For 207 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Guy Lodge's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 White God
Lowest review score: 10 Plastic
Score distribution:
  1. Negative: 19 out of 207
207 movie reviews
    • 28 Metascore
    • 30 Guy Lodge
    It’s hard for the audience to invest in a protagonist this solipsistic.
    • 24 Metascore
    • 30 Guy Lodge
    There’s digital wizardry galore in this Beauty and the Beast, but precious little magic.
    • 37 Metascore
    • 30 Guy Lodge
    Strained, sexist schlock, which raises zero jolts and only fitful chuckles with its gamely performed tale.
    • 47 Metascore
    • 30 Guy Lodge
    This tediously metatextual exercise conjures few inspired jolts of its own.
    • 27 Metascore
    • 30 Guy Lodge
    There’s a fatal shortage of zingers to supplement its exhausting zaniness.
    • 32 Metascore
    • 30 Guy Lodge
    While Wenders has argued intelligently in interviews for the merits of realizing character-driven drama in three dimensions, this isn’t the most helpful case-maker — not least because Norwegian writer Bjorn Olaf Johannessen’s screenplay has barely been rendered in two.
    • 39 Metascore
    • 30 Guy Lodge
    Penn’s veiny, sweat-glazed biceps are the most objectively impressive feature of this rote, humorless thriller, a distinctly unconvincing attempt to refashion the star — who also co-wrote and produced — as a middle-aged action hero in the Liam Neeson mold.
    • 23 Metascore
    • 30 Guy Lodge
    A queasy but strangely gutless exploitation pic.
    • 41 Metascore
    • 30 Guy Lodge
    Ritter’s performance is the liveliest thing in a callow, shallow cautionary tale, which wears its influences on its artfully frayed sleeve and no closer than that to its heart.
    • 31 Metascore
    • 30 Guy Lodge
    In its shape and sheen, Fathers and Daughters seems dated even before Michael Bolton surfaces to cough up a gelatinous closing-credits ballad.
    • 28 Metascore
    • 30 Guy Lodge
    For all the slicing and dicing of the editing, narrative momentum grinds to a trudge after the synthetic spectacle of the capital’s undoing.
    • 35 Metascore
    • 30 Guy Lodge
    The sheer abundance of on-screen ornamentation isn’t quite enough to make The Huntsman: Winter’s War a beautiful film.... Still, it’s one that has been exhaustively designed by many hands — which only further shows up its inelegant patchwork in the writing department.
    • 31 Metascore
    • 20 Guy Lodge
    [A] stunningly joke-free comedy-horror hybrid.
    • 22 Metascore
    • 20 Guy Lodge
    Writer-director Jonathan English’s dank-looking film delivers enough amputations, decapitations and other instances of rusty-bladed gore to distract undiscerning genre fans stuck between seasons of “Game of Thrones,” but serves no other obvious purpose.
    • 27 Metascore
    • 20 Guy Lodge
    From its elaborate but incoherent premise to its clunkily staged time-freeze fight sequences, not one detail of “The Anomaly” hasn’t been borrowed from a better movie. That magpie opportunism would matter less if the film at least had barreling narrative momentum.
    • 34 Metascore
    • 20 Guy Lodge
    There are certainly enough dopey diversions here for The Last Witch Hunter to be considerably more fun than it is, but even its most extravagant bouts of silliness are hampered by desultory plotting and Eisner’s oppressively synthetic mise-en-scene.
    • tbd Metascore
    • 20 Guy Lodge
    A virtual remake, down to the final shot, of Michael Winner’s 1974 exploitation hit ‘Death Wish’ – and lacking even that film’s adolescent grasp of street justice.
    • 44 Metascore
    • 20 Guy Lodge
    Given an inch by the surprise success of his raunchy teddy-bear romp Ted, writer-director-star MacFarlane now takes a drastically overlong mile with a film that flatters his moderate talent and subzero leading-man charisma at every turn.
    • 32 Metascore
    • 10 Guy Lodge
    A dismal My First Heist thriller that is all-too-aptly nailed by its own title.

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