, this critic has graded:
  • 54% higher than the average critic
  • 1% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 9.6 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

  • TV
Average review score: 55
Highest review score: 100 Arrested Development: Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
429 tv reviews
    • 92 Metascore
    • 100 Glenn Garvin
    With smart dialogue, intriguing plots, an explosive cast and an inclination to peer into life's dark corners, it is the most captivating new program in years. The Shield slams home like a bullet; wear your body armor. [11 Mar 2002, p.E2]
    • 91 Metascore
    • 90 Glenn Garvin
    Homeland is an absolutely riveting immersion in the paranoia and burnout of America after a decade of the war on terrorism.
    • 89 Metascore
    • 100 Glenn Garvin
    It's messy and confusing, often complex and contradictory, and moves in fits and starts, sideways and backward. It's the most startlingly original program on television in years, maybe ever, and it's also one of the best. [28 Sept 2002, p.E1]
    • 89 Metascore
    • 100 Glenn Garvin
    News bulletin: We've finally found the weapons of mass destruction, or at least one of them. The jokes fly like shrapnel in Fox's dangerously hilarious new sitcom Arrested Development, and, like shrapnel, they often draw blood...A scathingly, unnervingly comic riff on stupidity and greed in the corporate world, Arrested Development is something like a National Lampoon's Wall Street Vacation, painting its targets variously as buffoonish or malefic, but always hitting them dead-center. [2 Nov 2003, p.3M]
    • 54 Metascore
    • 70 Glenn Garvin
    Six Degrees starts off almost as an anthology series, with six stories set in six different worlds, each one quite interesting. But as their orbits draw closer, interest rapidly morphs into fascination.
    • 88 Metascore
    • 90 Glenn Garvin
    Boardwalk Empire plays much like Sopranos: The Roots, a malignantly alluring exploration of the emergence of organized crime in the United States. A checkerboard of hazy intrigue and garish violence, of ruthless ambition and easy sexuality, it's an epic tale told darkly and well.
    • 88 Metascore
    • 100 Glenn Garvin
    Sweet but never treacly, nostalgic but never dishonest, startlingly frank about race and always painfully funny, Everybody Hates Chris is the sitcom for which the networks have been yearning for the better part of a decade.
    • 88 Metascore
    • 60 Glenn Garvin
    Longford is never less than gripping. But it unconsciously apes the moral myopia that afflicts its protagonist.
    • 87 Metascore
    • 80 Glenn Garvin
    Those patient viewers who do stay will be richly rewarded with a humanist story that gains traction as it goes--a vivid and intimate character piece meant to be savored like a spicy gumbo.
    • 39 Metascore
    • 60 Glenn Garvin
    A lot of this is pretty funny, but for 24 episodes?
    • 67 Metascore
    • 80 Glenn Garvin
    Original in concept, intelligent in execution, it's a scruffily Steinbeckian chronicle of life at the social and economic margins.
    • 87 Metascore
    • 80 Glenn Garvin
    For the first time since Married...With Children stood the genre on its head two decades ago, somebody has come up with a new take on the family sitcom, and the results are riotously funny.
    • 87 Metascore
    • 90 Glenn Garvin
    The Pacific is as brutally simple and direct--and as oblivious to modern PC sensibilities--as the Marine's letter. Produced by Steven Spielberg and Tom Hanks, this 10-part HBO miniseries is a loving but anguished tribute to the men who fought on the bloody island hellholes that comprised World War II's Pacific theater.
    • 86 Metascore
    • 90 Glenn Garvin
    Creepy and cockeyed, unholy and unnerving, Top Of The Lake is riveting stuff.
    • 40 Metascore
    • 40 Glenn Garvin
    You can pretty much watch this show any night of the week under its other titles, CSI and Law & Order.
    • 40 Metascore
    • 70 Glenn Garvin
    Delirious, dizzy, decadent and altogether delicious.
    • 86 Metascore
    • 100 Glenn Garvin
    Pushing Daisies is by far the best new series of the fall season.
    • 86 Metascore
    • 100 Glenn Garvin
    Brilliant. [21 July 2004, p.4E]
    • 84 Metascore
    • 90 Glenn Garvin
    The recipe may go back to your grandma or beyond, but that doesn't mean you won't eat two helpings and beg for more.
    • 84 Metascore
    • 80 Glenn Garvin
    Sharply contrasting with the florid Borgias is AMC's emotionally spare and atmospherically dank series The Killing.
    • 12 Metascore
    • 60 Glenn Garvin
    If none of this quite rises to the level of Jon Stewart's intellectual hopscotch or Amy Poehler's inspired lunacy, it's nonetheless agreeably funny.
    • 81 Metascore
    • 80 Glenn Garvin
    A raucous, raunchy and utterly loving account of life at the bottom of the military food chain.
    • 82 Metascore
    • 100 Glenn Garvin
    This dark gem of a show about a zombie apocalypse gleams with hellfire incandescence.
    • 81 Metascore
    • 80 Glenn Garvin
    Reaper is a hilariously fractured commentary on Gen Y.
    • 81 Metascore
    • 70 Glenn Garvin
    If you're willing to invest some time and brain cells, The Nine is an absorbing experience.
    • 81 Metascore
    • 80 Glenn Garvin
    [Glory Hounds] is too grim to be poetry. Though, like all true war stories, it is something of a love story; and like all true love stories, it will break your heart.
    • 62 Metascore
    • 40 Glenn Garvin
    Worst Week certainly has some genuine laughs, but they run out well before the pratfalls and pee-pee jokes do.
    • 80 Metascore
    • 90 Glenn Garvin
    Engrossing - and gross. [21 Mar 2004, p.4M]
    • 80 Metascore
    • 80 Glenn Garvin
    A kinky streak of humor keeps Desperate Housewives from sliding into morose desolation. [3 Oct 2004]
    • 63 Metascore
    • 70 Glenn Garvin
    It's a provocative mishmash of future shock and peculiar anachronisms. [19 Sept 2002, p.E1]