James Berardinelli, ReelViews
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For 2,706 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
Average review score: 65
Highest review score: 100 Before Sunrise
Lowest review score: 0 Knock Off
Score distribution:
2,706 movie reviews
    • 45 Metascore
    • 50 James Berardinelli
    As far as the actors are concerned, Liam Neeson seems to be having fun hamming it up as the villain - a role he rarely gets to play.
    • 35 Metascore
    • 50 James Berardinelli
    Friday the 13th is neither tense nor frightening (although, to be fair, it is at times creepy and atmospheric, due in part to budgetary limitations that led to a low-key style).
    • 48 Metascore
    • 50 James Berardinelli
    As a shoot-'em-up, blast-'em-to-pieces film, it's not half bad. As a futuristic time travel movie, however, it has some very serious problems.
    • 53 Metascore
    • 50 James Berardinelli
    This isn't a family-friendly film - anyone over the age of about 8 will immediately recognize that significant chunks of the story don't make sense.
    • 39 Metascore
    • 50 James Berardinelli
    Tammy is a road trip movie and, like many road trip movies, it embraces a meandering, aimless tone. It's often said for films of this sort that it's the journey that matters, not the destination. Unfortunately, in this case, neither is worth the price of admission.
    • 36 Metascore
    • 50 James Berardinelli
    Two fundamental problems afflict Sex Tape (aside from the fact that it's not consistently funny): a shocking ignorance about the state of modern technology and a mistaken belief that the subject matter is inherently edgy.
    • 47 Metascore
    • 50 James Berardinelli
    Director Brett Ratner has always been associated with spectacle but, even for him, this represents a misstep because the "wow!" factor is muted.
    • 56 Metascore
    • 50 James Berardinelli
    Poorly paced with a tendency to veer into the pretentious and littered with contrivances and dramatic short-cuts, I Origins fails to provide a single three-dimensional character or compelling relationship.
    • 37 Metascore
    • 38 James Berardinelli
    Schumacher doesn't leave an imprint on the film -- it could be the work of any second-rate director.
    • 38 Metascore
    • 38 James Berardinelli
    Wild Wild West isn't just a bad adaptation of a TV series; it's a bad film.
    • 58 Metascore
    • 38 James Berardinelli
    It's the kind of thing that Shakespeare might have written if he had undergone a frontal lobotomy.
    • 48 Metascore
    • 38 James Berardinelli
    For a strangely-titled, female-oriented drama about mothers and daughters bonding, try "The Joy Luck Club" and leave Ya-Ya as a phrase uttered by one-year olds who have yet to learn how to talk.
    • 61 Metascore
    • 38 James Berardinelli
    One could easily argue that, like many Ed Wood-type bad movies, The Faculty might be headed for the cult classic shelf in the video store. Unfortunately, it's not campy enough, and, worse, it seems to think it's being hip when it's just being dumb.
    • 36 Metascore
    • 38 James Berardinelli
    The Thirteenth Floor shows what can happen when film makers fail to recognize that they need more than a concept to establish a full-length motion picture.
    • 33 Metascore
    • 38 James Berardinelli
    Unremarkable. A more honest description would be to label it as mirthless, pointless, and banal.
    • 54 Metascore
    • 38 James Berardinelli
    The only worthwhile portion of Twin Dragons is the climactic action sequence, but, to get to that, it's necessary to endure more than an hour of unfunny physical comedy and excruciating verbal interaction.
    • 56 Metascore
    • 38 James Berardinelli
    No amount of youthful charisma can alter the fact that, in the light of "Dangerous Liaisons", Cruel Intentions is a feeble and dissatisfying shadow.
    • 36 Metascore
    • 38 James Berardinelli
    With the flat characters and lifeless performances, it's a wonder that anyone in the audience can stay awake all the way through this dull and dreary production.
    • 47 Metascore
    • 38 James Berardinelli
    A soulless jumble of ineptly assembled cliches and pabulum that plays like a 95-minute commercial for NBA properties.
    • 12 Metascore
    • 38 James Berardinelli
    Once again, we have a movie where the jokes are aimed at the least common denominator - meaning that to genuinely enjoy the experience of sitting through Slackers, you will need help from a controlled substance.
    • 36 Metascore
    • 38 James Berardinelli
    Want to see a movie where almost everything takes place on a bus? Try "Speed." Jeepers Creepers 2 isn't even worth a peek.
    • 39 Metascore
    • 38 James Berardinelli
    This is one of those nearly unwatchable movies that becomes an endurance contest for any thinking adult.
    • 45 Metascore
    • 38 James Berardinelli
    This isn't just typical, unchallenging Hollywood drek -- it's typical, unchallenging Hollywood drek made by people who don't care, for people who don't care.
    • 59 Metascore
    • 38 James Berardinelli
    Nothing short of a disaster -– easily one of the worst movies of the year.
    • 23 Metascore
    • 38 James Berardinelli
    This is as dreadful a holiday offering as you're likely to find this year. A lump of coal would be more welcome.
    • 32 Metascore
    • 38 James Berardinelli
    The script isn't just "dumbed down," it's lobotomized.
    • 35 Metascore
    • 38 James Berardinelli
    Isn't worth the time, money, or effort. For Stephen King aficionados, it's just the latest cinematic nightmare.
    • 58 Metascore
    • 38 James Berardinelli
    This is the kind of tearjerker that will cause audience members to cry, but only because they paid hard-earned money to see it.
    • 18 Metascore
    • 38 James Berardinelli
    A bad movie. No amount of perfume sprayed on talk show audiences by Madonna and her husband can eliminate the stench of failure emanating from this motion picture.
    • 39 Metascore
    • 38 James Berardinelli
    At its best, Dumb and Dumber is like an Ernest movie with a scatological bent.
    • 29 Metascore
    • 38 James Berardinelli
    Unappealing for children and adults alike, The King and I will likely bring families together in their mutual boredom.
    • 32 Metascore
    • 38 James Berardinelli
    Has some promise as a throw-away, lighthearted romance. Unfortunately, once those elements are gone, what's left only has a running time of about 13 minutes.
    • 30 Metascore
    • 38 James Berardinelli
    Like many genuinely awful movies, Queen of the Damned has the ingredients of a cult film.
    • 46 Metascore
    • 38 James Berardinelli
    A woefully underwritten motion picture that starts out as a dumb comedy before taking an ill-advised detour into mawkish sentimentality. The last 30 minutes of Bruce Almighty is so godawful that it almost sent me screaming from the theater.
    • 59 Metascore
    • 38 James Berardinelli
    An insult to anyone who has tragically and unexpectedly lost a loved-one in a similar manner.
    • 35 Metascore
    • 38 James Berardinelli
    Captures the essence of its TV inspiration, which is to say that it's not nearly as clever as it thinks it is. It also feels very, very long.
