For 502 reviews, this critic has graded:
  • 35% higher than the average critic
  • 3% same as the average critic
  • 62% lower than the average critic
On average, this critic grades 8.3 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 57
Highest review score: 100 Frozen Planet: Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Negative: 86 out of 502
502 tv reviews
    • 71 Metascore
    • 75 Hank Stuever
    Suburgatory displays a polished sense of humor and a better cast than it deserves, which makes it worth a look.
    • 71 Metascore
    • 70 Hank Stuever
    As documentary subjects, the boys are in many ways impenetrable. Getting them to ignore the camera and just be themselves is next to impossible, but there are revealing, achingly honest moments that make the film worth watching.
    • 70 Metascore
    • 67 Hank Stuever
    No one will accuse 'Brooklyn Nine-Nine' of too much authenticity, but it does have a confident breeziness in its banter that almost immediately locates a ['Barney Miller']-esque balance in the more absurd aspects of law enforcement.
    • 70 Metascore
    • 60 Hank Stuever
    [An] ambivalent but mildly engrossing new docu-series.
    • 70 Metascore
    • 50 Hank Stuever
    It’s rare to see a show get its style so right and its story so backwards.
    • 70 Metascore
    • 40 Hank Stuever
    Yet another dystopian vision with Steven Spielberg's brand name affixed to it (as executive producer), this time as a cheap-looking but occasionally intriguing sci-fi social study called Falling Skies.
    • 70 Metascore
    • 50 Hank Stuever
    There's perhaps the coppiest cop show of the century so far, the soppy and self-satirizing CBS melodrama Blue Bloods, about an entire family--"the Reagans" yet!--involved in the crime biz.
    • 70 Metascore
    • 50 Hank Stuever
    By the second hour (both of Monday’s episodes adhere to the minute-by-minute chronology; the fast-forwarding will happen later), it’s clear that Live Another Day is not much interested in broadening the show’s scope, feeling or characters. It does, however, have an abiding interest in the latest news about spying, vis-a-vis its own version of notorious document-leaker Edward Snowden: Chloe O’Brian.
    • 70 Metascore
    • 50 Hank Stuever
    For a while you can sense Hannibal’s noble urge to stick to a long story arc--why does there have to be a new case every episode?--but eventually it gives in to a proven formula.
    • 69 Metascore
    • 50 Hank Stuever
    It's strange how a show meant to generate excitement and promote thriftiness can leave one with a sense of remorse and shame.
    • 69 Metascore
    • 80 Hank Stuever
    Louie intelligently harnesses the dark cloud that follows a truly funny man everywhere he goes.
    • 69 Metascore
    • 91 Hank Stuever
    Virgin Territory isn’t lurid or easily embarrassed. That’s (sometimes) the wonderful thing about this social-network generation: They’ll talk openly about anything, everything.
    • 69 Metascore
    • 80 Hank Stuever
    There's a tender and no-nonsense tenor to it, which is a welcome switch from most of reality TV's junky tropes.
    • 69 Metascore
    • 50 Hank Stuever
    Halt and Catch Fire suffers from a common case of style over substance.
    • 69 Metascore
    • 70 Hank Stuever
    There’s not a lot of plot to be had here, and the news that Clear History leaned heavily on the improvisational impulses of its cast might usually ward off the improv-weary. But Clear History has a nice, confident and well-edited breeze to it (including a lot of jokes about the band Chicago), with a fun cast that includes standout riffs from Michael Keaton, Danny McBride and Eva Mendes.
    • 69 Metascore
    • 80 Hank Stuever
    Without feeling like it's leading us on, Rubicon is a tightly woven and urbanely acted tale for people who like to mull.
    • 69 Metascore
    • 25 Hank Stuever
    Part of the joke is that The Spoils of Babylon was utterly unwatchable, and that’s why the network never showed it; it seems they achieved that goal a little too well.
    • 69 Metascore
    • 91 Hank Stuever
    Everything about The Mindy Project is so very Kaling and happily spot-on, starting with the strength of the jokes and dialogue.
    • 69 Metascore
    • 70 Hank Stuever
    Not everyone is going to respond to its purposeful languor and subliminal intent. Winslet is at once wonderful and yet enigmatically blank--very much as written in Haynes's and Jon Raymond's screenplay.
    • 69 Metascore
    • 60 Hank Stuever
    Timbaland produces the original songs that give Empire its real oomph, while the actors try to figure out what kind of characters they’ve agreed to play.
    • 69 Metascore
    • 50 Hank Stuever
    Freak Show is certainly telling a weird story, but it’s not all that scary and, worse yet, the characters are already launching into tedious monologues about civil rights for geeks.
    • 68 Metascore
    • 80 Hank Stuever
    My own enjoyment of The Killing begins and ends with the gloom so brilliantly conveyed by its pace and performances.
    • 68 Metascore
    • 80 Hank Stuever
    A wonderfully absurd, 10-episode serialized mini-epic about two self-absorbed brothers in suburban Florida whose filmmaking ambitions take a sudden turn into a dark, hilariously violent misadventure.
    • 68 Metascore
    • 60 Hank Stuever
    Detailed, but not terribly illuminating.
    • 68 Metascore
    • 40 Hank Stuever
    A lushly produced but ultimately unthrilling dramatic miniseries version of the story.
    • 68 Metascore
    • 80 Hank Stuever
    People who think the Kennedy cake has been overfrosted surely won't fall for it, even though the film is undeniably moving. No one in the film tells all, certainly not Ethel.
    • 68 Metascore
    • 75 Hank Stuever
    Davis is overqualified for the material, and, yet, like Kerry Washington before her, she brings an added dimension to the part of an intimidating yet vulnerable woman. Meanwhile, through the hammy uses of flash-forwarding, it’s barely any time at all before Annalise’s ambitious students are tasked with covering up their own homicidal tendencies.
    • 68 Metascore
    • 70 Hank Stuever
    The show misses its mark--but not by much and not in any objectionable way.
    • 68 Metascore
    • 50 Hank Stuever
    The show is so tight--maybe too tight--that it starts to choke on its own power-tie premise in the first three episodes.
    • 68 Metascore
    • 50 Hank Stuever
    It's a handsome study in perfect mediocrity.

Top Trailers