For 73 reviews, this critic has graded:
  • 23% higher than the average critic
  • 2% same as the average critic
  • 75% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Henry Barnes' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Double
Lowest review score: 20 The Other Woman
Score distribution:
  1. Positive: 16 out of 73
  2. Negative: 3 out of 73
73 movie reviews
    • 60 Metascore
    • 40 Henry Barnes
    Wheatley has made High Rise his story, instead of Ballard’s. That’s fine – but, unfortunately, it’s a less interesting take.
    • 64 Metascore
    • 40 Henry Barnes
    There's so much thrown into Tip Top that nothing stands out.
    • 45 Metascore
    • 40 Henry Barnes
    The dancefloor's full of bodies, the bride and groom have been backed into a corner by relatives desperate for their pound of flesh. Pretty much your average wedding, then.
    • 38 Metascore
    • 40 Henry Barnes
    Salvation was boring, but Genisys makes you sad. Risk-averse Hollywood has made a crash-test dummy of a once great franchise, simply throwing everything at it to see what it stands.
    • 59 Metascore
    • 40 Henry Barnes
    It's pulled this way and that by a hiddly-fiddly soundtrack, spun senseless by scene after scene of Radcliffe and Kazan trading flirtatious banter.
    • 41 Metascore
    • 40 Henry Barnes
    It aims for sexy and/or dangerous, but the tone is dry and the pace lags.
    • 46 Metascore
    • 40 Henry Barnes
    Horns plays instead like a high concept beer advert – breezily stylish, memorable in its time, but a bit too full of gas.
    • 28 Metascore
    • 40 Henry Barnes
    Novelistic, rich and awfully silly, London Fields – like Ben Wheatley’s take on High Rise - is a long-awaited adaptation of a popular and gloomily prophetic book, that seems unnecessary.
    • 45 Metascore
    • 40 Henry Barnes
    The script's a drowner, the acting's awash. Again and again Butler returns to the sea. He just about survives the buffeting.
    • 48 Metascore
    • 40 Henry Barnes
    Pearce has fun; world-weary in the style of a 15-year-old told one too many times to tidy his room – but shoddy special effects and the surface-level sass of the president's daughter leave this one spinning in low orbit.
    • 42 Metascore
    • 20 Henry Barnes
    The flat-out dullness of Arthur is the point of Dante Ariola's debut feature, but it's also its undoing.
    • 36 Metascore
    • 20 Henry Barnes
    Mr Right is Grosse Pointe Blank meets Dexter. Liman meets Tarantino. Derivative idea meets sloppy execution.
    • 39 Metascore
    • 20 Henry Barnes
    The Other Woman scrawls out a dumb dumb-feminist message with a big, fat marker pen.

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