For 48 reviews, this critic has graded:
  • 87% higher than the average critic
  • 0% same as the average critic
  • 13% lower than the average critic
On average, this critic grades 13.5 points higher than other critics. (0-100 point scale)

Jamie Graham's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 100 The King and the Mockingbird
Lowest review score: 40 ABCs of Death 2
Score distribution:
  1. Positive: 31 out of 48
  2. Negative: 0 out of 48
48 movie reviews
    • 89 Metascore
    • 100 Jamie Graham
    A lunatic vision, as hilarious as it is hellish. And some of the greatest action ever put on screen.
    • 88 Metascore
    • 100 Jamie Graham
    Iñárritu ditches time-hopping bleakness for a linear, if loopy, satire that buzzes with brio. If Mel Brooks, John Cassavetes and Terry Zwigoff co-directed a superhero movie, this might be it.
    • 94 Metascore
    • 100 Jamie Graham
    A compassionate, masterful work that deservedly won Haneke a second Palme d'Or after "The White Ribbon's" 2009 victory. Best to avoid on a first date, though.
    • 87 Metascore
    • 100 Jamie Graham
    A masterpiece of animation and imagination.
    • 71 Metascore
    • 80 Jamie Graham
    The breakneck pace leaves little room for meaningful character development... But there’s imagination, spectacle and thrills to spare.
    • 87 Metascore
    • 80 Jamie Graham
    Good enough to survive evoking "Bicycle Thieves" and "The 400 Blows," this small story contains universal truths, told with irresistible force.
    • 71 Metascore
    • 80 Jamie Graham
    2012 is the year of the Muppet, and we don't mean Ashton Kutcher. After Jason Segel's fur-filled revival, rejoice in a documentary to make you laugh and, yes, cry.
    • 77 Metascore
    • 80 Jamie Graham
    Imagine all of D-Fens’ fury in Falling Down squeezed into one short, then times it by six. A gloriously crazed compendium that fizzes with OMG and OTT moments.
    • 68 Metascore
    • 80 Jamie Graham
    Not up there with key US influences "Annie Hall," "When Harry Met Sally" and "Jerry Maguire," but a romcom Brits can be proud of. Make a date of it.
    • 52 Metascore
    • 80 Jamie Graham
    Scott operates on a suitably Biblical scale and grounds the spectacle with rock-solid turns from Bale and Edgerton.
    • 78 Metascore
    • 80 Jamie Graham
    The one-liners are in evidence but this is more abrasive than you might expect. Blends rigour and vigour to join "Vicky Cristina Barcelona" and "Midnight In Paris" as the best of late-period Woody.
    • 65 Metascore
    • 80 Jamie Graham
    A low-budget, highconcept WTF thriller that might have been conceived by Rod Serling in the heyday of his Twilight Zone series. Spread the word.
    • 67 Metascore
    • 80 Jamie Graham
    Wan has fashioned a nitro-fuelled thrill-ride that forms a fitting tribute to its blue-eyed bro.
    • 48 Metascore
    • 80 Jamie Graham
    An absorbing thriller that favours vivid characters, profound ideas and Old Testament morals over propulsive plotting and set-pieces. With lots of blood.
    • 76 Metascore
    • 80 Jamie Graham
    Gyllenhaal is sensational headlining a pitch-black satire with its finger on the pulse.
    • 71 Metascore
    • 80 Jamie Graham
    As a portrait of a privileged, narcissistic sex addict, its magnificence and messiness are intertwined, while Gérard Depardieu’s (literally) naked performance offers a gurning, grunting bedfellow to Keitel’s Bad Lieutenant and Brando’s butterfat Last Tango In Paris protagonist.
    • 79 Metascore
    • 80 Jamie Graham
    Doesn’t have the heft of Zodiac or the verve of Se7en but Gone Girl is a masterful adaptation and a superior crime-thriller. As for Fincher changing the ending… See for yourself.
    • 51 Metascore
    • 80 Jamie Graham
    It’s no "Heat" but the niggles are easily forgiven given the virtuosity on show and the mood oozing from every frame. No one shoots faces, architecture and gunfights like Mann.
    • 70 Metascore
    • 80 Jamie Graham
    Shot on 16mm for less than $50,000, Sam Raimi's visceral debut remains a benchmark of modern horror. Plot and acting are minimal - five stooges inadvertently awaken demonic forces - but then this isn't about intellect or intricacy: it's about intensity and intestines. [1 Oct 2001]
    • 80 Metascore
    • 80 Jamie Graham
    Who let the dogs out? This is Homeward Bound: The Incredibly Harrowing Journey, with the feelgood payoff arriving after many feel-shit sequences. Well worth it, though.
    • 69 Metascore
    • 80 Jamie Graham
    A sombre, ’70s-flavoured crime drama with strong, interior performances from Hardy, Gandolfini and Rapace. Feel the (slow)burn.
    • 89 Metascore
    • 80 Jamie Graham
    Over-long, but a work of great artistry and emotion. As the woodcutter says upon finding our heroine: “A gift from heaven”.
    • 74 Metascore
    • 80 Jamie Graham
    Wiig and Hader give winning, finely nuanced turns in a film that deftly mixes light and dark. Also features the best use of ‘Nothing’s Gonna Stop Us Now’ since Mannequin…
    • 72 Metascore
    • 80 Jamie Graham
    A super-entertaining, super-slick love/hate letter to horror with a final 20 minutes that's stunningly bonkers.
    • 68 Metascore
    • 80 Jamie Graham
    Gosling and Cooper use their star currency to power a slow-burn, heartsick drama. "Blue Valentine" director Cianfrance is a serious talent.
    • 72 Metascore
    • 80 Jamie Graham
    Tiny Furniture announces Dunham as a talent to watch.
    • 80 Metascore
    • 80 Jamie Graham
    Strickland’s nuanced, atmospheric, ambiguous movie transcends genre.
    • 71 Metascore
    • 80 Jamie Graham
    Bigger and better – 22 Jump Street joins the exclusive list of sequels that out-gun their originals. We’re already knocking at the door of no.23.
    • 77 Metascore
    • 80 Jamie Graham
    A cunning, suspenseful thriller that bears comparison to the Coen brothers’ Blood Simple, Blue Ruin is an impossible-to-ignore calling card from writer/director Jeremy Saulnier. Hollywood awaits.
    • 62 Metascore
    • 80 Jamie Graham
    Willow Creek is a movie to believe in.

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