    • 64 Metascore
    • 38 James Berardinelli
    An inferior product. It is not well written, well acted, or well directed.
    • 25 Metascore
    • 38 James Berardinelli
    This is a tedious and insulting motion picture. The only ones likely to be surprised by the payoff are those who understandably dozed off fifteen minutes into the proceedings.
    • 34 Metascore
    • 38 James Berardinelli
    A colossal disappointment. Not because it's superficial and shallow –- those characteristics pretty much go with the territory –- but because it's boring.
    • 38 Metascore
    • 38 James Berardinelli
    The movie mandates complete gullibility and vacuous attention in order to work on any level.
    • 51 Metascore
    • 38 James Berardinelli
    For those looking for something positive, this is the only movie I can recall that features music from both ABBA ("Does Your Mother Know") and Handel ("Zadok the Priest"). Let's hear it for musical diversity!
    • 28 Metascore
    • 38 James Berardinelli
    Two agonizing hours of lifeless, mind-numbing hogwash.
    • 50 Metascore
    • 38 James Berardinelli
    A Perfect Murder has inexplicably managed to eliminate almost everything that was worthwhile about "Dial M for Murder," leaving behind the nearly-unwatchable wreckage of a would-be '90s thriller.
    • 57 Metascore
    • 38 James Berardinelli
    A maudlin hack-job.
    • 28 Metascore
    • 38 James Berardinelli
    Boring and repetitive.
    • 62 Metascore
    • 38 James Berardinelli
    It's the most disappointing thing to come from the brothers in years.
    • 43 Metascore
    • 38 James Berardinelli
    With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.
    • 35 Metascore
    • 38 James Berardinelli
    Misses the mark.
    • 33 Metascore
    • 38 James Berardinelli
    Welcome to Mooseport's satirical edge is dull and pitted, the screenplay is overlong and uninteresting, the comedy is soft and shapeless, and the actors perform like they're on a sit com.
    • 26 Metascore
    • 38 James Berardinelli
    Twisted is a D-grade thriller with an A-list cast. It's a disappointment from start to finish...But, in the final quarter-hour, it committed the unpardonable sin of insulting my intelligence.
    • 43 Metascore
    • 38 James Berardinelli
    Meet Joe Black has the dubious distinction of being the longest film to date of 1998. It is also one of the most tedious and bombastic.
    • 31 Metascore
    • 38 James Berardinelli
    Delpy's injection of class into an otherwise classless production raises the specter of what this film could have been with a better script and a better cast surrounding her.
    • 46 Metascore
    • 38 James Berardinelli
    It's a cloying, humorless motion picture whose only assets are the work of Jim Henson's Creature Shop and a couple of good one-liners by a pair of rodents.
    • 36 Metascore
    • 38 James Berardinelli
    It's not just about a disaster, it is a disaster.
    • 52 Metascore
    • 38 James Berardinelli
    This is film noir for the MTV generation: fast-paced, slick, flashy, gleefully mindless, and hollow to the core.
    • 27 Metascore
    • 38 James Berardinelli
    Unfortunately for the poor viewer trapped into sitting through this 95 minute mess, the humor is both conventional and unfunny, the script never takes any chances, and the ending is a cop-out.
    • 44 Metascore
    • 38 James Berardinelli
    Instead of generating a testosterone rush, the fight scenes release tryptophan. Not only are they boring, but they are choreographed in an amateurish fashion.
    • 53 Metascore
    • 38 James Berardinelli
    The result is an unappealing mess, made less bearable by uniformly lackluster performances and the cheesy special effects.
    • 33 Metascore
    • 38 James Berardinelli
    The Punisher isn't Frank Castle; it's Jonathan Hensleigh. And the punishee is anyone sitting in the audience.
    • 24 Metascore
    • 38 James Berardinelli
    Godsend is godawful.
    • 62 Metascore
    • 38 James Berardinelli
    The level of humor is sit-com-ish at best and the film's dramatic elements are bland and uninvolving.
    • 42 Metascore
    • 38 James Berardinelli
    If the film is to work on any level, even a comedic one, it's necessary for the viewers to sympathize with Joanna and Walter. However, the script and scattershot performances keep them at arm's length. Nicole Kidman is in full scenery-chewing mode, and Matthew Broderick hasn't been this invisible since Ferris Bueller had to go back to school.
    • 35 Metascore
    • 38 James Berardinelli
    By trying to satisfy every kind of viewer, it's possible that Sphere may end up pleasing no one.
    • 46 Metascore
    • 38 James Berardinelli
    Too long and too full of itself to offer more than a few fleeting moments of entertainment. It doesn't take long for tediousness to triumph.
    • 47 Metascore
    • 38 James Berardinelli
    Redundant and unnecessary.
    • 19 Metascore
    • 38 James Berardinelli
    The only thing that distinguishes Species 2 is how awful it is.
    • 20 Metascore
    • 38 James Berardinelli
    Chase, like his Vacation movies, are things of the past. This is a series that should have died with the '80s. Instead, inexplicably, it has limped on into the '90s.
    • 36 Metascore
    • 38 James Berardinelli
    Watching a misfire like Thunderbirds illustrates how impressive the "Spy Kids" movies are.
    • 57 Metascore
    • 38 James Berardinelli
    Code 46 is like "Solaris" without the psychological depth and strong acting. The movie is flat, boring, pointless, and nonsensical.
    • 29 Metascore
    • 38 James Berardinelli
    The film is critic-proof and it will find an audience, but it's hard to imagine even the film's target demographic (teenage boys) being overly enthusiastic about the product. It's disposable entertainment of the worst kind.
    • 51 Metascore
    • 38 James Berardinelli
    The Brown Bunny is one long, self-indulgent bore topped off with a hard-core porn scene featuring Gallo and co-star Chloë Sevigny.
    • 38 Metascore
    • 38 James Berardinelli
    One has the sense that if the level of violence had been ratcheted up a little, Paparazzi might have been more of a guilty pleasure and less of a chore to watch.
    • 19 Metascore
    • 38 James Berardinelli
    Can't decide whether it wants to be a black comedy, dumb farce, or sentimental sit-com.
    • 50 Metascore
    • 38 James Berardinelli
    Stay away from Birth not because of what goes on (or doesn't) in a bathtub, but because this is not a very good movie.
    • 27 Metascore
    • 38 James Berardinelli
    Beverly Hills Ninja is essentially a one-joke film.
    • 39 Metascore
    • 38 James Berardinelli
    National Treasure's storyline isn't compelling or coherent enough to warrant the term "plot."
    • 38 Metascore
    • 38 James Berardinelli
    Take away the film's attitude, and you're left with "Son of Van Helsing."
