For 46 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.6 points higher than other critics. (0-100 point scale)

James Rocchi's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Smashed
Lowest review score: 0 The Paperboy
Score distribution:
  1. Positive: 28 out of 46
  2. Negative: 11 out of 46
46 movie reviews
    • 63 Metascore
    • 58 James Rocchi
    The Boxtrolls is a swing-and-miss for Laika; when you move forward with revolutionary techniques while standing still in terms of your themes, stories and settings, no amount of technical trickery or animation genius can bring the boring to vivid life.
    • 40 Metascore
    • 50 James Rocchi
    With both Garner and Shahedi providing voice-over, the small-town stakes and the big thematic ideas, Butter feels like someone trying to create the lemonade tang and quenching zest of, say, Alexander Payne's "Election."
    • 49 Metascore
    • 50 James Rocchi
    The film's look and feel are far more purposeful and propulsive than the story and script, but even so, Space Station 76 has more than a few laughs inside its brazen bizarreness.
    • 44 Metascore
    • 48 James Rocchi
    Both Tipton and Teller are better than this material.
    • 61 Metascore
    • 42 James Rocchi
    Sorrentino's very title suggests someone who doesn't have the most well-defined sense of where they ultimately want to wind up; as goes the Talking Heads song, so goes the movie.
    • 65 Metascore
    • 33 James Rocchi
    Forbes’ script simply cannot make the things she lived through alive for us in anything but the most glib, shallow and contrived way.
    • 53 Metascore
    • 30 James Rocchi
    The Amazing Spider-Man 2, is just good enough to make you painfully aware of all the ways it's not good at all.
    • 32 Metascore
    • 30 James Rocchi
    The material swings between the sensual and the puritanical with whiplash-inducing speed; the dialogue all too often has the flat, dead sound of a first draft.
    • 44 Metascore
    • 30 James Rocchi
    At the climax of Into the Storm, colossal tornadoes make noise, blow things up, and go around in circles; that's pretty much all the film does, too.
    • 29 Metascore
    • 30 James Rocchi
    The bad news is that no matter how charming or fizzy the chemistry between the actors might be, they're still trapped in the dead, fake melodrama and brainless coincidences of a Nicholas Sparks story.
    • 55 Metascore
    • 25 James Rocchi
    Honoré's made better films, and he'll make better films again; the most damning thing you can say about this one isn't that it feels like Honore doing a third-rate imitation of Francois Ozon ("Potiche," "8 Women"), but rather that it often feels like Honoré doing a third-rate imitation of himself.
    • 30 Metascore
    • 25 James Rocchi
    Nature Calls demonstrates yet again that the real question for any bad script is not "Who wrote this garbage?" but, rather, "Who read this garbage and thought it would make a viable way to spend time?"
    • 65 Metascore
    • 25 James Rocchi
    Muddled, muffled and mixing empty comedy with empty dramatics, The We and the I is an abject failure.
    • 37 Metascore
    • 20 James Rocchi
    Reitman clearly wanted to create a mosaic of sharp-edged shards held together by the mortar of art; with Men, Women and Children, what he's delivered is a group of broken bits mired in the morass of pretension.
    • 45 Metascore
    • 0 James Rocchi
    A lurid, florid, humid, flaccid and insipid waste of time and money for the audience and for everyone who made it.
    • 15 Metascore
    • 0 James Rocchi
    It would be one thing if D'Souza had an idea, or any idea, he could stick to as a through-line in his project. But America isn't a documentary; it's more like the badly-filmed version of a badly-written, meandering op-ed piece from a paper that lacks fact-checking or proofreading.