For 537 reviews, this critic has graded:
  • 56% higher than the average critic
  • 1% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 9.1 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

Average review score: 57
Highest review score: 100 The Shield: Season 1
Lowest review score: 0 The Newsroom: Season 1
Score distribution:
537 tv reviews
    • 67 Metascore
    • 80 Glenn Garvin
    It's a testament to the remarkable performance of Collette that it will never occur to viewers that Tara's behavior is anything but a mortal compulsion. Her remarkable moment-to-moment morphs from teeny-bopper slut to Stepford Wife to biker brute and then back again beggar the imagination.
    • 67 Metascore
    • 80 Glenn Garvin
    There's nothing at all subtle about the gloriously absurdist Wilfred.
    • 67 Metascore
    • 80 Glenn Garvin
    Cathy's modest conception of throwing caution to the winds mirrors the strengths of The Big C, which is affecting precisely because of its refusal to assume epic proportions.
    • 67 Metascore
    • 80 Glenn Garvin
    30 Rock... is pretty darn funny, a bitterly merry comic jihad against corporate stupidity and mendaciousness.
    • 67 Metascore
    • 80 Glenn Garvin
    The Company is a gripping requiem for the Cold War and the men who fought it.
    • 67 Metascore
    • 10 Glenn Garvin
    Ben and Kate is sometimes shrill, sometimes belligerent and sometimes (well, a lot of times) merely stupid. It is never funny.
    • 67 Metascore
    • 90 Glenn Garvin
    It flickers with longing and resentment, vulnerability and rejection, temptation and moral erosion. It is totally absorbing television. [5 Aug 2003, p.1E]
    • Miami Herald
    • 67 Metascore
    • 90 Glenn Garvin
    Irresistible.
    • 51 Metascore
    • 10 Glenn Garvin
    The Beast is singularly unimaginative, a collection of set-pieces barely bound together by a narrative thread, substituting attitude for substance and coyness for coherence.
    • 67 Metascore
    • 80 Glenn Garvin
    Neatly staged, with one surprise after another in a geometric progression of suspense, The Event's pilot episode leaves a lot of tantalizingly unanswered questions.
    • 67 Metascore
    • 60 Glenn Garvin
    If not exactly compelling, the pilot episode is engaging and often quirkily funny.
    • 66 Metascore
    • 50 Glenn Garvin
    Watching Better Off Ted is a bit like reading old Dilbert comic strips--amusing, but the punch lines seem awfully familiar.
    • 66 Metascore
    • 80 Glenn Garvin
    Welcome to ABC's V, the final, the most fascinating and bound to be the most controversial new show of the fall television season.
    • 46 Metascore
    • 70 Glenn Garvin
    Weep no more for Dawson's Creek, Felicity or Beverly Hills, 90210. That achy yearning in your soul for a mawkish, trashy, over-the-top, slightly dumb but kinda fun teen soap is about to be filled with One Tree Hill. [23 Sept 2003, p.4E]
    • Miami Herald
    • 66 Metascore
    • 30 Glenn Garvin
    The show's boorishness is exceeded only by its dissimulation; not one frame of this thing--from the diners who seem not to notice that their table is surrounded by camera crews to the melodramatically villainous managers--is remotely believable.
    • 66 Metascore
    • 70 Glenn Garvin
    This remake keeps the scenery and action--exploding cars and AK-47 gunfights appear to be to Honolulu what thieving politicians and senile I-95 motorists are to Miami--but adds some compelling post-9/11 wrinkles.
    • 66 Metascore
    • 80 Glenn Garvin
    Murder and sexual predation sure look fun when they're done by pretty people in luscious gowns. Jeremy Irons is splendidly depraved as Rodrigo, and Holliday Grainger (Robin Hood) so sunnily sweet as Lucrezia that it's damn near impossible to hold a little arsenic against her.
    • 66 Metascore
    • 70 Glenn Garvin
    Beneath its estimable comic trappings, Go On is something larger: a meditation on what makes life worth living.
    • 66 Metascore
    • 70 Glenn Garvin
    The show is a rampage of frequently inappropriate and always cuttingly funny jokes about sex, drugs, money and most of all the penthouse/flophouse culture clash between the two characters.
    • 58 Metascore
    • 30 Glenn Garvin
    Just about everybody is having sex with everybody else: Kings is one giant raging id of a show.
    • 66 Metascore
    • 80 Glenn Garvin
    It's a stylish, elegantly plotted tale of a young woman's sociopathic thirst for vengeance.
    • 66 Metascore
    • 20 Glenn Garvin
    Having started with a bad premise, producers Carlton Cuse and Kerry Ehrin then made it infinitely worse by rejecting the loneliness and isolation that were the nucleus of Hitchcock’s film.
    • 66 Metascore
    • 80 Glenn Garvin
    No television series has been built around a less likable character, or rendered itself so strangely, compulsively watchable as a result.
    • 66 Metascore
    • 0 Glenn Garvin
    This truly hideous sitcom offers a postmodernist take on the 1960s comedy That Girl, in which Marlo Thomas starred as an aspiring actress afflicted with insufferable cuteness.
    • 66 Metascore
    • 70 Glenn Garvin
    Thomas Jane exudes a convincing odor of despair as Ray. So does Jane Adams as Tanya, one of his former one-night-stands who abandons her abysmally failed career as a poet to become his pimpette. If anything, they're too convincing; the humor in Hung tends to get blotted out by the melancholia.
    • 66 Metascore
    • 50 Glenn Garvin
    Ultimately, Person Of Interest is built on too cockamamie of a premise to be taken seriously.
    • 40 Metascore
    • 20 Glenn Garvin
    Stuffed with incomprehensible medical jargon and grisly shots of exposed brains, 3 Lbs. would be a major annoyance even if it had an original thought in its seriously underweight head.
    • 65 Metascore
    • 70 Glenn Garvin
    Whether Belushi is using the firm's private detectives to follow his estranged wife, or O'Connell is sleeping with the prosecutor who's trying to put his client in jail ("You really don't like me much, do you?" she asks while taking off her blouse), the show has an irresistible outlaw quality.
    • 65 Metascore
    • 80 Glenn Garvin
    The whodunit and dunwhat? elements of Blindspot are terse, fast-pitched and intriguing.
    • 57 Metascore
    • 30 Glenn Garvin
    [It] often sounds less like a television drama than a Criminal Procedures 101 lecture delivered at an offshore law school.

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