For 621 reviews, this critic has graded:
  • 38% higher than the average critic
  • 3% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 8 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 58
Highest review score: 100 Louie: Season 2
Lowest review score: 0 Stalker: Season 1
Score distribution:
621 tv reviews
    • 73 Metascore
    • 83 Hank Stuever
    Elementary exhibits enough stylish wit in its mood and look to quickly distinguish itself from the latest British "Sherlock" series.
    • 78 Metascore
    • 83 Hank Stuever
    The instant the duct tape is ripped off his mouth by his captors, a certain Saul-ness kicks in and Odenkirk’s talent is on full display as Jimmy delivers a pleading, philosophical monologue on--among other things--the awful nature of revenge.
    • 73 Metascore
    • 83 Hank Stuever
    Judging only the pilot episode, the banter between them (Dean Winters and Josh Duhamel) can be fun and Gilligan’s influence lends a nice, creepy sheen to the notion that menace lurks anywhere, even (or especially?) in the upper Midwest.
    • 71 Metascore
    • 83 Hank Stuever
    Gotham respectfully riffs on the DC canon, but it’s a whole lot better when it experiments with--and even subverts--the oft-trod territory of Batworld.
    • 61 Metascore
    • 83 Hank Stuever
    Bartha and Rannells's characters display yin/yang neuroses that keep their characters interesting, but as Goldie, the would-be surrogate, Georgia King is unfortunately bland.
    • 77 Metascore
    • 83 Hank Stuever
    Depending on how far it’s willing to press and poke at the issues it raises, Black-ish displays a welcoming sense of humor that might be illuminating in the present context.
    • 64 Metascore
    • 83 Hank Stuever
    The cast is a sturdy gang of seasoned pros (it’s particularly pleasing to see Wiest in a comedy). And though they’ve probably got nothing new under the sun to tell us about family dynamics, sentimental moments and delicate rites of passage, they seem like nice people to have around for a few laughs.
    • 57 Metascore
    • 83 Hank Stuever
    Something about this show just works from the crisply polished start, using a premise that is squarely within one of CBS’s favorite wheelhouses--the edgy hero who is gifted with extraordinary mental powers that he or she directs to the purpose of solving crime.
    • 61 Metascore
    • 83 Hank Stuever
    Cristela resembles past attempts to graft multiculturalism onto the vanilla-fied vapidness of the American sitcom format. But Cristela wins the day with its easygoing attitude and superbly smooth cast. Alonzo has a bite to her wit that is reminiscent of the earliest, best days of “Roseanne.”
    • 62 Metascore
    • 83 Hank Stuever
    “House” comparisons will surely abound, but Rake is easily one of the more confident network dramas to come our way of late.
    • 81 Metascore
    • 83 Hank Stuever
    The cast is terrific, and some of the lines are screamingly funny, but there’s also an empathetic, moral undercurrent to the story--the usual cautionary tale about having all your dreams come true.
    • 71 Metascore
    • 83 Hank Stuever
    The writing is breezy and the cast seems to be having fun.
    • 79 Metascore
    • 83 Hank Stuever
    Home Fires is noticeably cheesy in parts (feel free to enhance your fun by supplying arch commentary to the dialogue), but it’s also easily absorbing. Also, for those paying close attention, the series is a contextually and satisfyingly feminist take on war.
    • 77 Metascore
    • 83 Hank Stuever
    Although the writing and storytelling in first episode (which Amazon first shared with its Prime customers earlier this year) come off a little clumsily, overall it’s a fascinating launch for an espionage series. The Man in the High Castle is also expertly and realistically imagined.
    • 85 Metascore
    • 83 Hank Stuever
    The pilot (the only episode made available to critics at press time) has some difficult scenes, including an act of marital rape (or something like it), yet the acting is strong and the story is compulsively intriguing. The first thing you want from The Affair is to see where it leads.
    • 80 Metascore
    • 83 Hank Stuever
    Although Jane the Virgin could easily devolve into a frenetic sendup of telenovela cheesiness, it is a remarkably sure-footed, enjoyable dramedy full of strong performances, particularly from Rodriguez.
    • 74 Metascore
    • 83 Hank Stuever
    It's a beautiful downer of a show that becomes more revealing and absorbing as it moves along.
    • 62 Metascore
    • 83 Hank Stuever
    Overdoing things is one of Murphy's trademark flaws, but this show has a captivating style and giddy gross-outs.
    • 65 Metascore
    • 80 Hank Stuever
    The show delivers on an exceedingly intriguing premise, with some of the most beguilingly morose performances delivered this year. It’s a strange but good wallow.
    • 71 Metascore
    • 80 Hank Stuever
    Review is one of Comedy Central’s most effortless and truly funny new shows in a while.
    • 72 Metascore
    • 80 Hank Stuever
    An engaging, hour-long documentary.
    • 71 Metascore
    • 80 Hank Stuever
    Our Nixon is mainly a collage of images and sounds that tell a familiar story in an entirely new and mesmerizing way.
    • 65 Metascore
    • 80 Hank Stuever
    You’re the Worst immediately finds what all comedies hope for: character chemistry and a certain zing to the writing, transcending its naughtiest nature with a disarming taste of sweetness.
    • 77 Metascore
    • 80 Hank Stuever
    We have to take the good things about Boardwalk Empire (the acting, the authenticity in its exquisite details and most of the writing) along with the bad (the repetitiveness, the plodding).
    • 76 Metascore
    • 80 Hank Stuever
    These final episodes of "Downton Abbey" are among the show’s best since the first season.
    • 77 Metascore
    • 80 Hank Stuever
    Looking feels spot-on and real; it falters only when it occasionally pauses to let one of its characters gaysplain, in dialogue, a subject that it believes a larger audience might not get.
    • 68 Metascore
    • 80 Hank Stuever
    A wonderfully absurd, 10-episode serialized mini-epic about two self-absorbed brothers in suburban Florida whose filmmaking ambitions take a sudden turn into a dark, hilariously violent misadventure.
    • 74 Metascore
    • 80 Hank Stuever
    Thrilling and occasionally provocative.
    • 80 Metascore
    • 80 Hank Stuever
    It's all so real it verges on the mundane, but the show is also strong and necessary medicine for these times.
    • tbd Metascore
    • 80 Hank Stuever
    It winnows down complicated legal arguments and anecdotal cases with compassion and clarity.

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