James Poniewozik
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For 394 reviews, this critic has graded:
  • 41% higher than the average critic
  • 5% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

James Poniewozik's Scores

Average review score: 63
Highest review score: 100 Louie: Season 4
Lowest review score: 0 Bridalplasty: Season 1
Score distribution:
  1. Negative: 47 out of 394
394 tv reviews
    • 81 Metascore
    • 90 James Poniewozik
    The BBC's The Hour, the best new show this summer.
    • 91 Metascore
    • 90 James Poniewozik
    Sherlock, which impresses again in the three-episode season that returns on PBS.
    • 90 Metascore
    • 90 James Poniewozik
    It's all breathtaking in much the way that you'd suspect.
    • 98 Metascore
    • 90 James Poniewozik
    A satisfying, touching and excruciatingly funny severance package.
    • 91 Metascore
    • 90 James Poniewozik
    It’s a beautiful downer, a perceptive and acute one, whose empathy distinguishes it from some of its peers.
    • 88 Metascore
    • 90 James Poniewozik
    It’s a sumptuous pleasure to go through one doorway and another, feeling all the while the dawning knowledge that someday we will turn a corner, and come to the last.
    • 82 Metascore
    • 90 James Poniewozik
    By the standards of most TV crime stories, the meditative Rectify may instead seem like too little. But it’s entrancing at showing how, in some circumstances, just getting through a day is drama enough.
    • 92 Metascore
    • 90 James Poniewozik
    [A] haunting, creepy, and beautiful French series
    • 85 Metascore
    • 90 James Poniewozik
    It's an absorbing, beautifully acted story about science, emerging feminism and American culture. But it's also a gamble on the idea that great TV drama can involve stakes that are not sharpened to pointy tips.
    • 88 Metascore
    • 90 James Poniewozik
    It’s not that that second What It’s About--the emotional heart of The Americans--is better, more noble than the first. But it’s the difference between an exciting thriller premise that flames out fast and a story with lasting power--demonstrates better than ever.
    • 83 Metascore
    • 90 James Poniewozik
    A TV series that’s well-made, thought-provoking, deeply moving.
    • 84 Metascore
    • 90 James Poniewozik
    Silicon Valley is the funniest out-of-the-box pay cable comedy in a good while.
    • 83 Metascore
    • 83 James Poniewozik
    Daisies has a timeless, picture-book look. It could be set today, in the '30s, in the '70s or in any other decade fond of saturated color. Like Chuck herself, it's a perfect candidate for a second chance: as glowing and lovable as the day we first met it.
    • 74 Metascore
    • 83 James Poniewozik
    The premise of ABC's Life on Mars is ludicrous but irresistible.
    • tbd Metascore
    • 80 James Poniewozik
    Kids are drawn by the show's loopy slapstick, grownups by its dry (so to speak) wit.
    • 76 Metascore
    • 80 James Poniewozik
    An improbable, heart-pounding and-tugging mix of fantastical '60s spy chic and emotionally realistic drama ... Ridiculous, over the top but unashamed, it manages to thrill and win our hearts.
    • 89 Metascore
    • 80 James Poniewozik
    At least in the first four hours... the show reminds us of the intense thrills it can provide even without threatening to blow up the entire planet.
    • tbd Metascore
    • 80 James Poniewozik
    The funniest new sitcom of the spring ... What makes Universe funny and not just wacky is that it uses the qualities that endeared viewers to Richter's Late Night persona--the affable, moon-faced cynic--making the character the kind of sweet but snarky dreamer you would want in the next cubicle.
    • 80 Metascore
    • 80 James Poniewozik
    Deadwood is not the next Sopranos. Everyone likes Italian food, whereas this is beef jerky--slow chewing, an acquired taste but substantial. Sometimes Milch's Shakespearean ambitions get away from him, and the story can drag. But the acting is strong.
    • 70 Metascore
    • 80 James Poniewozik
    A witty, mature drama that can hit both the chest and the heart.
    • 67 Metascore
    • 80 James Poniewozik
    The O.C. looks to have enough heart, talent and wit to generate a few seasons' worth of luxurious suds.
    • 79 Metascore
    • 80 James Poniewozik
    Big Love quickly settles you into its odd setting. The particulars of the Henricksons' lives--their intrigues and secrecy, yes, but also their familiar family dynamics and sincere faith--are presented, simply and unpatronizingly, as the reality of the show's universe.
    • 72 Metascore
    • 80 James Poniewozik
    The dialogue's still pulpy, but its action story is the bomb.
    • 83 Metascore
    • 80 James Poniewozik
    Shot intimately with handheld camera, it's a moving but unsentimental celebration of community, of pulling together not just because it's right but also because it's necessary.
    • 64 Metascore
    • 80 James Poniewozik
    The show is filled with Lettermanesque non sequiturs and '70s pop-culture arcana... but it has heart too.
    • 77 Metascore
    • 80 James Poniewozik
    The morals of this provocative show are as intriguing as its cases.
    • 66 Metascore
    • 80 James Poniewozik
    The realism doesn't extend to the exaggerated characters and plots, but if you focus on the sharp dialogue (and aren't an easily worried parent), these students earn a solid ... B.
    • 65 Metascore
    • 80 James Poniewozik
    The pilot... iis actually the least funny of the three episodes I saw; in the other two, "Sarah" and the other characters are much better developed and the stories hang together better. Still, it's an acquired tastelessness.
    • 69 Metascore
    • 80 James Poniewozik
    It's far-fetched. It's outlandish. You will think you are too smart to get suckered in by it, but give it a few minutes and you will be proved wrong.
    • 49 Metascore
    • 80 James Poniewozik
    It's also, judging by the pilot, flawlessly art-directed, full of well-chosen period music and--for a drama about a country searching for its bearings in its bicentennial year--a lot of fun.