For 452 reviews, this critic has graded:
  • 34% higher than the average critic
  • 3% same as the average critic
  • 63% lower than the average critic
On average, this critic grades 9 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 56
Highest review score: 100 Game of Thrones: Season 3
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Negative: 82 out of 452
452 tv reviews
    • 66 Metascore
    • 80 Hank Stuever
    Beyond its breakneck speed and miles logged, Citizen U.S.A. couldn't be more easy or straightforward: From tiny ceremonies in county courthouses to massive arena-sized gatherings in big cities, Pelosi presents a surprising collage of that essential moment when people who've immigrated to the United States become official Americans.
    • 74 Metascore
    • 80 Hank Stuever
    Gosh, that's a lot of derivative teen-movie influences for a half-hour show. Yet the swift pacing and simplicity of Awkward remind us that awkwardness can still be freshly painful and funny material, so long as there are still teenagers and high schools.
    • 68 Metascore
    • 80 Hank Stuever
    A lavish, exciting, well-acted and admirably thorough movie adaptation of Herman Melville's 1851 classic.
    • 64 Metascore
    • 80 Hank Stuever
    A surprisingly stylish and addictive new counterterrorism series.
    • 80 Metascore
    • 80 Hank Stuever
    The show seems somehow sleeker and better paced. Characters may now be people first and archetypes second. This has the subtle but immediate effect of making The Walking Dead less predictable and more frightening.
    • 64 Metascore
    • 80 Hank Stuever
    The interplay between Arnett and Applegate has an instant crackle to it, especially when they argue about which one of them got the least sleep during Amy's latest tearful night. Just as one's interest in Up All Night's domestic cliches may flag, "SNL" alum and "Bridesmaids" co-star Maya Rudolph is here to lift the show up several notches as Reagan's boss.
    • 88 Metascore
    • 80 Hank Stuever
    This new season starts off strong.
    • 71 Metascore
    • 80 Hank Stuever
    Paradise Lost 3 is perhaps the most interesting and well-made film of the trilogy
    • 81 Metascore
    • 80 Hank Stuever
    Director Nancy Buirski's engaging HBO documentary (a Valentine's Day treat, airing Tuesday night), rescues the Lovings from the perfunctory realm of footnotes and newspaper clippings and brings them into a more emotional light.
    • 68 Metascore
    • 80 Hank Stuever
    My own enjoyment of The Killing begins and ends with the gloom so brilliantly conveyed by its pace and performances.
    • 72 Metascore
    • 80 Hank Stuever
    This plot sounds laughably bizarre, but Hit & Miss has a strikingly strong sense of pace and character.
    • 65 Metascore
    • 80 Hank Stuever
    Political Animals verges right up to the edge of ludicrous with the right combination of salty-sweet and silly-smart.
    • 64 Metascore
    • 80 Hank Stuever
    The mind reels with possibility, and even hope, which is why we keep coming back to stories like these.
    • 80 Metascore
    • 80 Hank Stuever
    It's all so real it verges on the mundane, but the show is also strong and necessary medicine for these times.
    • 67 Metascore
    • 80 Hank Stuever
    People who think the Kennedy cake has been overfrosted surely won't fall for it, even though the film is undeniably moving. No one in the film tells all, certainly not Ethel.
    • 74 Metascore
    • 80 Hank Stuever
    Most of History of the Eagles is rich in detail and bemused reflection, perhaps because sobriety has worked wonders on some of the band members’ sense of recall. Frey, Walsh and Don Henley are wonderful storytellers.
    • 66 Metascore
    • 80 Hank Stuever
    Bates Motel turns out to be a worthy reimagining of the Norman Bates story.
    • 70 Metascore
    • 80 Hank Stuever
    One girds oneself for some serious hammer time when an opening fight scene of History’s compelling and robust new drama series, Vikings, delivers all the expected gore and blood spatter.
    • 76 Metascore
    • 80 Hank Stuever
    In the Flesh skillfully navigates several genres at once, all of them heavy, none of them comic.
    • 86 Metascore
    • 80 Hank Stuever
    It’s mainly an intelligent crime drama, and a real step forward for Sundance, which is bringing more original programming to its slate. As slow as it seems to go at first, you’ll be surprised at how quickly you’re addicted.
    • 80 Metascore
    • 80 Hank Stuever
    A fresh and even stirring reminiscence.
    • 79 Metascore
    • 80 Hank Stuever
    A fascinating new PBS documentary.
    • 77 Metascore
    • 80 Hank Stuever
    It has a seamless and almost hypnotic quality to its narrative, and it’s easily one of the best debuts this year.
    • 92 Metascore
    • 80 Hank Stuever
    It is a uniquely rendered creepshow that specializes in meaningful silences, emotional stress and dour moods. In so doing, it takes its place among recent miniseries that artfully elude their genres.
    • 73 Metascore
    • 80 Hank Stuever
    An engaging, hour-long documentary.
    • 62 Metascore
    • 80 Hank Stuever
    I think the show is a fitting document for our times, good or bad. Mostly (oddly) good.
    • 77 Metascore
    • 80 Hank Stuever
    We have to take the good things about Boardwalk Empire (the acting, the authenticity in its exquisite details and most of the writing) along with the bad (the repetitiveness, the plodding).
    • 71 Metascore
    • 80 Hank Stuever
    Our Nixon is mainly a collage of images and sounds that tell a familiar story in an entirely new and mesmerizing way.
    • 88 Metascore
    • 80 Hank Stuever
    The Flag is precisely the sort of film we should be making and watching at this particular distance from the attacks.
    • 81 Metascore
    • 80 Hank Stuever
    Burton and Taylor is intelligently winnowed down to a moment in time, firmly planting itself in the last days of disco.