For 496 reviews, this critic has graded:
  • 56% higher than the average critic
  • 1% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 9.1 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

Average review score: 57
Highest review score: 100 Everybody Hates Chris: Season 1
Lowest review score: 0 The Winner: Season 1
Score distribution:
496 tv reviews
    • 50 Metascore
    • 30 Glenn Garvin
    The CW’s newest wallow in adolescent angst.
    • 50 Metascore
    • 70 Glenn Garvin
    The sheer power of these stories carries The Kennedys even during the occasional stumbles that result from trying to pack 40 years of history into five and a half hours of programming.
    • 50 Metascore
    • 80 Glenn Garvin
    Sharply written and acted.
    • 50 Metascore
    • 70 Glenn Garvin
    The humor is driven mostly by a relentless slapstick vulgarity, particularly concerning the flatulence and sex habits of parents. If you’ve got a high tolerance for those sorts of jokes, it is funny indeed.
    • 50 Metascore
    • 30 Glenn Garvin
    Virtually everything in Accidentally on Purpose is some kind of cheap sexual crack or double entendre. The essential sweetness Elfman showed in Dharma & Greg and the later, unfortunately little-watched Courting Alex curdles into mean self-parody as she scorns her new boy-toy as an intellectual and economic inferior even as she grovels before his bedroom skills.
    • 49 Metascore
    • 70 Glenn Garvin
    With a gorgeous cast (even -- especially? -- the dead ones), plenty of cool slow-mo martial arts action, a glorious collection of lethal hardware and an intriguing plot, Blade's got something for the whole family, provided they rank somewhere between the Munsters and the Mansons in sensibility.
    • 49 Metascore
    • 70 Glenn Garvin
    There’s also plenty of good writing and acting in the drama Lucky 7, though to exactly what purpose is difficult to say.
    • 49 Metascore
    • 40 Glenn Garvin
    More often, though, the laughs range from tepid to nonexistent.
    • 49 Metascore
    • 30 Glenn Garvin
    None of them is very interesting, and it's actually kind of hard to tell them apart.
    • 49 Metascore
    • 10 Glenn Garvin
    Kelley's compulsive fascination with erratic eroticism turns everything in Swingtown into hypersexualized sleaze.
    • 49 Metascore
    • 20 Glenn Garvin
    After a few minutes in front of ABC's bewildering sorcery drama Eastwick, you may wish that Bewitched's Samantha would twitch her nose and make the whole thing disappear.
    • 49 Metascore
    • 85 Glenn Garvin
    An oddly enticing pastiche of rom-com, buddy-cop procedural, and renegade theology.
    • 48 Metascore
    • 30 Glenn Garvin
    What Fox programmers failed to notice was that their new show was peopled entirely with unpleasant characters working from a 100-percent laugh-free script. Watching Running Wilde, you can actually feel your eyes and ears disconnecting as they go off in search of some way to amuse themselves.
    • 48 Metascore
    • 80 Glenn Garvin
    [Producers Josh Pate and Cynthia Cidre] keep Blood & Oil living large without quite stumbling over the top. They get a lot of help from their skilled cast, particularly Crawford, who has grown some grit since his pretty-boy heir in Gossip Girl. And Johnson gives his best performance in years.
    • 48 Metascore
    • 0 Glenn Garvin
    Oprah's Big Give is no mere appallingly bad television show but a refutation of human decency itself.
    • 48 Metascore
    • 70 Glenn Garvin
    However derivative Containment may be, it attains a certain creepy power as it rolls along its yuckily apocalyptic way.
    • 48 Metascore
    • 10 Glenn Garvin
    Kolchak's ridiculously precious writing is not the only thing that rings false about Night Stalker.
    • 48 Metascore
    • 80 Glenn Garvin
    It's more like M*A*S*H* for the four-legged, a subversive and perversely funny workplace comedy.
    • 48 Metascore
    • 80 Glenn Garvin
    It’s entertaining and engrossing.
    • 48 Metascore
    • 40 Glenn Garvin
    It's an interesting approach, but despite well-drawn characters and the strong cast, there's a sense that the show is trapped in amber, a perfectly preserved relic from another age.
    • 48 Metascore
    • 60 Glenn Garvin
    What it isn't is very dramatic. If watching attorneys haggle like rug traders was all that interesting, Feige probably would still be doing it. Nonetheless, there are worse ways to spend an hour than watching Raising the Bar, especially since the cast members are all quite pretty.
    • 48 Metascore
    • 60 Glenn Garvin
    As assembly-line products go, Three Rivers isn't half bad.
    • 48 Metascore
    • 50 Glenn Garvin
    It also helps that Heather Graham as Emily is so appealing that it often distracts from the fanciful idiocy of what she's saying or doing.
    • 48 Metascore
    • 30 Glenn Garvin
    The show's pea-brain sociology is eclipsed only by its Dadaesque conception of courtroom drama.
    • 48 Metascore
    • 30 Glenn Garvin
    With tepid performances and a lifeless script, Bag of Bones feels like more of a chore than a television viewing experience.
    • 48 Metascore
    • 40 Glenn Garvin
    What might have otherwise been a worthy effort seems pallid and wheezing compared to the acid-etched Nurse Jackie.
    • 47 Metascore
    • 60 Glenn Garvin
    You could do worse than check this out. [26 Sept 2002, p.E1]
    • Miami Herald
    • 47 Metascore
    • 70 Glenn Garvin
    An intriguing crime drama.
    • 47 Metascore
    • 60 Glenn Garvin
    Blond toughie Kelli Giddish (Past Life) is fun to watch as the lead marshal, provided you don't have an excessively ACLUish temperament.
    • 47 Metascore
    • 90 Glenn Garvin
    Whether you grew up with the Beach Boys, Bruce Springsteen or the Foo Fighters, Roadies and its lovably immature collection of flakes will summon the pure giddy fun of rock and roll. As they used to say on another great rockin' TV show, I'd give it an 85—it's got a good beat and you can dance to it.

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