James Berardinelli

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For 3,163 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 3.7 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 It's a Wonderful Life
Lowest review score: 0 Captivity
Score distribution:
3163 movie reviews
    • 41 Metascore
    • 50 James Berardinelli
    Criminally underwritten characters result in actors like Hugh Jackman, Sigourney Weaver, and Dev Patel (Slumdog Millionaire) having little to do.
    • 64 Metascore
    • 50 James Berardinelli
    Despite its name, Beautiful Girls is actually about a group of irritating, twenty-something males whose adolescent attitudes have remained with them well into adulthood.
    • 67 Metascore
    • 50 James Berardinelli
    The Midwife has two things going for it: Catherine Frot and Catherine Deneuve. There’s no disputing the quality of acting in this film, at least insofar as the leads are concerned. Unfortunately, almost everything else in Martin Provost’s staid character study falls considerably short of the bar set by the two Catherines.
    • 55 Metascore
    • 50 James Berardinelli
    One of the year's most uninspired inspirational stories.
    • 57 Metascore
    • 50 James Berardinelli
    Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format.
    • 58 Metascore
    • 50 James Berardinelli
    This is a character we have seen a million times before and Eastwood brings little that's new or original to the part. The movie as a whole can be labeled with the same criticism.
    • 42 Metascore
    • 50 James Berardinelli
    12 year old boys will love the result. That’s not a good sign for anyone who has passed beyond their teenage years.
    • 48 Metascore
    • 50 James Berardinelli
    It worked once, but the novelty factor is gone. The cheese is still there, but this time it's overlaid with a cynical sense that the only reason the movie exists is because the first one made so much money.
    • 66 Metascore
    • 50 James Berardinelli
    For me, this is as deflating a movie as I have seen all year. Not the worst, to be sure, but a project so utterly unnecessary that it made me want to gnash my teeth in frustration.
    • 49 Metascore
    • 50 James Berardinelli
    The film is too light and juvenile to be viewed as some sort of darkly subversive satire in which the director is laughing at those of us who take it all semi-seriously.
    • 40 Metascore
    • 50 James Berardinelli
    Aloha is Crowe's worst film-to-date, eclipsing "Elizabethtown" for that distinction and raising questions about whether the director has lost his touch (á là Rob Reiner).
    • 16 Metascore
    • 50 James Berardinelli
    This is the kind of movie that isn't even worth renting when it comes out on video because, with the possible exception of Michael Lerner and Omar Epps dancing to show tunes, you've seen it all before.
    • 34 Metascore
    • 50 James Berardinelli
    Comes across as a cheesy, fundamentally unsatisfying experience.
    • 34 Metascore
    • 50 James Berardinelli
    It's dull, childish, and uninspired.
    • 32 Metascore
    • 50 James Berardinelli
    Chock full of high-tech action, with a lot of chasing and shooting and explosions.
    • 39 Metascore
    • 50 James Berardinelli
    It's an excursion into a melodramatic morass that occasionally becomes difficult to sit through because it's so cloying.
    • 53 Metascore
    • 50 James Berardinelli
    The latest motion picture to take an intriguing premise and flush it into the septic tank.
    • 50 Metascore
    • 50 James Berardinelli
    Jack Reacher has the distinction of being little more than it initially appears to be: a clumsily condensed mystery/thriller novel made into a movie that offers little more than every other clumsily condensed mystery/thriller novel made into a movie.
    • 44 Metascore
    • 50 James Berardinelli
    The material isn't sufficiently funny to allow me to forgive the film's feeble storyline and two-dimensional inhabitants.
    • 51 Metascore
    • 50 James Berardinelli
    Haphazardly plotted, it not only falls prey to absolute predictability but chooses to have nearly every important conversation (except one) occur off-screen. That sort of laziness is unacceptable and results in a strong sense of audience dissatisfaction.
    • 45 Metascore
    • 50 James Berardinelli
    The inevitable twist ties things neatly together before leading to a confusing, borderline-indecipherable ending that fails to satisfy on a number of levels.
    • 50 Metascore
    • 50 James Berardinelli
    It's easy to be cynical about a movie like this which, despite its factual basis, is more product than story. The pandering is obvious.
    • 41 Metascore
    • 50 James Berardinelli
    Child 44 is a victim of poor adaptation. It is beset by problems related to flow and coherence; the narrative is confusing, the characters are provided with inadequate time for development, and dead-end subplots abound.
    • 15 Metascore
    • 50 James Berardinelli
    A second-rate regurgitation of "The Lord of the Rings." Everything about it, down to the set and costume design, apes Peter Jackson's epic trilogy. However, while "The Lord of the Rings" was a grand story of scope and power, In the Name of the King feels small in more ways than one.
    • 41 Metascore
    • 50 James Berardinelli
    At its best, Ride Along is tolerable. At its worst, it borders on insulting.
    • 40 Metascore
    • 50 James Berardinelli
    As slasher movies go, Halloween II is far from the bottom of the barrel, but, given its pedigree, one has a right to expect a higher degree of quality that what is delivered.
    • 57 Metascore
    • 50 James Berardinelli
    With 3-D, a little goes a long way and, in the absence of a legitimate script with credible characters, the fun dries up long before the running time has expired.
    • 34 Metascore
    • 50 James Berardinelli
    Lazily written and indifferently filmed, this sendup of action/spy movies rarely works as a satire and becomes downright unbearable when it attempts to do things like character/relationship building.
    • 36 Metascore
    • 50 James Berardinelli
    Whatever the reason, the waning months of 2014 have brought us the follow-up to 1994's "Dumb and Dumber", but the lengthy gestation period hasn't resulted in an appreciably upgraded experience.
    • 46 Metascore
    • 50 James Berardinelli
    It's not the unevenness of the comedy that kills Welcome Home Roscoe Jenkins but the illegitimacy of the drama.

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