For 592 reviews, this critic has graded:
  • 37% higher than the average critic
  • 3% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 7.9 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 58
Highest review score: 100 Game of Thrones: Season 3
Lowest review score: 0 Back in the Game: Season 1
Score distribution:
  1. Negative: 98 out of 592
592 tv reviews
    • 62 Metascore
    • 83 Hank Stuever
    “House” comparisons will surely abound, but Rake is easily one of the more confident network dramas to come our way of late.
    • 81 Metascore
    • 83 Hank Stuever
    The cast is terrific, and some of the lines are screamingly funny, but there’s also an empathetic, moral undercurrent to the story--the usual cautionary tale about having all your dreams come true.
    • 71 Metascore
    • 83 Hank Stuever
    The writing is breezy and the cast seems to be having fun.
    • 79 Metascore
    • 83 Hank Stuever
    Home Fires is noticeably cheesy in parts (feel free to enhance your fun by supplying arch commentary to the dialogue), but it’s also easily absorbing. Also, for those paying close attention, the series is a contextually and satisfyingly feminist take on war.
    • 77 Metascore
    • 83 Hank Stuever
    Although the writing and storytelling in first episode (which Amazon first shared with its Prime customers earlier this year) come off a little clumsily, overall it’s a fascinating launch for an espionage series. The Man in the High Castle is also expertly and realistically imagined.
    • 85 Metascore
    • 83 Hank Stuever
    The pilot (the only episode made available to critics at press time) has some difficult scenes, including an act of marital rape (or something like it), yet the acting is strong and the story is compulsively intriguing. The first thing you want from The Affair is to see where it leads.
    • 80 Metascore
    • 83 Hank Stuever
    Although Jane the Virgin could easily devolve into a frenetic sendup of telenovela cheesiness, it is a remarkably sure-footed, enjoyable dramedy full of strong performances, particularly from Rodriguez.
    • 74 Metascore
    • 83 Hank Stuever
    It's a beautiful downer of a show that becomes more revealing and absorbing as it moves along.
    • 62 Metascore
    • 83 Hank Stuever
    Overdoing things is one of Murphy's trademark flaws, but this show has a captivating style and giddy gross-outs.
    • 65 Metascore
    • 80 Hank Stuever
    The show delivers on an exceedingly intriguing premise, with some of the most beguilingly morose performances delivered this year. It’s a strange but good wallow.
    • 71 Metascore
    • 80 Hank Stuever
    Review is one of Comedy Central’s most effortless and truly funny new shows in a while.
    • 72 Metascore
    • 80 Hank Stuever
    An engaging, hour-long documentary.
    • 71 Metascore
    • 80 Hank Stuever
    Our Nixon is mainly a collage of images and sounds that tell a familiar story in an entirely new and mesmerizing way.
    • 65 Metascore
    • 80 Hank Stuever
    You’re the Worst immediately finds what all comedies hope for: character chemistry and a certain zing to the writing, transcending its naughtiest nature with a disarming taste of sweetness.
    • 77 Metascore
    • 80 Hank Stuever
    We have to take the good things about Boardwalk Empire (the acting, the authenticity in its exquisite details and most of the writing) along with the bad (the repetitiveness, the plodding).
    • 76 Metascore
    • 80 Hank Stuever
    These final episodes of "Downton Abbey" are among the show’s best since the first season.
    • 77 Metascore
    • 80 Hank Stuever
    Looking feels spot-on and real; it falters only when it occasionally pauses to let one of its characters gaysplain, in dialogue, a subject that it believes a larger audience might not get.
    • 68 Metascore
    • 80 Hank Stuever
    A wonderfully absurd, 10-episode serialized mini-epic about two self-absorbed brothers in suburban Florida whose filmmaking ambitions take a sudden turn into a dark, hilariously violent misadventure.
    • 80 Metascore
    • 80 Hank Stuever
    It's all so real it verges on the mundane, but the show is also strong and necessary medicine for these times.
    • tbd Metascore
    • 80 Hank Stuever
    It winnows down complicated legal arguments and anecdotal cases with compassion and clarity.
    • tbd Metascore
    • 80 Hank Stuever
    Having co-starred in the most ambiguously concluded TV show in history (HBO’s “The Sopranos”), Falco certainly deserves the cleanest ending Jackie can get, and the first eight or nine episodes of this season suggest a satisfying and authentic outcome.
    • 81 Metascore
    • 80 Hank Stuever
    A fresh and even stirring reminiscence.
    • 66 Metascore
    • 80 Hank Stuever
    It’s the ideal summertime distraction.
    • 72 Metascore
    • 80 Hank Stuever
    A charming and intelligent sendup of pop culture’s obsession with the end of everything.
    • 64 Metascore
    • 80 Hank Stuever
    A surprisingly stylish and addictive new counterterrorism series.
    • 64 Metascore
    • 80 Hank Stuever
    It’s too early for Noah to crush it, but it’s enough for now to just utter a sigh of relief. The Daily Show is back, with its essential wit and irreverence intact.
    • 64 Metascore
    • 80 Hank Stuever
    The interplay between Arnett and Applegate has an instant crackle to it, especially when they argue about which one of them got the least sleep during Amy's latest tearful night. Just as one's interest in Up All Night's domestic cliches may flag, "SNL" alum and "Bridesmaids" co-star Maya Rudolph is here to lift the show up several notches as Reagan's boss.
    • 66 Metascore
    • 80 Hank Stuever
    Bates Motel turns out to be a worthy reimagining of the Norman Bates story.
    • 67 Metascore
    • 80 Hank Stuever
    Buoyed by scalpel-sharp writing and even keener performances, The Big C (created by comedian and sitcom writer Darlene Hunt) walks a fine line of having it both ways. It's for people who are repelled by the warm-fuzzy, disease-o'-the-week dramas of cable television.
    • 77 Metascore
    • 80 Hank Stuever
    Casual is occasionally surprising, sexually provocative and cruelly wry; despite some of the show’s faults--including a cynical through-line that occasionally reaches toxic levels of intra-family hurt and resentment--it is addictive and weirdly welcoming.

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