For 621 reviews, this critic has graded:
  • 38% higher than the average critic
  • 3% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 7.9 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 58
Highest review score: 100 Louie: Season 2
Lowest review score: 0 Stalker: Season 1
Score distribution:
621 tv reviews
    • 91 Metascore
    • 91 Hank Stuever
    Transparent is the best streaming-network pilot since Netflix’s “Orange Is the New Black.”
    • 75 Metascore
    • 91 Hank Stuever
    Supergirl is a cheerful and spot-on adaptation, skillfully accomplishing the difficult task of making a corny comic-book story seem not only believable but also welcoming to those who’ve tired (or never enjoyed) the genre.
    • 92 Metascore
    • 91 Hank Stuever
    What makes Homeland rise above other post-9/11 dramas is Danes's stellar performance as Carrie--easily this season's strongest female character, who is also hiding some personal secrets of her own. The latter half of the first episode is exhilarating. I'm hooked.
    • 69 Metascore
    • 91 Hank Stuever
    Virgin Territory isn’t lurid or easily embarrassed. That’s (sometimes) the wonderful thing about this social-network generation: They’ll talk openly about anything, everything.
    • 88 Metascore
    • 90 Hank Stuever
    The Roosevelts delivers on its subtitle, drawing such a full and close portrait of the extended clan and their social and political circles that a viewer can’t help but feel connected to them, faults and all.
    • 86 Metascore
    • 90 Hank Stuever
    Absorbing and deeply inspiring.... The film ably transitions to and from its parallel stories of uplift and defeat.
    • 90 Metascore
    • 90 Hank Stuever
    The People v. O.J. Simpson isn’t flawless, and it probably won’t stand up to the sort of factual scrutiny that still swirls around its subject matter, but it is ambitiously imagined, surprisingly responsible and practically unerring in tone and pace.
    • 87 Metascore
    • 90 Hank Stuever
    Watching UnReal so ably slice up and serve all this topical relevance can be exhilarating--and also exhausting. Season 2 affirms that the series is not merely a fine and nasty piece of entertainment.
    • 77 Metascore
    • 90 Hank Stuever
    A powerful and unforgettably thorough HBO documentary, is not only an exploration of what happened (difficult questions linger, particularly about the response of the town’s police to the initial 911 call), it also invites a frank and remarkably even-handed discussion of what sort of punishment could ever fit the crime.
    • 89 Metascore
    • 90 Hank Stuever
    It’s a gloriously thoughtful wallow in the subtle and sometimes even insecure ways that families and friends relate to one another.
    • 84 Metascore
    • 90 Hank Stuever
    American Crime is an intentionally exasperating viewing experience; sooner or later, every character does something that’s just flat-out wrong. And yet I can’t remember the last time a network drama had my rapt attention and respect on this many levels at once.
    • 86 Metascore
    • 90 Hank Stuever
    What at first seemed like another excuse to make fun of nerds and techie office culture instead revealed itself to be a near-perfect example of social satire.... Suzanne Cryer joins the cast as Laurie Bream, a robotically unemotional VC fund manager who steps into the void Peter Gregory left behind. She’s funny, but the show invests more energy and time in adding yet another brash boy-billionaire narcissist (Chris Diamantopoulos).
    • 85 Metascore
    • 90 Hank Stuever
    There’s something almost revolutionary about the complex and utterly human teenagers that Ridley has conceived here and that his young actors bring to life. This season will get right under the skin of parents who worry too much (or not enough) about their kids.
    • 91 Metascore
    • 90 Hank Stuever
    Deliberately or not, the show throttles back on the experimental narrative arcs; fans of the early seasons might be relieved to see Louie is once again mostly about a single father and stand-up comedian and some of the people he knows.
    • 85 Metascore
    • 90 Hank Stuever
    Though its central mystery may feel old hat to aficionados of the genre, The Missing seems to have a deep respect for its audience. Its red herrings are few and its emphasis on people and their feelings help elevate the series to another level.
