For 1,351 reviews, this critic has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Jack Mathews' Scores

  • Movies
Average review score: 60
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,351 movie reviews
    • Metascore: 70
    • Jack Mathews 75
    Savvy, unflinching, often bloody documentary.
    • Metascore: 60
    • Jack Mathews 75
    More than the sum of its parts.
    • Metascore: 85
    • Jack Mathews 75
    A personal eulogy, from one artist to another, and an indictment of all systems of government that deny people the right to free expression and the full realization of their talent.
    • Metascore: 59
    • Jack Mathews 75
    The story is fascinating for its simplicity and its inherent truths about the downside of progress.
    • Metascore: 62
    • Jack Mathews 75
    The performances are first-rate, with the always inventive Macy a standout as the hopeful, tormented Chappy, and Zahn a scream as the lovably imbecilic Wayne.
    • Metascore: 75
    • Jack Mathews 75
    Hand-held cameras give their surface showbiz relationship a sense of immediacy that, like love itself, has more than a hint of danger.
    • Metascore: 75
    • Jack Mathews 75
    Good music stands alone, and the documentary is jaunty fun.
    • Metascore: 51
    • Jack Mathews 75
    Krabbe attempts to stuff too many themes and subplots into the story.
    • Metascore: 54
    • Jack Mathews 75
    No actress of her generation inhabits characters as thoroughly and convincingly as she (Streep) does, and this performance carries the movie
    • Metascore: 47
    • Jack Mathews 75
    It provides the first genuine laughs I've had at the movies in this young year.
    • Metascore: 61
    • Jack Mathews 75
    Offering often-hysterical testimony to Vilanch's talent.
    • Metascore: 88
    • Jack Mathews 75
    This is melodrama with broad theatrical flourishes, but Dietrich's sensuality is still a natural wonder, and with a new print, the Film Forum run offers a rare opportunity to see it big-screen-size.
    • Metascore: 80
    • Jack Mathews 75
    Looks a lot like 1950s American gangster films -- particularly, John Huston's "The Asphalt Jungle" -- but it's decidedly French in its sexual candor and moral laissez-faire.
    • Metascore: 56
    • Jack Mathews 75
    A slog to get through, but Jeanie Drynan's nuanced performance as the enduring matriarch makes it all worthwhile.
    • Metascore: 74
    • Jack Mathews 75
    Seth, who played Nehru in the Oscar-winning "Gandhi," gives a subtly layered performance as a complex, tormented and very decent man in crisis.
    • Metascore: 33
    • Jack Mathews 75
    Despite the movie's dramatic weaknesses, I was spellbound by the images.
    • Metascore: 64
    • Jack Mathews 75
    A relatively straightforward portrait of Holmes, using interviews with family members, friends, wives, X-film producers and his former co-stars.
    • Metascore: 57
    • Jack Mathews 75
    Refreshingly nondogmatic.
    • Metascore: 81
    • Jack Mathews 75
    One of Rohmer's more engaging slices of life. The acting is impeccable.
    • Metascore: 75
    • Jack Mathews 75
    Joy Ride is plenty spooky but there's also plenty of comic relief -- mostly from the perennially goofy Zahn.
    • Metascore: 73
    • Jack Mathews 75
    The island phase of Hanks' performance is simply amazing.
    • Metascore: 78
    • Jack Mathews 75
    It is remarkably, unsentimentally dramatized by Fred Schepisi, courtesy of the pitch-perfect performances of its ensemble British cast.
    • Metascore: 54
    • Jack Mathews 75
    The question is not whether the movie exactly duplicates the experience of the book, but whether the movie stands on its own. Angela's Ashes clearly does.
    • Metascore: 44
    • Jack Mathews 75
    Gaudi Afternoon, adapted from Barbara Wilson's novel, is a setup for a smart ensemble comedy, and the cast delivers in hilarious deadpan style.
    • Metascore: 55
    • Jack Mathews 75
    Thornton, directing his first film since the minimalist "Sling Blade" (1996), has a much better grip on the material when he's focused on the scruffy desert landscape and the adventures of the two Texans.
    • Metascore: 86
    • Jack Mathews 75
    I love this series; it's possibly the most exciting use of the documentary medium ever.
    • Metascore: 42
    • Jack Mathews 75
    Cage is a wonderful light comedian; were someone to remake "It's a Wonderful Life," he'd be on the short list for the role of George Bailey. And Leoni is Donna Reed, reborn.
    • Metascore: 88
    • Jack Mathews 75
    A well-crafted indictment of the dark side of the modern work ethic.
    • Metascore: 77
    • Jack Mathews 75
    The documentary plays it down the middle, neither condemning nor romanticizing the political outlaws, but making sense of who they were and what they did.
    • Metascore: 78
    • Jack Mathews 75
    Rarely does an animated character merge as perfectly with the persona of the actor providing his voice as the star of Monsters, Inc. does with John Goodman.