For 944 reviews, this critic has graded:
  • 38% higher than the average critic
  • 3% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 5.4 points higher than other critics. (0-100 point scale)

J. Hoberman's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 4 Months, 3 Weeks and 2 Days
Lowest review score: 0 A Hole in My Heart
Score distribution:
  1. Negative: 74 out of 944
944 movie reviews
    • 86 Metascore
    • 100 J. Hoberman
    To my mind, the greatest film by Iranian master Abbas Kiarostami.
    • 91 Metascore
    • 100 J. Hoberman
    So elemental in its means yet so cosmic in its drama, it could herald a rebirth of cinema.
    • 91 Metascore
    • 100 J. Hoberman
    A movie so tactile in its cinematography, inventive in its camera placement, and sensuous in its editing that the purposefully oblique and languid narrative is all but eclipsed.
    • 90 Metascore
    • 100 J. Hoberman
    Watkins restages history in its own ruins, uses the media as a frame, and even so, manages to imbue his narrative with amazing presence. No less than the event it chronicles, La Commune is a triumph of spontaneous action.
    • 65 Metascore
    • 100 J. Hoberman
    Solaris achieves an almost perfect balance of poetry and pulp. This is as elegant, moody, intelligent, sensuous, and sustained a studio movie as we are likely to see this season -- and in its intrinsic nuttiness, perhaps the least compromised.
    • 76 Metascore
    • 100 J. Hoberman
    One of the richest films of the past decade.
    • 83 Metascore
    • 100 J. Hoberman
    Spider lasts in the mind and it's built to last -- this is a movie that invites and repays repeated viewings.
    • 83 Metascore
    • 100 J. Hoberman
    Tense, engrossing, and superbly structured, Bus 174 is not just unforgettable drama but a skillfully developed argument.
    • 100 Metascore
    • 100 J. Hoberman
    To cut to the chase, Robert Bresson's heart-breaking and magnificent Au Hasard Balthazar (1966) -- the story of a donkey's life and death in rural France -- is the supreme masterpiece by one of the greatest of 20th-century filmmakers.
    • 91 Metascore
    • 100 J. Hoberman
    The year's most ingenious and original animated feature.
    • 81 Metascore
    • 100 J. Hoberman
    Iranian director Jafar Panahi's Crimson Gold is an anti-blockbuster--a deceptively modest undertaking that brilliantly combines unpretentious humanism and impeccable formal values.
    • 59 Metascore
    • 100 J. Hoberman
    For passion, originality, and sustained chutzpah, this austere allegory of failed Christian charity and Old Testament payback is von Trier's strongest movie--a masterpiece, in fact.
    • 86 Metascore
    • 100 J. Hoberman
    Tian's movie seems to be among the finest expressions of the Chinese new wave.
    • 90 Metascore
    • 100 J. Hoberman
    Summer sequelitis is upon us, but the season is unlikely to bring anything more remarkable than Richard Linklater's sweet, smart, and deeply romantic Before Sunset.
    • 85 Metascore
    • 100 J. Hoberman
    Ultimate geezerfest and rock-doc holy grail.
    • 82 Metascore
    • 100 J. Hoberman
    What's truly extraordinary about this movie--which strikes me on two viewings as Maddin's masterpiece--is that it not only plays like a dream but feels like one.
    • 100 Metascore
    • 100 J. Hoberman
    The Leopard is the greatest film of its kind made since World War II—its only rivals are Kubrick's "Barry Lyndon" and Visconti's own "Senso."
    • 66 Metascore
    • 100 J. Hoberman
    You can call me fanboy, but this is the best anime I've ever seen.
    • 87 Metascore
    • 100 J. Hoberman
    A tale of sadness and hysteria so raw that it bleeds.
    • 83 Metascore
    • 100 J. Hoberman
    Vera Drake puts the passion in compassion. Building up to a shattering conclusion, Leigh's movie is both outrageously schematic and powerfully humanist.
    • 73 Metascore
    • 100 J. Hoberman
    The Canadian painter-photographer-filmmaker-musician gives full vent to his genius in this exhilarating perceptual vaudeville, titled for the "central region" of tissue that acts as a conduit between the brain's two hemispheres.
    • 92 Metascore
    • 100 J. Hoberman
    Directed by anyone else, Masculine Feminine--one of three movies that Godard made in his peak year, 1966--would be a masterpiece. For the young JLG it's business as usual.
    • 98 Metascore
    • 100 J. Hoberman
    Literally and figuratively marvelous, a rich, daring mix of fantasy and politics.
    • 94 Metascore
    • 100 J. Hoberman
    Killer of Sheep is an urban pastoral--an episodic series of scenes that are sweet, sardonic, deeply sad, and very funny.
    • 84 Metascore
    • 100 J. Hoberman
    The movie grabs hold and runs you through the wringer.
    • 73 Metascore
    • 100 J. Hoberman
    I'm Not There is the movie of the year.
    • 92 Metascore
    • 100 J. Hoberman
    This is truly a work of symphonic aspirations and masterful execution.
    • 97 Metascore
    • 100 J. Hoberman
    Romanian writer-director Cristian Mungiu's brilliantly discomfiting second feature is one long premonition of disaster.
    • 83 Metascore
    • 100 J. Hoberman
    The pleasing circularity of Gus Van Sant's masterful Paranoid Park is not only a function of the film's narrative structure but reflects the arc of its maker's career. Few directors have revisited their earliest concerns with such vigor.
    • 86 Metascore
    • 100 J. Hoberman
    Flight of the Red Balloon is in a class by itself. In its unexpected rhythms and visual surprises, its structural innovations and experimental perfs, its creative misunderstandings and its outré syntheses, this is a movie of genius.

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