    • 47 Metascore
    • 38 James Berardinelli
    This remake replaces suspense with boredom and witty dialogue with lame lines any self-respecting actor should be embarrassed to utter.
    • 39 Metascore
    • 38 James Berardinelli
    A huge disappointment -- the kind of motion picture that makes you actively angry at the filmmaker for subjecting you to it and stealing two hours of your life.
    • 43 Metascore
    • 38 James Berardinelli
    The really disgusting thing about this movie isn't the crude jokes themselves, but how grossly unfunny they all are.
    • 31 Metascore
    • 38 James Berardinelli
    If there's the kernel of a good story buried somewhere deep in Cursed, it never pops. As werewolf movies go, this one is on par with "An American Werewolf in Paris," but at least that dud had plenty of gore and Julie Delpy's bare breasts to recommend it.
    • 30 Metascore
    • 38 James Berardinelli
    Offensive because it offers little more than unleavened stupidity in the place of the family-friendly action and comedy it promises.
    • 44 Metascore
    • 38 James Berardinelli
    As far as I'm concerned, it's official: Hollywood has lost the art of how to make horror films.
    • 53 Metascore
    • 38 James Berardinelli
    A shallow, transparent satire/social commentary, Palindromes lives and dies on a gimmick.
    • 37 Metascore
    • 38 James Berardinelli
    One can give Ice Cube props for attitude, but not much more.
    • 31 Metascore
    • 38 James Berardinelli
    Monster-in-Law is appalling misfire of a comedy - a motion picture that takes a situation ripe for the blackest vein of satire and reduces it to a puerile and edgeless pile of goo
    • 35 Metascore
    • 38 James Berardinelli
    Plastic characters, chaotic camerawork, lots of things blowing up, and an incredibly dumb screenplay. In short, it represents a great time at the movies for anyone who has recently undergone a frontal lobotomy.
    • 73 Metascore
    • 38 James Berardinelli
    Breakdown is the latest in a seemingly endless traffic jam of thrillers that opens strong but finishes abominably.
    • 28 Metascore
    • 38 James Berardinelli
    Dirty Deeds boasts a passably entertaining idea that is butchered in the telling.
    • 40 Metascore
    • 38 James Berardinelli
    Only for die-hard Cho fans. Everyone else will be offended, bored, or some combination of the two.
    • 47 Metascore
    • 38 James Berardinelli
    The movie starts cheating the audience early, and never lets up.
    • 23 Metascore
    • 38 James Berardinelli
    Speed 2 can be numbered among the worst second chapters ever made.
    • 80 Metascore
    • 38 James Berardinelli
    Movies like this usually have something interesting to say about the human condition, but not Nine Lives. It makes an insufferably obvious observation: we live boring lives, shit happens, and we die.
    • 49 Metascore
    • 38 James Berardinelli
    Even children, who will be enthralled by all the puppies, may have a hard time not fidgeting for protracted portions of the running time.
    • 58 Metascore
    • 38 James Berardinelli
    Unfortunately, although there are a few nasty thorns here and there, The First Wives Club is a largely uninspired (and unfunny) comedy that collapses completely in the final fifteen minutes.
    • 40 Metascore
    • 38 James Berardinelli
    Tedious and predictable, it employs obvious situations and clichés instead of genuine suspense-building elements.
    • 37 Metascore
    • 38 James Berardinelli
    From the start, it's obvious that this is a vehicle for his comedy, and it mostly works -- for about ten to fifteen minutes. After that, Carrey's act gradually grows less humorous and more tiresome, and the laughter in the audience seems forced.
    • 58 Metascore
    • 38 James Berardinelli
    Very little of what made the written version so enjoyable has been successfully translated to the screen, and what we're left with instead is an overly-long (two hours and thirty-four minutes, to be exact), pedantic thriller.
    • 46 Metascore
    • 38 James Berardinelli
    Plagued by moralizing so strident and a style so artificial that the story never has a chance to speak to an audience.
    • 25 Metascore
    • 38 James Berardinelli
    Director Rick Friedberg (who made the "bad golf" videos with Leslie Nielsen) has crafted a dreadfully unfunny comedy that takes Naked Gun-like sketches and rehashes them without a whit of style or energy.
    • 15 Metascore
    • 38 James Berardinelli
    Things might have been okay if this film had gone someplace, anyplace, but it stalls early, then coasts through an hour of minimally-amusing material before screeching to an amazingly improbable stop.
    • 43 Metascore
    • 38 James Berardinelli
    Fans of the original will end up doing shot-by-shot comparisons. On every level, The Omen isn't just bad filmmaking, it's bad storytelling.
    • 46 Metascore
    • 38 James Berardinelli
    It's all about eye candy and the quick tease. It's not over fast enough.
    • 36 Metascore
    • 38 James Berardinelli
    This is sloppy filmmaking, and it's likely to wipe away whatever luster still remains to Shyamalan's reputation.
    • 41 Metascore
    • 38 James Berardinelli
    John Tucker Must Die is toothless. The jokes are obvious and unfunny, the storyline goes nowhere that's interesting or unexpected, and the only chemistry happens in a science lab.
    • 36 Metascore
    • 38 James Berardinelli
    LaBute has transformed the eerie, disturbing psychological thriller into an unintentional comedy. At times, The Wicker Man is hilariously bad.
    • 26 Metascore
    • 38 James Berardinelli
    Tideland is, by turns, a complete bore and a creepy experience. And I don't mean "creepy" in a positive sense.
    • 65 Metascore
    • 38 James Berardinelli
    Three adjectives spring to mind when describing Marie Antoinette: odd, irritating, and tedious.
    • 38 Metascore
    • 38 James Berardinelli
    It's hard to imagine anyone having the patience to sit through this movie except perhaps a handful of 11-year old boys seeking vicarious wish fulfillment.
    • 28 Metascore
    • 38 James Berardinelli
    This is a mechanical gore-fest that offers preposterous stunts in place of escalating tension and waxwork mannequins in place of marginally interesting characters.
    • 33 Metascore
    • 38 James Berardinelli
    Horror fans will be disgusted by the lack of gore. Romance fans will be disgusted by the presence of gore. One is tempted to applaud the filmmakers for trying something this daring, but the result isn't good enough to warrant any acclaim, however lukewarm it might be.
    • 34 Metascore
    • 38 James Berardinelli
    It's a little sad that The Messengers is ultimately a good candidate for burial in a toxic waste dump because there are some good elements contained herein.
    • 27 Metascore
    • 38 James Berardinelli
    Wild Hogs is more tired, worn out, and sagging than its protagonists - an arthritic comedy whose humor is below mediocre and whose drama is cringe-worthy.
