For 944 reviews, this critic has graded:
  • 38% higher than the average critic
  • 3% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 5.4 points higher than other critics. (0-100 point scale)

J. Hoberman's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Police, Adjective
Lowest review score: 0 A Hole in My Heart
Score distribution:
  1. Negative: 74 out of 944
944 movie reviews
    • 86 Metascore
    • 90 J. Hoberman
    This lusty, heartfelt movie has a near Brueghelian visual energy and a humanist passion as contagious as its music.
    • 78 Metascore
    • 90 J. Hoberman
    Genuinely unnerving movie.
    • 70 Metascore
    • 90 J. Hoberman
    The lovability quotient is as high as the altitude.
    • 73 Metascore
    • 90 J. Hoberman
    A movie of cutting humor, near-constant talk, and one show-stopping dance routine.
    • 73 Metascore
    • 90 J. Hoberman
    An impressively coordinated enterprise that lasts three hours, manages a large cast, and covers a period of 30-odd years while successfully unfolding as a series of scenes from the life of a single character.
    • 98 Metascore
    • 90 J. Hoberman
    The greatest of all pulp fantasies.
    • 97 Metascore
    • 90 J. Hoberman
    A vivid exercise in hokum that more or less invented the idea of French film noir...and not just for Americans.
    • 78 Metascore
    • 90 J. Hoberman
    Leisurely yet streamlined film, brilliantly adapted by British filmmaker Terence Davies from Edith Wharton's most powerful novel.
    • 72 Metascore
    • 90 J. Hoberman
    If you can forget the world-historic significance of the mass revolution that overthrew Europe's oldest absolute monarchy -- or rather, subsume it in the mysteries of personality -- The Lady and the Duke is the stuff of human interest.
    • 82 Metascore
    • 90 J. Hoberman
    Self-contained, enigmatic, illuminated from within, Huppert banks a performance that pays dividends throughout the film.
    • 79 Metascore
    • 90 J. Hoberman
    As chilly a spectacle as you're likely to see. It's like watching a comeback in an empty stadium.
    • 63 Metascore
    • 90 J. Hoberman
    Grounded in Fessenden's handheld camera, stuttering montage rhythms, and time-lapse photography, the engagingly primitive animated special effects contribute to a mood that's sustained through the surprisingly somber conclusion.
    • 89 Metascore
    • 90 J. Hoberman
    Wong is sensationally expressive and projects a modern, coolly appraising sexuality. Visually eloquent and often dazzling, the movie is no less terrific. Piccadilly is both evidence of silent cinema at its rudely aborted peak and Wong's frustrated potential to have been among its greatest stars.
    • 93 Metascore
    • 90 J. Hoberman
    One of the best titles in movie history and a cast to match.
    • 79 Metascore
    • 90 J. Hoberman
    A fairy tale that presents love as a case of mutual enchantment, Two Family House is not only uniformly well acted, superbly designed, lovingly lit, and sensitively scored, it's as romantic as it is funny.
    • 61 Metascore
    • 90 J. Hoberman
    Unknown Pleasures suggests a coolly formalist reinvention of neorealism. The film is both distanced and immediate -- a fiction with the force of documentary.
    • tbd Metascore
    • 90 J. Hoberman
    More concentrated and svelte than its precursor, Once Upon a Time II also has the benefit of fights staged by Master Yuen Wo-Ping that show Jet Li -- another camera-age hero -- to even greater advantage.
    • 67 Metascore
    • 90 J. Hoberman
    A fierce dance of destruction. Its flame-like, roiling black-and-white inspires trembling and gratitude.
    • 86 Metascore
    • 90 J. Hoberman
    Traffic is not just an ultra-procedural--it's the Big Picture, the Whole Enchilada, complete with a complicated war between two Mexican drug cartels.
    • 85 Metascore
    • 90 J. Hoberman
    From first shot to last, Dworkin's movie is a continuously absorbing, sometimes revelatory, frequently moving experience; as documentary filmmaking it's not only amazingly intimate but also characterized by an unexpected lyricism.
    • 99 Metascore
    • 90 J. Hoberman
    Rich in detail, vivid in characterization, leisurely in exposition, this 207-minute epic is bravura filmmaking -- a brilliant yet facile synthesis of Hollywood pictorialism, Soviet montage, and Japanese theatricality that could be a B western transposed to Mars.
    • Village Voice
    • 86 Metascore
    • 90 J. Hoberman
    For all its quasi-documentary materialism, The Son is ultimately a Christian allegory of one man's inchoate desire to return good for evil. The movie requires a measure of faith, and like a job well done, it repays that trust.
    • 82 Metascore
    • 90 J. Hoberman
    As straightforward in narrative as it is gut-wrenching in effect, A Simple Plan is a sort of slow-motion skid down an icy blacktop— it's a movie you watch with a mounting sense of dread...[It's] an extremely credible thriller and an affecting brother-story.
    • 87 Metascore
    • 90 J. Hoberman
    No matter what your opinion of McNamara, The Fog of War is a chastening experience.
    • 90 Metascore
    • 90 J. Hoberman
    Bloody Sunday doesn't surrender its grip on the viewer even after the action shifts from the streets of Bogside to a local hospital where the weeping masses are still under the guns of the war-painted British soldiers.
    • 82 Metascore
    • 90 J. Hoberman
    This affecting eulogy underscores not only Demme's own tribute to Dominique but also the film's homage to radio. This is a motion picture that's in love with the magic of airborne speech.
    • 90 Metascore
    • 90 J. Hoberman
    Clever, engaging, and cannily faux populist.
    • 82 Metascore
    • 90 J. Hoberman
    A movie of elegant understatement and considerable formal intelligence.
    • 79 Metascore
    • 90 J. Hoberman
    Va Savoir has its own unhurried pace and unpredictable humor. This is the sort of comedy Robert Altman could only dream about.
    • 84 Metascore
    • 90 J. Hoberman
    A supremely intelligent pastiche.

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