James Berardinelli
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For 2,730 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 5.8 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 A Clockwork Orange
Lowest review score: 0 Dumb and Dumberer: When Harry Met Lloyd
Score distribution:
2,730 movie reviews
    • 50 Metascore
    • 38 James Berardinelli
    A muddle of a film - an overlong bore that either mistakenly thinks it's something more than a humdrum romance or has incorporated a variety of pretentions as window-dressing.
    • 33 Metascore
    • 38 James Berardinelli
    For all of its existential posturing, Being Human ends up being a rather shallow motion picture.
    • 54 Metascore
    • 38 James Berardinelli
    This unexceptional and uninteresting story of a self-pitying borderline-personality teenager verges on being unwatchable as a result of McDonald's decision to bombard the audience with extraneous images in lieu of telling the story.
    • 37 Metascore
    • 38 James Berardinelli
    Clumsily incorporates elements of "Ghost," "The Sixth Sense," and "Field of Dreams."
    • 44 Metascore
    • 38 James Berardinelli
    Devil will do little to dispel the growing belief that Shyamalan is a one-trick pony whose horse has keeled over. The laughter during the trailer was sadly prescient; the film is a joke.
    • 39 Metascore
    • 38 James Berardinelli
    Cloying and at times annoying, Life as We Know It is egregiously manipulative, whoring itself out for a few unearned tears.
    • 67 Metascore
    • 38 James Berardinelli
    This movie works best as a sleep tonic. Somewhere isn't just frustratingly slow-moving; it's inert.
    • 33 Metascore
    • 38 James Berardinelli
    The only arena in which Gulliver's Travels plays an adequate game is in visual effects.
    • 36 Metascore
    • 38 James Berardinelli
    The recycling goes as deep as the dialogue, which is a mangled and blended refrain of clich├ęs.
    • 33 Metascore
    • 38 James Berardinelli
    This movie isn't bad in the way some incompetently made movies are bad; this is bad because there's much skill evident in a pointless endeavor.
    • 28 Metascore
    • 38 James Berardinelli
    Season of the Witch teeters on the edge of slipping into the "so bad it's good" camp, but ultimately ends up being merely bad.
    • 33 Metascore
    • 38 James Berardinelli
    Akin to watching a bad sit-com that never ends.
    • 42 Metascore
    • 38 James Berardinelli
    LaBeouf, who appeared to hit a low in "Indiana Jones and the Kingdom of the Crystal Skull," has sunk to greater levels of incompetence here.
    • 36 Metascore
    • 38 James Berardinelli
    The 2011 version of Conan the Barbarian looks cheap and feels rushed. The few good elements are dwarfed by a generic, nonsensical plot and shoddy storytelling.
    • 37 Metascore
    • 38 James Berardinelli
    Trespass is a home invasion movie, but not a clever, taut one; it's sloppy and obvious, with curves so un-serpentine they might as well be straightaways.
    • 43 Metascore
    • 38 James Berardinelli
    The only reason any male could have for seeing The Vow is the hope of getting laid afterwards. The only reason any female could have for seeing The Vow is if she views the plots of Harlequin romance novels as the height of modern storytelling.
    • 48 Metascore
    • 38 James Berardinelli
    Lockout is painful. Not painful in the way Uwe Boll or "Sex and the City" movies are painful. But painful enough that I kept waiting for Nicolas Cage to show up. Or Katherine Heigl. Or, god forbid, both.
    • 41 Metascore
    • 38 James Berardinelli
    Battleship has the IQ of a rutabaga and doesn't require much more intelligence than that to watch. Despite spending copious amounts of time with back story and so-called character development, it's really all about the explosions.
    • 58 Metascore
    • 38 James Berardinelli
    Those who don't understand what it means for an actor to "sleepwalk" through a performance need only watch Men in Black III; there's no shortage of examples.
    • 22 Metascore
    • 38 James Berardinelli
    A preposterous thriller where the only thing more disappointing than the ending is the 93 minutes it takes to get there.
    • 41 Metascore
    • 38 James Berardinelli
    Everything in G.I. Joe: Retaliation is perfunctory - technically proficient but soulless. It's not exciting. It's boring.
    • 25 Metascore
    • 38 James Berardinelli
    In R.I.P.D., we have a legitimate train wreck of a motion picture: a film that doesn't work on any level. It's not funny. It's not exciting. It's not engaging. It's a waste of time and money.
    • 35 Metascore
    • 38 James Berardinelli
    To work, The Host would have required a visionary interpretation rather than the mundane telling that Niccol opts for.
    • 28 Metascore
    • 38 James Berardinelli
    It's tired and dated with too few laughs to justify the stultifying attempts at drama and the impossible-to-swallow plot contortions.
    • 36 Metascore
    • 38 James Berardinelli
    The Watch is a studio turd marinated in eau de skunk that stinks worse than week-old fish.
    • 30 Metascore
    • 38 James Berardinelli
    Sadly, as apt as comparisons to "Underworld" might seem, I, Frankenstein can't even clear that very low bar.
    • 54 Metascore
    • 38 James Berardinelli
    It's either a failed experiment or a movie that was rushed through production so Allen could fulfill his one project-per-year commitment.
    • 31 Metascore
    • 38 James Berardinelli
    Teenage Mutant Ninja Turtles doesn't so much provide brainless enjoyment as it pummels the viewer into submission. "Shell-shocked" is a reasonable description of the experience.
    • 30 Metascore
    • 38 James Berardinelli
    "The Hangover" was high octane fun. "The Hangover Part II," despite its repetitive nature, was enjoyable. The Hangover Part III is some kind of hideous experiment in mass consumer torture.
    • 50 Metascore
    • 38 James Berardinelli
    A slow, meandering misfire of a movie.