    • 36 Metascore
    • 38 James Berardinelli
    It's hard to say what is more responsible for the film's utter failure: Hopkins direction, the editing, or the screenplay. The result is such a muddle that one assumes each aspect deserves part of the blame.
    • 31 Metascore
    • 38 James Berardinelli
    A movie so inane that it fails to rise to the level of "good trash."
    • 23 Metascore
    • 38 James Berardinelli
    There are stretches when it becomes tedious and insufferably self important. There's even a late scene in which the movie turns preachy.
    • 34 Metascore
    • 38 James Berardinelli
    Yes, this film is worse than "Cliffhanger," Stallone's last venture into chaos.
    • 74 Metascore
    • 38 James Berardinelli
    As a satire on the media's infatuation with violence and murderers, Natural Born Killers hits the bullseye. The problem is, this is a one-note movie. It repeatedly hammers home the same point until the audience is bludgeoned into senselessness.
    • 46 Metascore
    • 38 James Berardinelli
    The problem with Hostel Part II is the same flaw that afflicted Hostel: no tension.
    • 33 Metascore
    • 38 James Berardinelli
    For all of its existential posturing, Being Human ends up being a rather shallow motion picture.
    • 45 Metascore
    • 38 James Berardinelli
    A tedious, incoherent bore.
    • 61 Metascore
    • 38 James Berardinelli
    Louder, flashier, and more hollow than anything else out there.
    • 33 Metascore
    • 38 James Berardinelli
    It stands alongside this year's other werewolf disaster, "Blood and Chocolate," in illustrating why the moon should set on the werewolf movie.
    • 44 Metascore
    • 38 James Berardinelli
    Dull, uninspired, and redundant.
    • 63 Metascore
    • 38 James Berardinelli
    It doesn't take long for the The Signal's promising beginning to fade into a haze that leaves the viewer exhausted and irritated.
    • 39 Metascore
    • 38 James Berardinelli
    By any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion.
    • 36 Metascore
    • 38 James Berardinelli
    It's a depressing experience to view something like Saw IV. It's not just the soullessness that's dispiriting, but the lack of invention. When a movie does little more than repeat what its predecessors accomplished with grotesque effectiveness, it's past time to tip this corpse into its grave and bury it.
    • 48 Metascore
    • 38 James Berardinelli
    "Mindless" applies, and Book of Secrets is more like a tame, endlessly repetitive amusement park ride than a motion picture.
    • 24 Metascore
    • 38 James Berardinelli
    Uninspired and painfully familiar.
    • 34 Metascore
    • 38 James Berardinelli
    One doesn't expect intelligent scripting or deep characterization from Roland Emmerich, but the film's lack of energy, poor special effects, and monotonous pacing lead to an inescapable conclusion: 10,000 B.C. isn't only brain-dead, it's COMPLETELY dead. It's inert and without a heartbeat.
    • 44 Metascore
    • 38 James Berardinelli
    Chaos Theory stumbles from one contrived circumstance to the next, and there's not a moment in this entire mess that conveys any sort of genuine human emotion or reaction.
    • 31 Metascore
    • 38 James Berardinelli
    To succeed, Deception requires viewers to be both inattentive and stupid. There's not a twist in this flimsy and moth-eaten plot that isn't both contrived and transparent and not a character who hasn't been hopelessly manipulated by the needs of the narrative.
    • 56 Metascore
    • 38 James Berardinelli
    This is the sort of movie that gives "chick flicks" a bad name. It's a cross between inept melodrama and a bad sit-com.
    • 54 Metascore
    • 38 James Berardinelli
    This unexceptional and uninteresting story of a self-pitying borderline-personality teenager verges on being unwatchable as a result of McDonald's decision to bombard the audience with extraneous images in lieu of telling the story.
    • 34 Metascore
    • 38 James Berardinelli
    The Happening is a movie to walk out of, sleep through, or - best of all - not to bother with.
    • 51 Metascore
    • 38 James Berardinelli
    Humor is subjective, but this movie made me feel as if I had been subjected to something unpleasant.
    • 31 Metascore
    • 38 James Berardinelli
    Feels perfunctory and obligatory and, despite the return of several familiar characters, is more like an afterthought than an organic third piece of a trilogy puzzle.
    • 26 Metascore
    • 38 James Berardinelli
    The lackluster acting and horrendous dialogue don't help.
    • 43 Metascore
    • 38 James Berardinelli
    There is no truth to the rumor that free frontal lobotomies will be performed at the entrance to all theaters showing Eagle Eye.
    • 39 Metascore
    • 38 James Berardinelli
    Most of the laughs are unintentional, but the result is absurd and laughable.
    • 34 Metascore
    • 38 James Berardinelli
    My Best Friend's Girl isn't just a misfire; it's a misfire compounded by a chain of miscalculations, and it's hard to figure out who this could appeal to (except, perhaps, Dane Cook's fan club).
    • 31 Metascore
    • 38 James Berardinelli
    A failure on pretty much every level, Hounddog would never have been known beyond Park City had it not been for the notoriety surrounding the rape scene.
    • 24 Metascore
    • 38 James Berardinelli
    It represents a missed opportunity on every level. As a black comedy, it fails. As a satire of the bloated wedding industry, it fails. As a drama about friendship triumphing over all, it fails.
    • 29 Metascore
    • 38 James Berardinelli
    The movie has little to recommend it and more than a few things to encourage those who pursue quality cinema to stay away.
    • 36 Metascore
    • 38 James Berardinelli
    The breath of fresh air, to the extent that one can be identified in the staleness of this recycled refuse, is John Cleese.
    • 34 Metascore
    • 38 James Berardinelli
    If all you're looking for is breasts, blood, and gore, this film hits pay dirt. None of the killings are terribly inventive, but they are plentiful, and why bother being devious when axes, machetes, knives, and pointed sticks will do the job just as well?
    • 49 Metascore
    • 38 James Berardinelli
    Perhaps the strangest thing about 2012 is that the bad parts of the film are among the most enjoyable, because they're so over-the-top ridiculous that it's impossible not to break out laughing.
    • 48 Metascore
    • 38 James Berardinelli
    Of course, the problem with Angels & Demons is that to get to the final 40 minutes, it's necessary to endure the first 90, and that would be defined as cruel and unusual punishment.
    • 26 Metascore
    • 38 James Berardinelli
    Echelon Conspiracy is a more evocative title than a movie this stupid deserves.
    • 33 Metascore
    • 38 James Berardinelli
    Boring and uninspired, this movie gives ghost stories a bad name.
    • 20 Metascore
    • 38 James Berardinelli
    The Informers is nihilism for nihilism's sake; a bleak and borderline-unwatchable collage of misanthropes, self-absorbed a**holes, and pathetic weaklings as they struggle to move forward during the early 1980s in Los Angeles.
