Glenn Heath Jr.
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For 49 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Glenn Heath Jr.'s Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Gangs of Wasseypur
Lowest review score: 0 Glitch in the Grid
Score distribution:
  1. Positive: 27 out of 49
  2. Negative: 10 out of 49
49 movie reviews
    • 52 Metascore
    • 50 Glenn Heath Jr.
    The film's first act is wholly concerned with the juxtaposition of physical similarities and ideological opposites, and Tamahori spends entire sequences upending the balance between the two.
    • 41 Metascore
    • 50 Glenn Heath Jr.
    If Barkin and Grondin create a swamp's worth of deceptive intricacies in their moments together, the rest of the cast is regulated to expository mop-up duty.
    • 67 Metascore
    • 50 Glenn Heath Jr.
    Nina Rosenblum's love letter never attains that essence of ambiguity that makes the best nonfiction films live on after the credits fade.
    • 46 Metascore
    • 50 Glenn Heath Jr.
    While Reversion sets up a complex communication platform for a universe being slowly ripped apart, it doesn't know how to relate this idea in human terms.
    • 51 Metascore
    • 50 Glenn Heath Jr.
    Unfortunately, like so many women have prophesized regarding the weaker gender's lack of commitment, there's just not enough follow through.
    • 82 Metascore
    • 50 Glenn Heath Jr.
    The bloat and heft of Marley's narrative scope leaves the viewer awash in a sea of historical "facts" with very little sense of the human experience behind the curtain of celebrity.
    • 69 Metascore
    • 50 Glenn Heath Jr.
    The film ultimately fails to treat history as anything but a string of melodramatic reference points for moody characters haplessly trying to find love.
    • 60 Metascore
    • 50 Glenn Heath Jr.
    Animation, motion graphics, and slow motion all pop up at some point, further splintering Sidewalls into a pandering pastiche of better films.
    • 67 Metascore
    • 50 Glenn Heath Jr.
    Exquisite looking but substantially hollow.
    • 52 Metascore
    • 38 Glenn Heath Jr.
    Do we really need another cautionary tale about an ambitious drug dealer dramatically falling from grace?
    • 68 Metascore
    • 38 Glenn Heath Jr.
    End of Watch is pure frat-boy fantasy, the video game to Southland's great American novel.
    • 60 Metascore
    • 25 Glenn Heath Jr.
    The film grows increasingly tiresome the more it flirts with melodrama, unraveling themes of jealousy, regret, and ambition in broad strokes.
    • 41 Metascore
    • 25 Glenn Heath Jr.
    There's absolutely no fresh perspective here; just more juiceless samplings of what's already been cooked to death.
    • 52 Metascore
    • 25 Glenn Heath Jr.
    The women of the film certainly deserve better, as they're often relegated to the role of victim, harmed or murdered simply to propel the plot along.
    • 40 Metascore
    • 25 Glenn Heath Jr.
    Ruben Fleischer's film is a perfect example of Hollywood hypocrisy, something to be ignored diligently.
    • 31 Metascore
    • 25 Glenn Heath Jr.
    There's nothing inherently flawed about this nomadic and potentially life-affirming narrative, but Rosenbaum manages to instill every moment on the road with a sense of shrill conventionality.
    • 20 Metascore
    • 12 Glenn Heath Jr.
    Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.
    • 38 Metascore
    • 0 Glenn Heath Jr.
    Angels Crest opens with the laughter of children at play, but that's the only hint of happiness you'll find in this unflinchingly manipulative and pointless morality play.
    • tbd Metascore
    • 0 Glenn Heath Jr.
    Eric Leiser's hackneyed documentary/stop-motion hybrid Glitch in the Grid presumes social importance by simply referencing the relationship between modern young artists and their inability to express themselves amid a failing U.S. economy.

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