For 430 reviews, this critic has graded:
  • 54% higher than the average critic
  • 1% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 9.9 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

Average review score: 55
Highest review score: 100 Pushing Daisies: Season 1
Lowest review score: 0 The Triangle (2005)
Score distribution:
430 tv reviews
    • 60 Metascore
    • 10 Glenn Garvin
    Pointless, charmless and bound to be viewerless after the first half-hour or so, The Philanthropist recalls such epochal television bombs as Manimal (a scientist who could turn into a crime-fighting dolphin) or It's About Time (astronauts break the time barrier and frolick happily with cavemen) in its conceptual imbecility.
    • 60 Metascore
    • 80 Glenn Garvin
    Intense and fascinating.
    • 60 Metascore
    • 30 Glenn Garvin
    Syfy's show relies a lot more on dripping fangs and never speaks in a whisper when a bellow will do--even the simplest conversations are conducted with the neurotic intensity of a bad soap opera. Simply put, this Being Human lacks any human warmth.
    • 60 Metascore
    • 80 Glenn Garvin
    Not since HBO’s The Wire left the air five years ago has a television series combined urban decay and moral decrepitude in such stark--and yet compulsively watchable--terms.
    • 47 Metascore
    • 80 Glenn Garvin
    It's funny and warm and I dare you to watch it without getting your pants charmed off.
    • 38 Metascore
    • 30 Glenn Garvin
    The hacky writing is interchangeable with any of CBS' police procedurals, and the boy-band good looks of Alex O'Loughlin as the detective, Mick St. John, inspire neither fear nor dark sexual longings
    • 59 Metascore
    • 80 Glenn Garvin
    Samantha Who? is not only a sitcom but a pungently funny one about self-discovery, reinvention and the possibility that beauty may be only skin-deep, but bitch goes right down to the bone.
    • 59 Metascore
    • 70 Glenn Garvin
    Alice’s battles with various computer-animated and live-action threats are entertaining and, usually, rather witty, though her traveling companions, the White Rabbit (voiced by John Lithgow) and the Knave of Hearts (Michael Socha, the proletarian werewolf in the later season’s of the BBC version of Being Human), get most of the best lines.
    • 59 Metascore
    • 80 Glenn Garvin
    No matter who’s on screen or what they’re doing, Back in the Game is gut-bustingly hilarious.
    • 59 Metascore
    • 70 Glenn Garvin
    At times Smith seems less like a crime drama than a character study of a collection of seriously damaged people. But the show's metabolism is enjoyably unpredictable.
    • 59 Metascore
    • 70 Glenn Garvin
    Poignantly funny.
    • 59 Metascore
    • 30 Glenn Garvin
    Psych is a one-trick pony that quickly deteriorates into a rather humdrum mystery once the novelty of watching Spencer fake his psychic revelations wears off.
    • 59 Metascore
    • 30 Glenn Garvin
    Watching seven characters sit around week after week in endless discussions of the ramifications of the fact that two of them have kissed may have been fun in the seventh grade. But, like the spinning teacups at Disney World or throwing up after drinking a jug of Ripple, it's an experience that doesn't wear well with time.
    • 59 Metascore
    • 80 Glenn Garvin
    Padalecki and Ackles are hunky, funny and a joy to watch.
    • 59 Metascore
    • 80 Glenn Garvin
    The CW's tale of an evil twin and an even eviler twin, is devious doppelganger drama at its best.
    • 58 Metascore
    • 80 Glenn Garvin
    The subtext of loss and longing, which sometimes isn’t all that sub, makes The Crazy Ones a tightrope act. But Kelley gets tremendous support from his cast. The madcap Williams has never been better, and Gellar’s performance is a magnificently winning mixture of quiet desperation, mounting rage and wistful yearning.
    • 58 Metascore
    • 40 Glenn Garvin
    It's a drab third-generation clone (a spinoff of the original NCIS, which in turn was a spinoff of JAG) of a show from the shallow end of the TV gene pool.
    • 36 Metascore
    • 10 Glenn Garvin
    A giant bore.
    • 50 Metascore
    • 20 Glenn Garvin
    Welcome to The Captain is less a TV show than a grim ransom note from the striking Hollywood writers.
    • 58 Metascore
    • 80 Glenn Garvin
    The answers unfold with a delicious tension that makes Graceland an unexpected pleasure.
    • 44 Metascore
    • 0 Glenn Garvin
    Smutty at its best, downright creepy at its worst, this dreadful attempt to mock the coming-of-age genre could well be the first TV show to get an entire day of the week canceled.
    • 58 Metascore
    • 80 Glenn Garvin
    Starz, however, has re-imagined the doings of Arthur, Guinevere and the gang as a bloody, bodice-ripping medieval soap opera, and the result is surprisingly satisfying.
    • 58 Metascore
    • 30 Glenn Garvin
    Carrie's antics in New York are a kind of chick version of Matthew Broderick's madcap adventures in Ferris Bueller's Day Off. But Schwartz can't cut the umbilical cord--perhaps fallopian tube is a more apt metaphor--to his original source material, and that's where The Carrie Diaries goes off the rails.
    • 58 Metascore
    • 40 Glenn Garvin
    America's Next Great Restaurant is quickly undone by the same mean-spiritedness that makes Survivor, American Idol and the rest of this genre such an unpleasant viewing experience. Winning depends at least as much (and probably much more) on impressing the producers with television skills as it does on winning over the judges with culinary expertise or business savvy. So taunting and backbiting among the contestants is a dreary constant.
    • 58 Metascore
    • 30 Glenn Garvin
    JoAnna Garcia's overcaffeinated cuteness--the sort of thing that made otherwise decent people want to run Sally Field through with a pitchfork back in her Gidget and Flying Nun days--as a Palm Beach governess to trust-fund teen trash is nigh unbearable.

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