    • 27 Metascore
    • 38 James Berardinelli
    I wonder if Gamer might make a good game; it certainly doesn't make a good movie.
    • 34 Metascore
    • 38 James Berardinelli
    I found the most extreme material to be so tasteless that it voided all comedy.
    • 32 Metascore
    • 38 James Berardinelli
    A turd of T-Rex proportions, Land of the Lost makes one remember last summer's "Speed Racer" fondly.
    • 35 Metascore
    • 38 James Berardinelli
    The storyline is so infantile that it will appeal to young kids.
    • 42 Metascore
    • 38 James Berardinelli
    Orphan is being marketed as a horror movie, but that's misdirection. It's more of a standard thriller in the "evil amongst us" mode, about a group of people who inadvertently admit a psychopath into their midst.
    • 33 Metascore
    • 38 James Berardinelli
    Is this a movie or a feature-length advertisement for Qwest? We're not just talking one product placement; this brand name is nearly omnipresent.
    • 62 Metascore
    • 38 James Berardinelli
    Sluggish. Torpid. Boring. Those three words (and more) can describe The Yellow Handkerchief, a stultifying road trip movie whose inept screenplay is only partially counterbalanced by a trio of nice performances.
    • 43 Metascore
    • 38 James Berardinelli
    Newell has followed up a respectable adaptation of a Harry Potter novel with an ignominious translation of something more delicate and literate. It's hard to recommend this movie to anyone except perhaps the MST3K crew.
    • 37 Metascore
    • 38 James Berardinelli
    Clumsily incorporates elements of "Ghost," "The Sixth Sense," and "Field of Dreams."
    • 50 Metascore
    • 38 James Berardinelli
    A muddle of a film - an overlong bore that either mistakenly thinks it's something more than a humdrum romance or has incorporated a variety of pretentions as window-dressing.
    • 44 Metascore
    • 38 James Berardinelli
    Devil will do little to dispel the growing belief that Shyamalan is a one-trick pony whose horse has keeled over. The laughter during the trailer was sadly prescient; the film is a joke.
    • 39 Metascore
    • 38 James Berardinelli
    Cloying and at times annoying, Life as We Know It is egregiously manipulative, whoring itself out for a few unearned tears.
    • 67 Metascore
    • 38 James Berardinelli
    This movie works best as a sleep tonic. Somewhere isn't just frustratingly slow-moving; it's inert.
    • 33 Metascore
    • 38 James Berardinelli
    The only arena in which Gulliver's Travels plays an adequate game is in visual effects.
    • 28 Metascore
    • 38 James Berardinelli
    Season of the Witch teeters on the edge of slipping into the "so bad it's good" camp, but ultimately ends up being merely bad.
    • 33 Metascore
    • 38 James Berardinelli
    Akin to watching a bad sit-com that never ends.
    • 36 Metascore
    • 38 James Berardinelli
    The recycling goes as deep as the dialogue, which is a mangled and blended refrain of clichés.
    • 33 Metascore
    • 38 James Berardinelli
    This movie isn't bad in the way some incompetently made movies are bad; this is bad because there's much skill evident in a pointless endeavor.
    • 27 Metascore
    • 38 James Berardinelli
    Did You Hear about the Morgans? Yes and, to be perfectly frank, I wish I had been spared the experience.
    • 42 Metascore
    • 38 James Berardinelli
    LaBeouf, who appeared to hit a low in "Indiana Jones and the Kingdom of the Crystal Skull," has sunk to greater levels of incompetence here.
    • 36 Metascore
    • 38 James Berardinelli
    The 2011 version of Conan the Barbarian looks cheap and feels rushed. The few good elements are dwarfed by a generic, nonsensical plot and shoddy storytelling.
    • 37 Metascore
    • 38 James Berardinelli
    Trespass is a home invasion movie, but not a clever, taut one; it's sloppy and obvious, with curves so un-serpentine they might as well be straightaways.
    • 43 Metascore
    • 38 James Berardinelli
    The only reason any male could have for seeing The Vow is the hope of getting laid afterwards. The only reason any female could have for seeing The Vow is if she views the plots of Harlequin romance novels as the height of modern storytelling.
    • 48 Metascore
    • 38 James Berardinelli
    Lockout is painful. Not painful in the way Uwe Boll or "Sex and the City" movies are painful. But painful enough that I kept waiting for Nicolas Cage to show up. Or Katherine Heigl. Or, god forbid, both.
    • 41 Metascore
    • 38 James Berardinelli
    Battleship has the IQ of a rutabaga and doesn't require much more intelligence than that to watch. Despite spending copious amounts of time with back story and so-called character development, it's really all about the explosions.
    • 58 Metascore
    • 38 James Berardinelli
    Those who don't understand what it means for an actor to "sleepwalk" through a performance need only watch Men in Black III; there's no shortage of examples.
    • 54 Metascore
    • 38 James Berardinelli
    It's either a failed experiment or a movie that was rushed through production so Allen could fulfill his one project-per-year commitment.
    • 36 Metascore
    • 38 James Berardinelli
    The Watch is a studio turd marinated in eau de skunk that stinks worse than week-old fish.
    • 50 Metascore
    • 38 James Berardinelli
    A slow, meandering misfire of a movie.
    • 22 Metascore
    • 38 James Berardinelli
    A preposterous thriller where the only thing more disappointing than the ending is the 93 minutes it takes to get there.
    • 51 Metascore
    • 38 James Berardinelli
    Labeling The Call as "relentlessly dumb" would be an overestimation of its intelligence. This is as brain-dead as a movie can be and it assumes the audience will have the I.Q. of a rutabaga.
    • 41 Metascore
    • 38 James Berardinelli
    Everything in G.I. Joe: Retaliation is perfunctory - technically proficient but soulless. It's not exciting. It's boring.
    • 35 Metascore
    • 38 James Berardinelli
    To work, The Host would have required a visionary interpretation rather than the mundane telling that Niccol opts for.
    • 28 Metascore
    • 38 James Berardinelli
    It's tired and dated with too few laughs to justify the stultifying attempts at drama and the impossible-to-swallow plot contortions.
    • 30 Metascore
    • 38 James Berardinelli
    "The Hangover" was high octane fun. "The Hangover Part II," despite its repetitive nature, was enjoyable. The Hangover Part III is some kind of hideous experiment in mass consumer torture.
    • 42 Metascore
    • 38 James Berardinelli
    Everything about it feels stale: the actors, the story, the comedy, everything. And, to make matters worse, that everything goes on for an interminable two hours.
    • 25 Metascore
    • 38 James Berardinelli
    In R.I.P.D., we have a legitimate train wreck of a motion picture: a film that doesn't work on any level. It's not funny. It's not exciting. It's not engaging. It's a waste of time and money.