    • 81 Metascore
    • 90 Hank Stuever
    Watch Mr. Robot simply for its beguiling oddness, personified in Malek’s outstanding, trip-wired lead performance. ... Mr. Robot asks an entire generation of harried and hurried viewers to pay attention, think about it and, most of all, wallow in it.
    • 96 Metascore
    • 90 Hank Stuever
    The only complaint one could muster about Fargo this time is that it spreads itself on too thickly in the first two episodes. In moments that count, the show can seem more interested in style than substance. Season 2 also introduces so many characters (played by equally strong actors, including Ted Danson as Trooper Solverson’s father-in-law, Hank; Cristin Milioti as Solverson’s wife, Betsy; and Nick Offerman as Karl, Luverne’s most conspiracy-minded lawyer--to name a few) and so many fascinating threads at once that it threatens to collapse under its own weight. The intricacies do begin to cohere by Episode 4.
    • 87 Metascore
    • 90 Hank Stuever
    As television, Girls is disturbing, sharply honed and even wickedly funny.
    • 72 Metascore
    • 90 Hank Stuever
    Thanks to Louis-Dreyfus, and the show's remarkable knack for dialogue and timing, Veep is instantly engaging and outrageously fun.
    • 85 Metascore
    • 90 Hank Stuever
    The first four episodes of this new season are among the series’ best.... Network trauma dramas come and go--and with them a lot of serious doctors and nurses and miserable patients--but rarely do we see a show that understands life in a hospital as well as Getting On did.
    • 85 Metascore
    • 90 Hank Stuever
    By the third episode, Fargo confidently stretches in a direction that is uniquely satisfying.
    • 95 Metascore
    • 90 Hank Stuever
    Enlightened comes through with a triumphant eight-episode arc that broadens its characters, quickens the pace and finishes strong.
    • 82 Metascore
    • 90 Hank Stuever
    Boardwalk Empire is doing what I wish Prohibition had done--it's tempting me to stick around for one more.
    • 78 Metascore
    • 90 Hank Stuever
    Whatever reservations I had about Season 1 were eliminated after watching the first two of the new episodes, which add the perspectives of Helen and Cole.... Adding Helen and Cole also lifts The Affair to a new level by showcasing Tierney’s and Jackson’s considerable talents. Both deliver exquisite variations on heartbreak.
    • 82 Metascore
    • 90 Hank Stuever
    Community stands on its own intangible excellence.
    • 71 Metascore
    • 90 Hank Stuever
    If the point is to spare no expense in attempting to make a flawless, fascinating premium cable narrative about a set of people--mostly men with enormous egos--who have extreme and often criminal problems in a glamorous period setting, then this is precisely what HBO has accomplished--again.... Through characters like Devon, Jamie and Lester, Vinyl has very thoughtfully dotted its i’s and crossed its t’s in terms of diversity, but testosterone is still clearly HBO’s most addictive (and preferred) substance.
    • 84 Metascore
    • 90 Hank Stuever
    It’s a precise, sharply executed sendup of the high-tech, billionaire-making culture and economy of Facebook/Google/Apple/Amazon/Yahoo that has infiltrated (“disrupted,” as they say) contemporary life. Better still, Silicon Valley is also here to make you laugh.
    • 84 Metascore
    • 90 Hank Stuever
    Hauntingly effective.... Going Clear’s only small problem is how much of Wright’s book it tries to cram into two hours.
    • 83 Metascore
    • 83 Hank Stuever
    [An] endearingly ribald six-episode dramedy import from British TV.
    • 79 Metascore
    • 83 Hank Stuever
    Elliot may just be another of TV’s millennial hackers-in-hoodies, but Malek’s subtle yet strong performance indicates that there is something wounded and believable about this kid, drawing out the viewer’s sympathies--and suspicions.

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