James Berardinelli
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For 2,769 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 5.9 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Dead Man Walking
Lowest review score: 0 Knock Off
Score distribution:
2,769 movie reviews
    • 27 Metascore
    • 38 James Berardinelli
    Did You Hear about the Morgans? Yes and, to be perfectly frank, I wish I had been spared the experience.
    • 49 Metascore
    • 38 James Berardinelli
    Perhaps the strangest thing about 2012 is that the bad parts of the film are among the most enjoyable, because they're so over-the-top ridiculous that it's impossible not to break out laughing.
    • 27 Metascore
    • 38 James Berardinelli
    I wonder if Gamer might make a good game; it certainly doesn't make a good movie.
    • 33 Metascore
    • 38 James Berardinelli
    Is this a movie or a feature-length advertisement for Qwest? We're not just talking one product placement; this brand name is nearly omnipresent.
    • 35 Metascore
    • 38 James Berardinelli
    The storyline is so infantile that it will appeal to young kids.
    • 42 Metascore
    • 38 James Berardinelli
    Orphan is being marketed as a horror movie, but that's misdirection. It's more of a standard thriller in the "evil amongst us" mode, about a group of people who inadvertently admit a psychopath into their midst.
    • 29 Metascore
    • 38 James Berardinelli
    The film is critic-proof and it will find an audience, but it's hard to imagine even the film's target demographic (teenage boys) being overly enthusiastic about the product. It's disposable entertainment of the worst kind.
    • 26 Metascore
    • 38 James Berardinelli
    The lackluster acting and horrendous dialogue don't help.
    • 20 Metascore
    • 38 James Berardinelli
    The Informers is nihilism for nihilism's sake; a bleak and borderline-unwatchable collage of misanthropes, self-absorbed a**holes, and pathetic weaklings as they struggle to move forward during the early 1980s in Los Angeles.
    • 31 Metascore
    • 38 James Berardinelli
    If there's the kernel of a good story buried somewhere deep in Cursed, it never pops. As werewolf movies go, this one is on par with "An American Werewolf in Paris," but at least that dud had plenty of gore and Julie Delpy's bare breasts to recommend it.
    • 30 Metascore
    • 38 James Berardinelli
    Offensive because it offers little more than unleavened stupidity in the place of the family-friendly action and comedy it promises.
    • 44 Metascore
    • 38 James Berardinelli
    As far as I'm concerned, it's official: Hollywood has lost the art of how to make horror films.
    • 53 Metascore
    • 38 James Berardinelli
    A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick.
    • 37 Metascore
    • 38 James Berardinelli
    One can give Ice Cube props for attitude, but not much more.
    • 31 Metascore
    • 38 James Berardinelli
    Monster-in-Law is appalling misfire of a comedy - a motion picture that takes a situation ripe for the blackest vein of satire and reduces it to a puerile and edgeless pile of goo
    • 35 Metascore
    • 38 James Berardinelli
    Plastic characters, chaotic camerawork, lots of things blowing up, and an incredibly dumb screenplay. In short, it represents a great time at the movies for anyone who has recently undergone a frontal lobotomy.
    • 28 Metascore
    • 38 James Berardinelli
    Dirty Deeds boasts a passably entertaining idea that is butchered in the telling.
    • 40 Metascore
    • 38 James Berardinelli
    Only for die-hard Cho fans. Everyone else will be offended, bored, or some combination of the two.
    • 47 Metascore
    • 38 James Berardinelli
    The movie starts cheating the audience early, and never lets up.
    • 80 Metascore
    • 38 James Berardinelli
    Movies like this usually have something interesting to say about the human condition, but not Nine Lives. It makes an insufferably obvious observation: we live boring lives, shit happens, and we die.
    • 40 Metascore
    • 38 James Berardinelli
    Tedious and predictable, it employs obvious situations and clich├ęs instead of genuine suspense-building elements.
    • 46 Metascore
    • 38 James Berardinelli
    Plagued by moralizing so strident and a style so artificial that the story never has a chance to speak to an audience.
    • 43 Metascore
    • 38 James Berardinelli
    Fans of the original will end up doing shot-by-shot comparisons. On every level, The Omen isn't just bad filmmaking, it's bad storytelling.
    • 46 Metascore
    • 38 James Berardinelli
    It's all about eye candy and the quick tease. It's not over fast enough.
    • 36 Metascore
    • 38 James Berardinelli
    This is sloppy filmmaking, and it's likely to wipe away whatever luster still remains to Shyamalan's reputation.
    • 41 Metascore
    • 38 James Berardinelli
    John Tucker Must Die is toothless. The jokes are obvious and unfunny, the storyline goes nowhere that's interesting or unexpected, and the only chemistry happens in a science lab.
    • 36 Metascore
    • 38 James Berardinelli
    LaBute has transformed the eerie, disturbing psychological thriller into an unintentional comedy. At times, The Wicker Man is hilariously bad.
    • 26 Metascore
    • 38 James Berardinelli
    Tideland is, by turns, a complete bore and a creepy experience. And I don't mean "creepy" in a positive sense.
    • 65 Metascore
    • 38 James Berardinelli
    Three adjectives spring to mind when describing Marie Antoinette: odd, irritating, and tedious.
    • 38 Metascore
    • 38 James Berardinelli
    It's hard to imagine anyone having the patience to sit through this movie except perhaps a handful of 11-year old boys seeking vicarious wish fulfillment.

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