    • 44 Metascore
    • 38 James Berardinelli
    A "Jennifer Aniston movie" has become synonymous with "derivative, lackluster mediocrity," and it's a shame. We know she has both talent and charisma but nothing on her recent resume has allowed her to display those qualities. So we're stuck with films that are at best forgettable and at worst painful.
    • 33 Metascore
    • 38 James Berardinelli
    However, once you realize there's no "pleasure" to be had from something this wantonly dumb and idiotically constructed, all that's left is "guilt" - guilt that you actually spent money to see this.
    • 40 Metascore
    • 38 James Berardinelli
    It is now weighed down by a second half that's equal parts incoherent, tedious, and repetitive.
    • 35 Metascore
    • 38 James Berardinelli
    Sixteen years after her death, Princess Diana is still capable of generating interest, which is probably the only reason why this dull, pointless movie was greenlighted.
    • 53 Metascore
    • 38 James Berardinelli
    A misfire in far too many meaningful aspects, The Book Thief is so bad that it's tough to decide whether it's better used as a sleep aid or watched while under the influence as an object of derision.
    • 44 Metascore
    • 38 James Berardinelli
    Calling Delivery Man a "comedy" is a bit of a stretch, because it's rarely funny. Dumb, yes, but not in a way that's worthy of more than a half-hearted chuckle.
    • 30 Metascore
    • 38 James Berardinelli
    Sadly, as apt as comparisons to "Underworld" might seem, I, Frankenstein can't even clear that very low bar.
    • 40 Metascore
    • 38 James Berardinelli
    It’s artificial, annoying, and boring.
    • 39 Metascore
    • 38 James Berardinelli
    Director Scott Waugh’s intention may have been to elevate my pulse, but the only thing at which he succeeded was getting me to check my watch repeatedly.
    • 39 Metascore
    • 38 James Berardinelli
    The Other Woman ignores dozens of potentially edgy possibilities to tell the most banal story imaginable - and to do it badly.
    • 40 Metascore
    • 38 James Berardinelli
    There's no fun to be had here and if an action movie doesn't make the grade as escapist entertainment, what's the point?
    • 31 Metascore
    • 38 James Berardinelli
    What's missing from Blended? Two key ingredients: it doesn't touch the heart and it doesn't tickle the funny bone (at least not often enough).
    • 31 Metascore
    • 25 James Berardinelli
    There's just one problem: it's not scary and it's not funny...Idle Hands transcends that mundane level of badness into the realm of gross ineptitude.
    • 27 Metascore
    • 25 James Berardinelli
    In a way, it's probably unfair to blame director Tamra Davis exclusively for this debacle. After all, she's toiling in the shadow of a would-be multi-media superstar, making her essentially a hired gun.
    • 12 Metascore
    • 25 James Berardinelli
    This film is an absolute mess.
    • 47 Metascore
    • 25 James Berardinelli
    Devoid of life, intelligence, humor, and anything else that could entertain even the most undemanding viewer, this film is a perfect example of something that should have been shipped to landfills, not multiplexes.
    • 14 Metascore
    • 25 James Berardinelli
    The most depressing thing about this movie is not that it's such a complete waste of time, but that there are people in Hollywood who think this kind of thing is what American movie-goers are interested in seeing.
    • 29 Metascore
    • 25 James Berardinelli
    It's a wretched attempt at entertainment, ephemerally redeemed only by the appearance of several attractive girls.
    • 19 Metascore
    • 25 James Berardinelli
    95 minutes of unrelieved tedium.
    • 36 Metascore
    • 25 James Berardinelli
    Disney has struck once again, taking a passably entertaining cartoon and turning it into a motion picture so lifeless that it's almost unwatchable.
    • 25 Metascore
    • 25 James Berardinelli
    Too much of Jason X plays it straight, and that means boredom. Murder and mayhem of this sort quickly becomes monotonous.
    • 27 Metascore
    • 25 James Berardinelli
    If ever a romantic comedy is going to fail at the box office, this is it. The movie isn't a guy's thing, a girl's thing, or anybody else's thing.
    • 36 Metascore
    • 25 James Berardinelli
    A lame collection of dumber-than-dumb gags, the quality of Big Fat Liar is on par with that of the worst television sit-com gorged to four times its normal size.
    • 21 Metascore
    • 25 James Berardinelli
    Fox should be paying potential viewers not to walk out of this turkey. The plot has all the depth and originality of a video game without the fun of the interactivity.
    • 19 Metascore
    • 25 James Berardinelli
    There's no evidence of craftsmanship or energy. Everything, from the plot to the execution, is plodding and obligatory.
    • 18 Metascore
    • 25 James Berardinelli
    Defined by three characteristics. It is as stupid as a decapitated worm. It is as irritating as a mosquito buzzing around one's head. And it is as funny as "Schindler's List."
    • 14 Metascore
    • 25 James Berardinelli
    If you've gone to Kung Pow for the plot, you have made a mistake. Come to think of it, if you have gone for the comedy, you've also made a mistake. In fact, if you've gone at all, you've made a mistake.
    • 47 Metascore
    • 25 James Berardinelli
    It is a cinematic abomination -- a source of embarrassment for everyone involved.
    • 43 Metascore
    • 25 James Berardinelli
    The worst action movie of the summer. I liked Bad Boys II a little less, but making the comparison is like distinguishing between a cow turd and a horse turd. And that pretty much sums it up nicely.
    • 49 Metascore
    • 25 James Berardinelli
    If there's one thing this motion picture proves, it's that "The Naked Gun 33 1/3" wasn't the final insult from a founding ZAZ (Zucker/Abrams/Zucker) member; this is.
    • 37 Metascore
    • 25 James Berardinelli
    The result is an atrociously unfunny, unromantic, and unpleasant product.
    • 45 Metascore
    • 25 James Berardinelli
    It boggles the mind to consider that the fertile writing team of Alec Berg, David Mandel, and Jeff Schaffer, all of whom spent time scripting episodes of "Seinfeld," could turn out something as abysmally unfunny as Eurotrip.
    • 21 Metascore
    • 25 James Berardinelli
    If there's a blessing, it's that the sequel isn't appreciably worse than the original - but that's slim praise considering how bad the first one was.
    • 31 Metascore
    • 25 James Berardinelli
    It's remarkably appropriate that Envy is about turds, because that's what the movie is.
    • 34 Metascore
    • 25 James Berardinelli
    A bunch of IQ-challenged characters traipsing through a laughably bad scenario brought to life using silly dialogue, banal direction, and questionable special effects.
    • 27 Metascore
    • 25 James Berardinelli
    This a neutered Garfield, one part tomcat and three parts pussy, recognizable only by his orange coat and love of lasagna. This feline's got a serious case of mange.
