For 430 reviews, this critic has graded:
  • 54% higher than the average critic
  • 1% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 9.6 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

Average review score: 55
Highest review score: 100 Joan of Arcadia: Season 1
Lowest review score: 0 New Girl: Season 1
Score distribution:
430 tv reviews
    • 40 Metascore
    • 40 Glenn Garvin
    You can pretty much watch this show any night of the week under its other titles, CSI and Law & Order.
    • 48 Metascore
    • 40 Glenn Garvin
    It's an interesting approach, but despite well-drawn characters and the strong cast, there's a sense that the show is trapped in amber, a perfectly preserved relic from another age.
    • 37 Metascore
    • 40 Glenn Garvin
    Carpoolers, are at least amusing even if equally socially maladroit. Carpoolers is a genially oddball comedy.
    • 61 Metascore
    • 40 Glenn Garvin
    Drugs. Pratfalls. Bodily excretions. Sexual crudity. Shock-jock ethnic humor. Four-letter words flying like lead in a matineee Western. Character development and story? Not so much.
    • 65 Metascore
    • 40 Glenn Garvin
    The smirky cynicism, savage mockery of New Age verities and prickly atheism of its lead character could have made The Mentalist fascinating (if not altogether pleasant) viewing. Instead, it turns down the same formulaic path as CBS' other police procedurals, a sort of CSI-with-a-fake-crystal-ball.
    • 54 Metascore
    • 40 Glenn Garvin
    A little old-fashioned police brutality may seem downright appealing compared to the pseudointellectual runamok of CBS' cop drama Eleventh Hour, in which British actor Rufus Sewell plays a scientist who has regrettably turned his genius to fighting crime
    • 62 Metascore
    • 40 Glenn Garvin
    Worst Week certainly has some genuine laughs, but they run out well before the pratfalls and pee-pee jokes do.
    • 48 Metascore
    • 40 Glenn Garvin
    What might have otherwise been a worthy effort seems pallid and wheezing compared to the acid-etched Nurse Jackie.
    • 58 Metascore
    • 40 Glenn Garvin
    It's a drab third-generation clone (a spinoff of the original NCIS, which in turn was a spinoff of JAG) of a show from the shallow end of the TV gene pool.
    • 69 Metascore
    • 40 Glenn Garvin
    Community's party animals tend to get their kicks less from bongs, grain-alcohol projectile vomiting and peeping into sorority windows than from irregular Spanish verbs and lengthy recitations of the script of The Breakfast Club, which, for the most part, is even less amusing than it sounds.
    • 55 Metascore
    • 40 Glenn Garvin
    The CW, having exhausted every bit of its creative energy on The Pussycat Dolls Present: The Search for the Next Doll, is now simply remaking Fox's old prime-time soap lineup one by one. And the garden apartment complex at No. 4616, though filled with a new collection of 20-something drama queens, is the same vortex of hyperkinetic hormones, ambition and criminality that it always was.
    • 57 Metascore
    • 40 Glenn Garvin
    This is sporadically funny, but Tim is too slight -- the back-to-back episodes are only 10 to 12 minutes long -- and relies way too much on the supposed shock value of cartoon characters uttering four-letter words to be consistently entertaining.
    • 45 Metascore
    • 40 Glenn Garvin
    Fans of Grey's Anatomy femme fatale Addison Montgomery may find her a little dull now that she doesn't have a husband or boyfriend or intern to cheat on or with in ABC's spin-off Private Practice.
    • 61 Metascore
    • 40 Glenn Garvin
    Even Ramsay's most barbarous fans are likely to find this formula so thin by now that, by comparison, Louise Roe looks like a blimp.
    • 56 Metascore
    • 40 Glenn Garvin
    Charmless and predictable, Scoundrels seems like a tepid rehash of The Riches, a lively and thoughtful FX show about a family of gypsy thieves trying to go straight that was done in by the 2008 television strike.
    • 62 Metascore
    • 40 Glenn Garvin
    Mike & Molly unquestionably has a lot of funny moments. But realizing you've just been laughing at 22 consecutive minutes of socially unredeemed fat jokes may leave you feeling as if you've just eaten a 36-inch anchovy-and-pineapple pizza: bloated and yucky.
    • 64 Metascore
    • 40 Glenn Garvin
    It's ABC's attempt to replicate last season's wildly successful intergenerational comedy Modern Family, and, like many genetic experiments, it ends in mutant disaster.
    • 58 Metascore
    • 40 Glenn Garvin
    America's Next Great Restaurant is quickly undone by the same mean-spiritedness that makes Survivor, American Idol and the rest of this genre such an unpleasant viewing experience. Winning depends at least as much (and probably much more) on impressing the producers with television skills as it does on winning over the judges with culinary expertise or business savvy. So taunting and backbiting among the contestants is a dreary constant.
    • 49 Metascore
    • 40 Glenn Garvin
    More often, though, the laughs range from tepid to nonexistent.
    • 62 Metascore
    • 40 Glenn Garvin
    OK, OK, A Gifted Man, is not as bad as all that [Friendly-ghost mothers-in-law? Friendly-ghost proctologists? Friendly-ghost telephone solicitors?]. But it's not good, either.
    • 51 Metascore
    • 40 Glenn Garvin
    At least Azaria and Hahn do have an uncertain chemistry that might have developed into something watchable had the producers not decided to provide it with a Greek chorus of locker-room cracks by loutish co-workers.
    • 58 Metascore
    • 40 Glenn Garvin
    Everything seems hacky and incomplete.
    • 46 Metascore
    • 40 Glenn Garvin
    If you were reduced to hysterical laughter by the concept of herbal breast-enlargement cream in the film, you will likely be so again by the superpower-conveying acne medicine in the TV show. If not, well, welcome to Normal Town.
    • 63 Metascore
    • 40 Glenn Garvin
    Like its ancestor, the new Dallas is self-consciously a trashfest, an endless cycle of betrayals, confrontations, reconciliations and re-betrayals.
    • 33 Metascore
    • 40 Glenn Garvin
    Beauty and the Beast is a little hacky at times, with the characters leaping dozens of plot points in a single bound. But Kreuk and Ryan keep their faces straight and their bodies hard, which is what CW shows are mostly about, and all in all, it could be a lot dumber than it is.
    • 42 Metascore
    • 40 Glenn Garvin
    Made in Jersey is only sporadically engaging.
    • 39 Metascore
    • 40 Glenn Garvin
    It does have a lot of characters and a hopelessly confusing plot.... But the show is not without its strengths, particularly the scenes in which the magazine editor (Anthony Edwards, ER) argues with young staffers disappointed by his refusal to run a story about werewolves running amok in Romania.
    • 56 Metascore
    • 40 Glenn Garvin
    The most interesting thing about Killing Lincoln, in fact, is how it can be so tepidly uninteresting.
    • 75 Metascore
    • 30 Glenn Garvin
    This is essentially CSI without the microscopes, petri dishes or Marg Helgenberger. Yawn. [26 Sep 2002]
    • Miami Herald
    • 67 Metascore
    • 30 Glenn Garvin
    Sheen and Cryer breathe some life into this thing, but a mercy killing might have been simpler. [22 Sept 2003, p.4E]
    • Miami Herald

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