For 381 reviews, this critic has graded:
  • 52% higher than the average critic
  • 1% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

  • TV
Average review score: 54
Highest review score:
Critic Score 100
Lowest review score:
Score distribution:
381 tv reviews
    • Metascore: 57
    • Glenn Garvin 40
    The CW, having exhausted every bit of its creative energy on The Pussycat Dolls Present: The Search for the Next Doll, is now simply remaking Fox's old prime-time soap lineup one by one. And the garden apartment complex at No. 4616, though filled with a new collection of 20-something drama queens, is the same vortex of hyperkinetic hormones, ambition and criminality that it always was.
    • Metascore: 57
    • Glenn Garvin 40
    This is sporadically funny, but Tim is too slight -- the back-to-back episodes are only 10 to 12 minutes long -- and relies way too much on the supposed shock value of cartoon characters uttering four-letter words to be consistently entertaining.
    • Metascore: 57
    • Glenn Garvin 80
    Intelligent and entertaining reimaginations of stupefyingly bad pieces of 1970s sci-fi hackwork.
    • Metascore: 56
    • Glenn Garvin 30
    Rigidly formulaic drama is almost always a bad idea, and in this case it's, well, criminal. Neither Maura Tierney as the prosecutor nor Rob Morrow as the defense attorney get enough screen time to develop their characters past the cardboard stage.
    • Metascore: 56
    • Glenn Garvin 30
    As drama, Memphis Beat is a dreary failure, a formulaic cop show distinguished only by its poor execution.
    • Metascore: 33
    • Glenn Garvin 50
    Freddie is a series of collisions -- between generations, sexes, ethnicities and perhaps most of all between youthful Latin macho and imperious Latin matriarchy in the struggle to rule the house.
    • Metascore: 54
    • Glenn Garvin 70
    As a reality show, Miracle Workers is unique: It is neither Machiavellian like Survivor, nor messianic, like Three Wishes, nor grotesque, like Fear Factor. It's as serious as life and death.
    • Metascore: 56
    • Glenn Garvin 60
    The show is kind of amusing, at least in a summer-TV sort of way.
    • Metascore: 56
    • Glenn Garvin 80
    Watching her construct a self from a handful of jagged fragments is a seductive pleasure.
    • Metascore: 56
    • Glenn Garvin 40
    Charmless and predictable, Scoundrels seems like a tepid rehash of The Riches, a lively and thoughtful FX show about a family of gypsy thieves trying to go straight that was done in by the 2008 television strike.
    • Metascore: 52
    • Glenn Garvin 70
    Cupid, like most romantic comedies, can be sappy, sloppy and schemingly manipulative. But the bright writing (no surprise to anyone who watched Thomas' snappy teen-detective drama "Veronica Mars") and affecting performances by Cannavale and Paulson make being manipulated seem a guilty pleasure in this case.
    • Metascore: 56
    • Glenn Garvin 80
    The sordid ugliness that festers inside Magic City's voluptuously beautiful wrappings makes irresistible television.
    • Metascore: 56
    • Glenn Garvin 20
    An absurd fairy tale.
    • Metascore: 55
    • Glenn Garvin 60
    Secret Circle is competently performed and produced and liable to entertain anybody not old enough to remember Alyssa Milano and Shannen Doherty doing pretty much the same stuff in Charmed back in the 20th-century day.
    • Metascore: 55
    • Glenn Garvin 30
    Nonlinear storytelling, with so many flashbacks and flash-forwards and dream sequences that pretty soon you can't even remember the last time you saw a naked chick bobbing around the cabin. My advice: Rent Barbarella instead.
    • Metascore: 53
    • Glenn Garvin 10
    A purported sitcom, it draws no laughs... but does manage the impressive achievement of making Stockard Channing and Henry Winkler, playing Gorham's parents, thoroughly unlikable.
    • Metascore: 55
    • Glenn Garvin 50
    As funny as 1600 Penn can be, after a while the laughs grow fewer and further between. And the misfires are more frequent and painful.
    • Metascore: 55
    • Glenn Garvin 80
    The show shrewdly offers more than a monster of the week, with some absorbing subplots that continue from week to week.
    • Metascore: 54
    • Glenn Garvin 40
    A little old-fashioned police brutality may seem downright appealing compared to the pseudointellectual runamok of CBS' cop drama Eleventh Hour, in which British actor Rufus Sewell plays a scientist who has regrettably turned his genius to fighting crime
    • Metascore: 54
    • Glenn Garvin 70
    Watching Crystal fire off demands to Ben while working out on a treadmill wearing high heels and a business suit is wondrously, bizarrely funny. If Mr. Sunshine can relocate moments like that from the show's periphery to its center, it may stick around for a while.
    • Metascore: 54
    • Glenn Garvin 80
    Welcome to the tawdry, tantalizing and altogether terrific world of Gossip Girl.
    • Metascore: 54
    • Glenn Garvin 60
    The result is compulsively watchable pulp, provided you have a high threshold for decapitations and copulations, sometimes simultaneous.
    • Metascore: 54
    • Glenn Garvin 70
    The testosterone-infused interplay as they taunt each other over career potholes, curdled marriages and sexual depravities and deprivations is scathing and hilarious, though an astonishing percentage of it cannot even be alluded to here.
    • Metascore: 54
    • Glenn Garvin 50
    What would otherwise be a tedious collection of working-mom and lawyer-show clichés is saved by an excellent cast.