    • 27 Metascore
    • 25 James Berardinelli
    A catastrophe. This motion picture is an embarrassment to all involved.
    • 56 Metascore
    • 25 James Berardinelli
    Tracey Ullman is a bright spot in an otherwise sordid, murky production.
    • 30 Metascore
    • 25 James Berardinelli
    White Noise has nothing. You'll have a better time staying home, tuning your TV to a station that doesn't carry a local signal, and staring.
    • 35 Metascore
    • 25 James Berardinelli
    It is a ghastly experience, and I left the theater feeling as if I had waded neck-deep through a stream of raw sewage.
    • 40 Metascore
    • 25 James Berardinelli
    The element of high camp that makes for enjoyable "good trash" isn't present.
    • 24 Metascore
    • 25 James Berardinelli
    This is as witless as movies come -- an unamusing, moronic blend of horrible acting and inept screenwriting.
    • 33 Metascore
    • 25 James Berardinelli
    Isn't just bad, it's very bad.
    • 35 Metascore
    • 25 James Berardinelli
    It will bore you.
    • 34 Metascore
    • 25 James Berardinelli
    Doesn't have the decency to end when it should.
    • 34 Metascore
    • 25 James Berardinelli
    The motion picture version of Bewitched is a travesty of monumental proportions that belongs in the "What the hell were they thinking?" category.
    • 45 Metascore
    • 25 James Berardinelli
    It has all the elements one would expect from a "so bad it's good" feature: cheesy dialogue, a script that could have been written by two chimpanzees, acting that would make a high school drama teacher cringe, and lots of tight female bodies poured into tiny bikinis. Despite all of that, however, I found Into the Blue to be a real trial.
    • 34 Metascore
    • 25 James Berardinelli
    A dreadful, hackneyed piece of cinema.
    • 47 Metascore
    • 25 James Berardinelli
    There are bad movies and annoying movies, and this one contains elements of both.
    • 45 Metascore
    • 25 James Berardinelli
    There's nothing worse than a film which mistakenly believes it's the comic event of the year. For no legitimate reason whatsoever, When Nature Calls is full of itself to the point of being offensive.
    • 38 Metascore
    • 25 James Berardinelli
    The Pink Panther is supposed to use humor to uplift. Instead, I departed this movie feeling depressed.
    • 18 Metascore
    • 25 James Berardinelli
    This is another one of those pointless action superhero movies that unfolds like a video game in which the viewer is unable to participate.
    • 26 Metascore
    • 25 James Berardinelli
    This film is unable to involve, entertain, or titillate. Basically, it stinks.
    • 33 Metascore
    • 25 James Berardinelli
    RV
    On those rare occasions when RV stumbles across a comedic moment that is legitimately funny, it drains the humor out of it by milking it dry.
    • 27 Metascore
    • 25 James Berardinelli
    It's not scary, it's not chilling, and it's not interesting.
    • 18 Metascore
    • 25 James Berardinelli
    Hush has three very simple problems: it's incredibly dumb, it's incredibly boring, and it's incredibly predictable (at least up to the stupefying ending).
    • 28 Metascore
    • 25 James Berardinelli
    When it comes to comedy, Deck the Halls is remarkably tedious.
    • 35 Metascore
    • 25 James Berardinelli
    By the end of the film, I was hoping everyone on two legs would die, preferably suffering as much on screen as I was in the audience.
    • 17 Metascore
    • 25 James Berardinelli
    Epic Movie is a waste of time. It's like a bad issue of "Cracked Magazine" come to life. It's not so much painful as it is sleep inducing.
    • 35 Metascore
    • 25 James Berardinelli
    The funniest movie of the year - a true laugh riot. Viewers will be holding their sides to contain the laughter. Forget Borat - if you're looking for something hilarious, this is the movie to see. What's that? It's not supposed to be a comedy. Oops.
    • 27 Metascore
    • 25 James Berardinelli
    It's crass, cruel, and borderline offensive, but the laughs that could redeem all of that are missing. Material as bad as the tripe that comprises Norbit can be endured only if there's a payoff. In this case, the point seems to be that some actors will do anything for a buck.
    • 32 Metascore
    • 25 James Berardinelli
    After this disgrace, it's time to shut the hills' eyes for good.
    • 18 Metascore
    • 25 James Berardinelli
    The ineptitude of the movie's drama is matched only by the failure of its humor.
    • 32 Metascore
    • 25 James Berardinelli
    Aside from Snipes' well-tuned performance and a few clever scenes detailing superstar marketing, this picture is a veritable wasteland. Even watching the horror show that the real Giants have become during the 1996 season is more fun than this. The advertising slogan may be "fear strikes soon", but, when it comes to The Fan, fear, like the movie, strikes out.
    • 25 Metascore
    • 25 James Berardinelli
    This movie is bad from top to bottom, front to back, and start to finish.
    • 16 Metascore
    • 25 James Berardinelli
    Unless you derive pleasure from watching Lohan being tortured, there's no reason to subject yourself to this movie. Besides, if that's your goal, all you have to do is turn on tabloid TV. There's Lindsay's living hell of a life, being broadcast 24/7.
    • 38 Metascore
    • 25 James Berardinelli
    August Rush isn't just a bad movie - it's an aggressively bad movie.
    • 25 Metascore
    • 25 James Berardinelli
    Surprise of surprises, Revolver turns out to be worse than "Swept Away" - and not just by a little bit.
    • 29 Metascore
    • 25 James Berardinelli
    --- Ho, ho, ho - the joke's on anyone who pays to see this.
    • 37 Metascore
    • 25 James Berardinelli
    Asian horror remakes are typically not screened for critics, and Shutter is no exception. The studios know what they have: watered-down, lifeless shells of motion pictures devoid of characters, drama, or anything remotely resembling horror.
    • 17 Metascore
    • 25 James Berardinelli
    Despite having the same title and a similar premise to a 1980 Jamie Lee Curtis flick (kids getting slaughtered on prom night), this is NOT a remake. In fact, it really doesn't have much of a plot. It's basically "The O.C." with a body count.
    • 17 Metascore
    • 25 James Berardinelli
    One of the dumbest thrillers to arrive it theaters in a long time.
    • 55 Metascore
    • 25 James Berardinelli
    The resulting hodgepodge of unfunny, sophomoric humor and PG-13 T&A, frosted by a sheen of appallingly nauseous "drama," makes for such a noxious brew that it's amazing viewers stay in their seats for the entire production.
    • 35 Metascore
    • 25 James Berardinelli
    The gore is so badly done that it's borderline comical and poor lighting passes for "atmosphere."
    • 30 Metascore
    • 25 James Berardinelli
    Maybe approaching The Unborn as horror is the wrong approach. Perhaps this should be seen as a comedy. It is quite possibly the most egregiously laughable high-profile supernatural tale since Roman Polanski and Johnny Depp impaled themselves on "The Ninth Gate."
