James Berardinelli

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For 3,063 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 4.2 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Goodfellas
Lowest review score: 0 Captivity
Score distribution:
3063 movie reviews
    • 81 Metascore
    • 88 James Berardinelli
    Aronofsky's directorial style is simple and spare. There are no flourishes or attempts to convince us that he is a master of his craft.
    • 71 Metascore
    • 88 James Berardinelli
    It offers a feel-good experience, but without the heavy dose of schmaltz that often accompanies such a production.
    • 83 Metascore
    • 88 James Berardinelli
    The most important features of this "new" version are the digital cleaning of the print and the re-mastering of the sound. There are a few added scenes, but they are mostly insignificant and have been previously seen (at least by fans of the movie) on the laserdisc or DVD releases.
    • 61 Metascore
    • 88 James Berardinelli
    From the first scene, however, it's obvious that the writing/directing team of Andy and Larry Wachowski are aiming for something considerably higher than rudimentary titillation. And, by taking chances and twisting conventions, they have hit paydirt.
    • 85 Metascore
    • 88 James Berardinelli
    The Tree of Life falls short of masterful but retains a power that far too many motion pictures lack. It's about SOMETHING and, even when it fails, it does so in a manner that is interesting and not infantile.
    • 72 Metascore
    • 88 James Berardinelli
    The movie not only represents the best effort from Eastwood since his Oscar-winning "Million Dollar Baby" but the finest acting we have seen thus far from two-time nominee Bradley Cooper.
    • 94 Metascore
    • 88 James Berardinelli
    It's likely that 2004 won't offer a better movie about a mid-life crisis.
    • 72 Metascore
    • 88 James Berardinelli
    The kind of expression of emotion that touches a deeper chord.
    • 68 Metascore
    • 88 James Berardinelli
    A meditation on the pain suffered by a mother when her child turns out to be a monster, We Need to Talk about Kevin is the perfect tonic for holiday cheer.
    • 77 Metascore
    • 88 James Berardinelli
    Magic on celluloid -- fresh, funny, romantic, and upbeat. You'll leave the theater with a smile on your face and perhaps a tear in your eye.
    • 66 Metascore
    • 88 James Berardinelli
    A firecracker of a story - sharply written, superbly acted, and fast-paced.
    • 87 Metascore
    • 88 James Berardinelli
    Although not without moments of sadness and tragedy, Brooklyn is sublimely uplifting and life affirming.
    • 45 Metascore
    • 88 James Berardinelli
    Flipped is Rob Reiner's best film in 18 years, and includes echoes of two of his most accomplished efforts, "The Sure Thing" and "Stand By Me."
    • 76 Metascore
    • 88 James Berardinelli
    Together, Crystal and Ryan really click. Even though their characters are polar opposites (or perhaps because of it), their interaction has a charm and warmth that most motion picture pairings lack.
    • 71 Metascore
    • 88 James Berardinelli
    For those who have gotten their Harry Potter fix entirely through the cinematic incarnation, the script is lucid and fast-moving.
    • 89 Metascore
    • 88 James Berardinelli
    With solid performances and a terrific screenplay, this movie offers solid, no-frills drama that feels organic and believable, not contrived.
    • 64 Metascore
    • 88 James Berardinelli
    Even some who generally enjoy gangster films may be turned off by this one, with its focus on dialogue over action and its harsh style.
    • 74 Metascore
    • 88 James Berardinelli
    This is easily the best family feature of the early year.
    • 76 Metascore
    • 88 James Berardinelli
    Witness states its position about clashing cultures with eloquence.
    • 67 Metascore
    • 88 James Berardinelli
    This is a deeply cynical movie and, in that cynicism, it finds truth.
    • 74 Metascore
    • 88 James Berardinelli
    The purpose of Bully is to educate and promote discussion. If the problem is not solved, there will be more Columbines and additional stories like Tyler and Ty's.
    • 60 Metascore
    • 88 James Berardinelli
    Putting aside all the controversy, however, viewers are left with an expertly-directed and well-acted historical epic that disappoints only in its shallow perspective of the Irish/British and Irish/Irish conflicts.
    • 63 Metascore
    • 88 James Berardinelli
    Les Miserables understandably cuts some of the stage production's numbers, but all of the major anthems are intact and wonderfully presented.
    • 82 Metascore
    • 88 James Berardinelli
    In some ways, it's a simple character drama, but the central conundrum disallows an uncomplicated interpretation. I was never bored.
    • 82 Metascore
    • 88 James Berardinelli
    Despite being a low-key production, La Promesse speaks volumes about how we treat other human beings and what it means to truly grow up.
    • 85 Metascore
    • 88 James Berardinelli
    Crafted without a whiff of melodrama, this motion picture takes a steady, unflinching look at the plight of Jews in Warsaw.
    • 73 Metascore
    • 88 James Berardinelli
    Looks at isolation and the fragility of human relationships. It's a poignant, unsettling motion picture that will baffle those who have become used to Hollywood's compact, tidy endings.
    • 51 Metascore
    • 88 James Berardinelli
    The strength of the acting and the modulation of the screenplay transforms what could have been a run-of-the-mill Lifetime disease-of-the-week movie into something more insightful and intelligent.
    • 66 Metascore
    • 88 James Berardinelli
    Dark City has as stunning a visual texture as that of any movie that I've seen...Visually, this film isn't just impressive, it's a tour de force.
    • 61 Metascore
    • 88 James Berardinelli
    The dialogue -- especially that between Roy and Frank -- crackles with wit and intelligence (a rarity in films these days).

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