James Berardinelli, ReelViews
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For 2,525 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
Average review score: 65
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
2,525 movie reviews
    • Metascore: 83
    • James Berardinelli 88
    Election has the sharpest satire of any teen movie made in years. Like the best lampoons, it attacks by exaggerating reality ever-so-slightly and targeting a broad range of subjects.
    • Metascore: 85
    • James Berardinelli 88
    Isn't just an expose of the porn industry -- it's a provocative and involving character study, as well.
    • Metascore: 70
    • James Berardinelli 88
    Nothing, no matter how outrageous, is beyond Smith, and his willingness to flaunt cinematic taboos is one of the reasons why Clerks is such a unqualified success.
    • Metascore: 71
    • James Berardinelli 88
    Touching, funny, sweet, and most important of all, real -- a welcome breath of fresh air.
    • Metascore: 72
    • James Berardinelli 88
    As much as any other motion picture that employs the preparation and consumption of food as a key element, Mostly Martha provides the perfect blend of cinematic nourishment and gratification.
    • Metascore: 71
    • James Berardinelli 88
    Thirty minutes into Waiting for Guffman, my stomach hurt from laughing.
    • Metascore: 73
    • James Berardinelli 88
    This is one of Levinson's best films, and the screenplay, co-penned by noted writer David Mamet (along with Hilary Henkin), is brilliantly on-target.
    • Metascore: 56
    • James Berardinelli 88
    I suspect that mainstream audiences will find plenty of things to take pleasure in, even though some viewers may be bewildered by what the Coens do. But for those who share my taste in comedy, this is a must-not-miss.
    • Metascore: 65
    • James Berardinelli 88
    This is a simple story of hope and triumph, of one girl with the drive to succeed defying the odds and following her dream. It's not an original tale -- movies like this abound -- but Nava's point-of-view is fresh.
    • Metascore: 65
    • James Berardinelli 88
    The in-your-face style of We Were Soldiers results in a suspenseful, intense, and exhausting cinematic experience.
    • Metascore: 71
    • James Berardinelli 88
    Mulan effortlessly blends serious, comic, and cute elements into a whole that should entertain the majority of movie-goers, regardless of race, gender, or age.
    • Metascore: 88
    • James Berardinelli 88
    On the Waterfront may have baggage, but that doesn't prevent it from being one of the great American productions of the mid-20th century.
    • Metascore: 72
    • James Berardinelli 88
    Visually, it's more impressive than Disney's “Toy Story.”
    • Metascore: 69
    • James Berardinelli 88
    This is as anti-Hollywood a film as I have seen in recent months, one which takes conventional plot ideas and uses them not to season a melodrama, but to enrich fully three-dimensional characters and create a forceful motion picture.
    • Metascore: 77
    • James Berardinelli 88
    A Bug's Life, like “Toy Story,” develops protagonists we can root for, and places them in the midst of a fast-moving, energetic adventure.
    • Metascore: 92
    • James Berardinelli 88
    The computer-generated effects are a marvel. It's something of a bonus that the characters, dialogue, and story provide entertainment value of their own.
    • Metascore: 77
    • James Berardinelli 88
    The Usual Suspects is an accomplished synthesis of noir elements and, as such, is an entertaining entry to the genre.
    • Metascore: 60
    • James Berardinelli 88
    One of the most obvious problems with The Godfather Part III is that it covers little new territory. The plot is highly derivative of the original.
    • Metascore: 91
    • James Berardinelli 88
    Fatoumata Coulibaly's peformance is striking. She plays her character with a mixture of determination and compassion.
    • Metascore: 74
    • James Berardinelli 88
    One of the best thrillers I have seen this year: tight, taut, and unpredictable.
    • Metascore: 85
    • James Berardinelli 88
    Using perfectly composed shots to amplify an emotionally resonant story, the film successfully argues that "artistic" films do not have to be boring.
    • Metascore: 86
    • James Berardinelli 88
    Almodovar also manages to conclude the film on a hopeful note, and one that will have many audience members wishing that he will someday return to tell more about these characters.
    • Metascore: 70
    • James Berardinelli 88
    Although the specter of death hovers over the entire film, it is neither a grim nor a depressing experience. Arcand has injected a great deal of wit into the movie, and it meshes perfectly with the anticipated pathos.
    • Metascore: 68
    • James Berardinelli 88
    In terms of power and effect, Eyes Wide Shut approaches (but does not surpass) Kubrick's vintage work - it is thought-provoking and unsettling.
    • Metascore: 82
    • James Berardinelli 88
    Truth, they say, is stranger than fiction… and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this.
    • Metascore: 90
    • James Berardinelli 88
    The film is as powerful as any narrative motion picture in telling a story that rips at the emotions.
    • Metascore: 55
    • James Berardinelli 88
    A rousing tale that combines high adventure with emotional effectiveness. This movie works because it never loses sight of the characters no matter how epic the scope becomes.
    • Metascore: 66
    • James Berardinelli 88
    It's a superior thriller made with the guts and gusto that too many recycled entries into the genre fail to exhibit.
    • Metascore: 72
    • James Berardinelli 88
    Imperfect as it may be, Bowling for Columbine is riveting stuff.
    • Metascore: 76
    • James Berardinelli 88
    If not for a somewhat forced catharsis during the epilogue (the weakest segment of the movie), Breaking the Waves would have been more wrenching than it is.