    • 38 Metascore
    • 25 James Berardinelli
    It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavishness to a culture of consumption to be morally repugnant.
    • 31 Metascore
    • 25 James Berardinelli
    Regardless of how low your expectations are regarding Fired Up!, it will still surprise you, and not in a good way.
    • 38 Metascore
    • 25 James Berardinelli
    12 Rounds is the unholy stepchild of "Die Hard with a Vengeance" and "Speed," starring a man whose lack of range makes Steven Seagal seem nuanced by comparison.
    • 54 Metascore
    • 25 James Berardinelli
    Watching Imagine That, I was beset by a feeling of intense depression. Is this what Eddie Murphy has become?
    • 47 Metascore
    • 25 James Berardinelli
    Jennifer's Body mixes, matches, and crosses three popular genres: horror, comedy, and teen angst. Unfortunately, it fails at all of them - and "fails" might be too kind a term.
    • 22 Metascore
    • 25 James Berardinelli
    If there's anything to like about The Bounty Hunter, it's Christine Baranski doing a Joan Rivers impersonation.
    • 27 Metascore
    • 25 James Berardinelli
    It's astounding how a movie this long could accomplish so little.
    • 43 Metascore
    • 25 James Berardinelli
    Watching this movie, I wished I knew how to use dental floss, a paper clip, and a crumpled movie ticket to break the projector.
    • 20 Metascore
    • 25 James Berardinelli
    The Last Airbender is an insult to anyone with a triple-digit I.Q. and a willingness to use it inside the confines of a movie theater. This is bad filmmaking and bad storytelling. It also sounds what should be the death knell to M. Night Shyamalan's career.
    • 30 Metascore
    • 25 James Berardinelli
    The "special effects" employed to have the animals' mouths form words might have been state-of-the-art 20 years ago, but they're outdated today, and the gorilla looks like a guy in the monkey suit that was abandoned after the 1976 version of "King Kong." I guess CGI was too sophisticated for the technical crew.
    • 25 Metascore
    • 25 James Berardinelli
    Perhaps the only way to approach Abduction that will not result in a 105-minute boredom-induced coma is to think of it as a comedy, preferably with a drinking game attached. There are laughs to be had, although none of them are intentional.
    • 32 Metascore
    • 25 James Berardinelli
    For acting to be this bad in movie not directed by Michael Bay or George Lucas, it has to be intentional.
    • 30 Metascore
    • 25 James Berardinelli
    You may find sperm jokes hilarious, but it's doubtful you'll find them hilarious in The Babymakers, which has serious composition problems.
    • 58 Metascore
    • 25 James Berardinelli
    Sometimes, even a little gratuitous nudity can't save a movie. This is one of those occasions. Cosmopolis easily trumps "To Rome with Love" as the biggest disappointment of 2012 from an established director.
    • 40 Metascore
    • 25 James Berardinelli
    They could have called this Paranormal Inactivity.
    • 35 Metascore
    • 25 James Berardinelli
    This feels a lot like some of the recent, unwatchable Adam Sandler offerings: boorish, unfunny comedy colliding with saccharine, quasi-dramatic filler.
    • 33 Metascore
    • 25 James Berardinelli
    The sad truth about After Earth is that not only is it difficult to find things it does well, but there are numerous examples of outright incompetence dotting the landscape.
    • 41 Metascore
    • 25 James Berardinelli
    This is quite possibly the most moronic motion picture I have seen thus far in 2013 and that's saying a lot.
    • 32 Metascore
    • 25 James Berardinelli
    This is as excruciating a movie as is likely to be experienced by anyone, anywhere. It isn't merely that the story is insulting, the characters are bland, the action is dull, and the CGI is everywhere - it's that all this goes on for nearly three hours. That's three hours of your life you'll never get back.
    • 12 Metascore
    • 12 James Berardinelli
    Even the rare individual who died laughing while watching the trailer will discover that only half of that phrase - the "dying" part - applies to the experience of enduring the film.
    • 38 Metascore
    • 12 James Berardinelli
    This movie only takes a few minutes to crash and burn, but more than an hour and a half to realize it.
    • 38 Metascore
    • 12 James Berardinelli
    The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both.
    • 16 Metascore
    • 12 James Berardinelli
    This film is like a shiny, red apple that's rotten to the core -- despite slick direction and a glossy sheen, it reeks of decay. Showgirls isn't a good drama, a good thriller, or even good pornography.
    • 26 Metascore
    • 12 James Berardinelli
    Every once in a while, a movie comes along that is so boring and pointless, that those faithful movie-goers who never walk out on a film have to find some alternative to watching the mind- numbing stupidity unfolding on the screen.
    • 35 Metascore
    • 12 James Berardinelli
    There are quite a few unintentionally funny moments, although the overall experience was too intensely painful for me to be able to advocate it as being "so bad, it's good."
    • 29 Metascore
    • 12 James Berardinelli
    So bad that it will annoy and/or bore those who have minimal standards and a high tolerance for sewage.
    • 53 Metascore
    • 12 James Berardinelli
    This is a vile and reprehensible motion picture.
    • 33 Metascore
    • 12 James Berardinelli
    Straight viewing could result in brain damage.
    • 11 Metascore
    • 12 James Berardinelli
    This film has no story, no characters, and no coherence.
    • 33 Metascore
    • 12 James Berardinelli
    This is one of those movies where you stay rooted in your seat just to see how bad it can really get.
    • 28 Metascore
    • 12 James Berardinelli
    Even Cowgirls is as close to an unwatchable film as there is available at this time in the theaters.
    • 13 Metascore
    • 12 James Berardinelli
    Fair Game is howlingly bad - so awful, in fact, that it can actually be enjoyed on a certain level.
    • 14 Metascore
    • 12 James Berardinelli
    Mixed Nuts makes a point of stating that there's magic at Christmas. After seeing this movie, I'm a believer. After all, it's virtually impossible to come up with an alternate explanation of how something this awful could make it to theaters across the nation.
    • 7 Metascore
    • 12 James Berardinelli
    A cinematic excursion so horrific that it's an insult to bad movies to call it a bad movie.
    • 7 Metascore
    • 12 James Berardinelli
    This is bad. Not bad in a way that it might be fun to see when inebriated. Bad in a way from which only death provides immunity.
    • 19 Metascore
    • 12 James Berardinelli
    What's wrong with this movie? A better question might be: What's right? Every attempt at comedy is not only obvious but delivered in such a forced manner that any hope of generating laughter dies before the joke has been told.
    • 26 Metascore
    • 12 James Berardinelli
    Just plain bad. Boring. Unwatchable.